The Murder on the Links

Today is the anniversary of the death of Agatha Christie in 1976 at the age of 85.

The Murder on the Links is the second of Agatha Christie's Poirot books and has been adapted several times. This particular book is currently in the public domain. You can read it free here at this link. It begins,

1

A Fellow Traveller

I believe that a well-known anecdote exists to the effect that a young writer, determined to make the commencement of his story forcible and original enough to catch and rivet the attention of the most blasé of editors, penned the following sentence:

“ ‘Hell!’ said the Duchess.”

Strangely enough, this tale of mine opens in much the same fashion. Only the lady who gave utterance to the exclamation was not a Duchess!

It was a day in early June. I had been transacting some business in Paris and was returning by the morning service to London where I was still sharing rooms with my old friend, the Belgian ex-detective, Hercule Poirot.

The Calais express was singularly empty—in fact, my own compartment held only one other traveller. I had made a somewhat hurried departure from the hotel and was busy assuring myself that I had duly collected all my traps when the train started. Up till then I had hardly noticed my companion, but I was now violently recalled to the fact of her existence. Jumping up from her seat, she let down the window and stuck her head out, withdrawing it a moment later with the brief and forcible ejaculation “Hell!”

Now I am old-fashioned. A woman, I consider, should be womanly. I have no patience with the modern neurotic girl who jazzes from morning to night, smokes like a chimney, and uses language which would make a Billingsgate fishwoman blush!

I looked up now, frowning slightly, into a pretty, impudent face, surmounted by a rakish little red hat. A thick cluster of black curls hid each ear. I judged that she was little more than seventeen, but her face was covered with powder, and her lips were quite impossibly scarlet.

Nothing abashed, she returned my glance, and executed an expressive grimace.

“Dear me, we’ve shocked the kind gentleman!” she observed to an imaginary audience. “I apologize for my language! Most unladylike, and all that, but Oh, Lord, there’s reason enough for it! Do you know I’ve lost my only sister?”

“Really?” I said politely. “How unfortunate.”

“He disapproves!” remarked the lady. “He disapproves utterly—of me, and my sister—which last is unfair, because he hasn’t seen her!”

I opened my mouth, but she forestalled me.

“Say no more! Nobody loves me! I shall go into the garden and eat worms! Boohoo! I am crushed!”

She buried herself behind a large comic French paper. In a minute or two I saw her eyes stealthily peeping at me over the top. In spite of myself I could not help smiling, and in a minute she had tossed the paper aside, and had burst into a merry peal of laughter.

“I knew you weren’t such a mutt as you looked,” she cried.

Her laughter was so infectious that I could not help joining in, though I hardly cared for the word “mutt.” The girl was certainly all that I most disliked, but that was no reason why I should make myself ridiculous by my attitude. I prepared to unbend. After all, she was decidedly pretty. …

“There! Now we’re friends!” declared the minx. “Say you’re sorry about my sister—”

“I am desolated!”

“That’s a good boy!”

“Let me finish. I was going to add that, although I am desolated, I can manage to put up with her absence very well.” I made a little bow.

But this most unaccountable of damsels frowned and shook her head.

“Cut it out. I prefer the ‘dignified disapproval’ stunt. Oh, your face! ‘Not one of us,’ it said. And you were right there—though, mind you, it’s pretty hard to tell nowadays. It’s not every one who can distinguish between a demi and a duchess. There now, I believe I’ve shocked you again! You’ve been dug out of the backwoods, you have. Not that I mind that. We could do with a few more of your sort. I just hate a fellow who gets fresh. It makes me mad.”

She shook her head vigorously.

“What are you like when you’re mad?” I inquired with a smile.

“A regular little devil! Don’t care what I say, or what I do, either! I nearly did a chap in once. Yes, really. He’d have deserved it too. Italian blood I’ve got. I shall get into trouble one of these days.”

“Well,” I begged, “don’t get mad with me.”

“I shan’t. I like you—did the first moment I set eyes on you. But you looked so disapproving that I never thought we should make friends.”

“Well, we have. Tell me something about yourself.”

“I’m an actress. No—not the kind you’re thinking of, lunching at the Savoy covered with jewellery, and with their photograph in every paper saying how much they love Madame So and So’s face cream. I’ve been on the boards since I was a kid of six—tumbling.”

“I beg your pardon,” I said puzzled.

“Haven’t you seen child acrobats?”

“Oh, I understand.”

“I’m American born, but I’ve spent most of my life in England. We got a new show now—”

“We?”

