via YouTube:
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A Christmas present this year:
various and assorted miscellany
Before Charles Dickens became the literary laureate of Christmas, Washington Irving was introducing American readers to a whole host of now ubiquitous Christmas traditions, including Christmas carols on people’s doorsteps, mistletoe, and the famous Yule log – traditions which Irving had to explain in footnotes, so unfamiliar were they to his original readers in 1820.You can read it online here or have it read to you at the bottom of the post. It begins,
It was a brilliant moonlight night, but extremely cold; our chaise whirled rapidly over the frozen ground; the postboy smacked his whip incessantly, and a part of the time his horses were on a gallop. “He knows where he is going,” said my companion, laughing, “and is eager to arrive in time for some of the merriment and good cheer of the servants’ hall. My father, you must know, is a bigoted devotee of the old school, and prides himself upon keeping up something of old English hospitality. He is a tolerable specimen of what you will rarely meet with nowadays in its purity, the old English country gentleman; for our men of fortune spend so much of their time in town, and fashion is carried so much into the country, that the strong rich peculiarities of ancient rural life are almost polished away. My father, however, from early years, took honest Peacham for his textbook, instead of Chesterfield; he determined in his own mind that there was no condition more truly honorable and enviable than that of a country gentleman on his paternal lands, and therefore passes the whole of his time on his estate. He is a strenuous advocate for the revival of the old rural games and holiday observances, and is deeply read in the writers, ancient and modern, who have treated on the subject. Indeed, his favorite range of reading is among the authors who flourished at least two centuries since, who, he insists, wrote and thought more like true Englishmen than any of their successors. He even regrets sometimes that he had not been born a few centuries earlier, when England was itself and had its peculiar manners and customs. As he lives at some distance from the main road, in rather a lonely part of the country, without any rival gentry near him, he has that most enviable of all blessings to an Englishman—an opportunity of indulging the bent of his own humor without molestation. Being representative of the oldest family in the neighborhood, and a great part of the peasantry being his tenants, he is much looked up to, and in general is known simply by the appellation of ‘The Squire’—a title which has been accorded to the head of the family since time immemorial. I think it best to give you these hints about my worthy old father, to prepare you for any eccentricities that might otherwise appear absurd.”
In present times adherents of some new religious movements (such as Modern Germanic paganism) celebrate Yule independently of the Christian festival.
As contemporary pagan religions differ in both origin and practice, these representations of Yule can vary considerably despite the shared name. Some Heathens, for example, celebrate in a way as close as possible to how they believe ancient Germanic pagans observed the tradition, while others observe the holiday with rituals "assembled from different sources." Heathen celebrations of Yule can also include sharing a meal and gift-giving.
In most forms of Wicca, this holiday is celebrated at the winter solstice as the rebirth of the Great horned hunter god, who is viewed as the newborn solstice sun. The method of gathering for this sabbat varies by practitioner. Some have private ceremonies at home, while others do so with their covens
This year the Winter Solstice will occur on Dec. 21/22. 2023.
The Winter Solstice, or the December Solstice, is the point at which the path of the sun in the sky is farthest south. At the Winter Solstice, the sun travels the shortest path through the sky resulting in the day of the year with the least sunlight and therefore, the longest night.
In the lead-up to the Winter Solstice, the days become shorter and shorter, then on the evening of the solstice — in the Northern Hemisphere occurs annually on the 21st or 22nd of December — [Astronomical] winter begins, according to a NASA resource. From then onwards the days become increasingly long leading up to the Summer Solstice, or the June Solstice, and the longest day of the year.
This year the Winter Solstice will occur on Dec. 21/22. During the day, the Northern Hemisphere will have about 7 hours and 14 minutes of daylight, marking the shortest day of the year. Then at 10:27 p.m. ET (0327 GMT on Dec. 22), Earth's axis will be tilted the farthest away from the sun.
To be precise, the Winter Solstice marks what is known as the "astronomical winter" — but don't worry, this doesn’t mean it will be colder than any other winter. The moniker is simply adopted to distinguish it from the meteorological winter.
While the astronomical change of seasons is related to Earth's position around the sun and its axis, the meteorological seasons are marked by the first day of a particular month [and aligned with average temperatures across the seasons].
"You Jack o' Di'monds, you Jack o' Di'monds," said Mark Sambourne, shaking a reproachful head, "I know you of old." He rummaged beneath the white satin of his costume, panelled with gigantic oblongs and spotted to represent a set of dominoes. "Hang this fancy rig! Where the blazes has the fellow put my pockets? You rob my pocket, yes, you rob-a my pocket, you rob my pocket of silver and go-ho-hold. How much do you make it?" He extracted a fountain-pen and a cheque-book.
"Five-seventeen-six," said Lord Peter Wimsey. "That's right, isn't it, partner?" His huge blue-and-scarlet sleeves rustled as he turned to Lady Hermione Creethorpe, who, in her Queen of Clubs costume, looked a very redoubtable virgin, as, indeed, she was.
"Quite right," said the old lady, "and I consider that very cheap."
"We haven't been playing long," said Wimsey apologetically.
"It would have been more, Auntie," observed Mrs. Wrayburn, "if you hadn't been greedy. You shouldn't have doubled those four spades of mine."
Lady Hermione snorted, and Wimsey hastily cut in:
"It's a pity we've got to stop, but Deverill will never forgive us if we're not there to dance Sir Roger. He feels strongly about it. What's the time? Twenty past one. Sir Roger is timed to start sharp at half-past. I suppose we'd better tootle back to the ballroom."
"I suppose we had," agreed Mrs. Wrayburn. She stood up, displaying her dress, boldly patterned with the red and black points of a backgammon board. "It's very good of you," she added, as Lady Hermione's voluminous skirts swept through the hall ahead of them, "to chuck your dancing to give Auntie her bridge. She does so hate to miss it."
"Not at all," replied Wimsey. "It's a pleasure. And in any case I was jolly glad of a rest. These costumes are dashed hot for dancing in."
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It is a bit difficult to classify Meet Me in St. Louis. It isn’t exactly a musical, although it has some outstanding musical numbers in it. It isn’t exactly a comedy, although there is a vast deal of comedy in it. Nor is it exactly drama, although it has moving dramatic passages. However, there is no difficulty at all in describing it. Meet Me in St. Louis is completely delightful, homey, warmly human entertainment which has captured a nostalgic charm rarely if ever equalled on the screen.Slant Magazine says it "remains one of the most vital of musical films." Time Out gives it 5 out of 5 stars and calls it a "musical masterpiece". Rotten Tomatoes has a critics consensus score of 100%.
Later in his career, Cooke led a refusal to play a segregated show in Memphis. Many of the other artists on the bill showed up to play, but Sam stayed in his motel room — at the Lorraine Motel, where Dr. Martin Luther King was killed just a few years later.
image from Twitter |
Indeed, the film is not solely about Gilbert and Sullivan. The thrust of the story is the making of The Mikado. Gilbert and Sullivan are the creative drive behind the production, which is central to the screen story. But around them is a group of theater professionals: actors, costumers, businessmen, and stagehands. If Leigh’s usual mode of filmmaking is the character study, then the central character of Topsy-Turvy is the production itself, and the way in which artists of various skill and craft come together in support of a much larger show. Leigh’s perspective is not the narrow view that there were two authorial voices responsible for The Mikado; rather, he keeps every aspect of the production in view. Leigh felt the film would be, he told Raphael, “an excellent device for exploring matters to do with those of us who are in the business of creating entertainment.” Within this framework, Leigh allows for seemingly unimportant asides about peripheral characters; but every detail he infuses into his film adds another dimension to the overall portrait, and the cumulative effect goes beyond individuals to amass something more luxuriant and scopic than a typical backstage drama.Senses of Cinema describes the story:
The plot of the film is simplicity itself: Sir Arthur Sullivan (Allan Corduner) and William Schwenck “Willie” Gilbert (Jim Broadbent) have come to a creative impasse. After a string of light comedy musical hits, including The H.M.S. Pinafore and The Pirates of Penzance, Sullivan, who wants to compose “serious music,” has grown tired of Gilbert’s increasingly contrived scenarios, as evidenced by the failure of their latest collaboration, Princess Ida. As the fate of the D’Oyly Carte Opera Company rests in their hands, Richard D’Oyly Carte (Ron Cook) and the company’s manager, the level-headed Helen Lenoir (Wendy Nottingham), attempt to reason with Gilbert and Sullivan, but to no avail. It is only when Gilbert’s endlessly patient wife, Kitty (Lesley Manville), drags Gilbert to a touring exhibit of Japanese culture in Kensington that the librettist rouses himself from his creative torpor.Roger Ebert calls it "gloriously entertaining". Time Out concludes, "Leigh's cast are beyond compare, and the whole bighearted, splendidly droll celebration of the entertainer's lot surely stands among British cinema's one-of-a-kind treasures."
Surrounded by a world of eroticised costumes, samurai swords, Kabuki theatre and tea-drinking ceremonies, Gilbert is transfixed by the spectacle. Returning home with a large samurai sword as a souvenir of his outing, Gilbert furiously paces his study floor until he suddenly gets the inspiration for The Mikado, which would become arguably the team’s signature production.
The balance of Topsy-Turvy lovingly documents (or re-creates) the mechanics of producing the operetta on the stage of the Savoy Theatre, delving not only into the intricacies of rehearsals and costuming, but also the personal lives of the actors, costumers and others who bring The Mikado to life. This precise detail comes as a result of an enormous amount of detailed research, done, in fact, over a period of years. ...