“My sister and I. Sort of song and dance, and a bit of patter, and a dash of the old business thrown in. It’s quite a new idea, and it hits them every time. There’s to be money in it—”

My new acquaintance leaned forward, and discoursed volubly, a great many of her terms being quite unintelligible to me. Yet I found myself evincing an increasing interest in her. She seemed such a curious mixture of child and woman. Though perfectly worldly-wise, and able, as she expressed it, to take care of herself, there was yet something curiously ingenuous in her single-minded attitude towards life, and her whole-hearted determination to “make good.” This glimpse of a world unknown to me was not without its charm, and I enjoyed seeing her vivid little face light up as she talked.

We passed through Amiens. The name awakened many memories. My companion seemed to have an intuitive knowledge of what was in my mind.

“Thinking of the War?”

I nodded.

“You were through it, I suppose?”

“Pretty well. I was wounded once, and after the Somme they invalided me out altogether. I had a half fledged Army job for a bit. I’m a sort of private secretary now to an M. P.”

“My! That’s brainy!”

“No, it isn’t. There’s really awfully little to do. Usually a couple of hours every day sees me through. It’s dull work too. In fact, I don’t know what I should do if I hadn’t got something to fall back upon.”

“Don’t say you collect bugs!”

“No. I share rooms with a very interesting man. He’s a Belgian —an ex-detective. He’s set up as a private detective in London, and he’s doing extraordinarily well. He’s really a very marvellous little man. Time and again he has proved to be right where the official police have failed.”

My companion listened with widening eyes.

“Isn’t that interesting, now? I just adore crime. I go to all the mysteries on the movies. And when there’s a murder on I just devour the papers.”

“Do you remember the Styles Case?” I asked.

“Let me see, was that the old lady who was poisoned? Somewhere down in Essex?”

I nodded.

“That was Poirot’s first big case. Undoubtedly, but for him, the murderer would have escaped scot-free. It was a most wonderful bit of detective work.”

Warming to my subject, I ran over the heads of the affair, working up to the triumphant and unexpected dénouement. The girl listened spellbound. In fact, we were so absorbed that the train drew into Calais station before we realized it.

“My goodness gracious me!” cried my companion. “Where’s my powder-puff?”

She proceeded to bedaub her face liberally, and then applied a stick of lip salve to her lips, observing the effect in a small pocket glass, and betraying not the faintest sign of self-consciousness.

“I say,” I hesitated. “I dare say it’s cheek on my part, but why do all that sort of thing?”

The girl paused in her operations, and stared at me with undisguised surprise.

“It isn’t as though you weren’t so pretty that you can afford to do without it,” I said stammeringly.

“My dear boy! I’ve got to do it. All the girls do. Think I want to look like a little frump up from the country?” She took one last look in the mirror, smiled approval, and put it and her vanity-box away in her bag. “That’s better. Keeping up appearances is a bit of a fag, I grant, but if a girl respects herself it’s up to her not to let herself get slack.”

To this essentially moral sentiment, I had no reply. A point of view makes a great difference.

I secured a couple of porters, and we alighted on the platform. My companion held out her hand.

“Good-bye, and I’ll mind my language better in future.”

“Oh, but surely you’ll let me look after you on the boat?”

“Mayn’t be on the boat. I’ve got to see whether that sister of mine got aboard after all anywhere. But thanks all the same.”

“Oh, but we’re going to meet again, surely? I—” I hesitated. “I want to meet your sister.”

We both laughed.

“That’s real nice of you. I’ll tell her what you say. But I don’t fancy we’ll meet again. You’ve been very good to me on the journey, especially after I cheeked you as I did. But what your face expressed first thing is quite true. I’m not your kind. And that brings trouble—I know that well enough. …”

Her face changed. For the moment all the light-hearted gaiety died out of it. It looked angry —revengeful. …

“So good-bye,” she finished, in a lighter tone.

“Aren’t you even going to tell me your name?” I cried, as she turned away.

She looked over her shoulder. A dimple appeared in each cheek. She was like a lovely picture by Greuze.

“Cinderella,” she said, and laughed.

But little did I think when and how I should see Cinderella again.

*******

Céleste (1980)

Céleste (Amazon Prime, Tubi) is a 1980 West German film about the relationship between the French writer Marcel Proust and his devoted housekeeper/attendant/secretary as his health deteriorates. It is from her point of view that this story is told. I read Proust's Remembrance of Things Past years ago and was fascinated by the life story of the author. This is a lovely movie, beautifully expanding on what I knew about Proust.

trailer (in German):

******* Reminder: You can watch Tubi on your computer, or you can add the free app to your TV and watch it that way.

Walking on Lava: Selected Works for Uncivilised Times

Walking on Lava: Selected Works for Uncivilised Times is a one-volume introduction to the Dark Mountain Project. The book contains forty short pieces. I read this for my church women reading group, and it left me wondering how we have done so little in the intervening years. And if our political situation goes Trump's way we'll be doing even less going forward.

from the inside dust jacket:

The Dark Mountain Project began with a manifesto published in 2009 by two English writers —Dougald Hine and Paul Kingsnorth— who felt that literature was not responding honestly to the crises of our time.

In a world in which the climate is being altered by human activities; in which global ecosystems are being destroyed by the advance of industrial civilisation; and in which the dominant economic and cultural assumptions of the West are visibly crumbling, Dark Mountain asked: where are the writers and the artists? Why are the mainstream cultural forms of our society still behaving as if this were the twentieth century—or even the nineteenth?

Dark Mountain’s call for writers, thinkers and artists willing to face the depth of the mess we are in has made it a gathering point for a growing international network. Rooted in place, time and nature, their work finds a home in the pages of the Dark Mountain books, with two new volumes published every year.

Walking on Lava brings together the best of the first ten volumes, along with the original manifesto. This collection of essays, fiction, poetry, interviews and artwork introduces The Dark Mountain Project’s groundbreaking work to a wider audience in search of ‘the hope beyond hope, the paths which lead to the unknown world ahead of us.’

The Manifesto that kicked it off argues against the possibility that technological solutions to climate change are possible, suggesting instead that notions of "progress" should be re-evaluated. The book primarily addresses writers and artists, asking where they are in the midst of this crisis and why they aren't in the forefront addressing the issues. It does not suggest political action on climate change.

The Bible and Film

Bible and Film (volume 78, issue 3) is the current issue of Interpretation: A Journal of Bible and Theology. This journal is one The Husband has had a subscription to for decades. I don't usually even look at them, but how could I resist this subject?! My interest in religion goes back to early childhood, and film is a favorite subject for me.

from the beginning:

Films and television series often have a cultural impact that exceeds anything offered in print or the pulpit. Directors such as Terrence Malick, Steven Spielberg, and Jordan Peele, among many others, have understood their capacity to inspire, challenge, and educate. Movies often engage with the Bible in innovative ways, leading to new insights and the inclusion of diverse, global perspectives.

The current issue of Interpretation brings together renowned experts who put the Bible and film into mutually critical conversation. Some of the authors examine the Bible and film, as they consider biblical themes (creation, theodicy, family) that appear in movies. Others take up the Bible in film, the cinematic depiction of biblical stories and characters and the how these relate to what we find in the actual books.

The first article is about the use of biblical allusions and themes in the film Us, which I've never seen and don't have ready access to. I skipped that article. The second article deals with the movie Everything Everywhere All at Once and the connections the author sees with the book of Ecclesiastes. The third article explores the status of women in Ezekiel 17 and the films Promising Young Woman and A Girl Walks Home Alone at Night. The fourth article considers two episodes of the TV series Star Trek: Deep Space Nine and how some science fiction works echo biblical prophecy. The last essay is a "tour of the Bible in film" with a consideration of the television miniseries The Chosen in light of the interpretive choices made there.

The number of television works as opposed to actual feature films was not what I expected and was a disappointment, but I still got a kick out of seeing a journal like this deal with this subject.

They Called Us Enemy

image from Wikipedia

They Called Us Enemy is an award-winning 2019 graphic novel, George Takei's memoir of his time in an internment camp for Japanese Americans during World War 2. You can read it online (borrow it from the Internet Archive here). I read it for my church women's reading group. This is an important reminder for those of us who know this history and an excellent introduction for those who don't or who only know part of what happened.

Takei reads one section of it, using illustrations from the book:

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Children

The Game of Lotto (1865), by Charles Joshua Chaplin

Children is a short story by Anton Chekhov, who died on this date in 1904 of tuberculosis at the age of 44. You can read this story online at this link. It begins,

Papa and mamma and Aunt Nadya are not at home. They have gone to a christening party at the house of that old officer who rides on a little grey horse. While waiting for them to come home, Grisha, Anya, Alyosha, Sonya, and the cook’s son, Andrey, are sitting at the table in the dining room, playing at loto. To tell the truth, it is bedtime, but how can one go to sleep without hearing from mamma what the baby was like at the christening, and what they had for supper? The table, lighted by a hanging lamp, is dotted with numbers, nutshells, scraps of paper, and little bits of glass. Two cards lie in front of each player, and a heap of bits of glass for covering the numbers. In the middle of the table is a white saucer with five kopecks in it. Beside the saucer, a half-eaten apple, a pair of scissors, and a plate on which they have been told to put their nutshells. The children are playing for money. The stake is a kopeck. The rule is: if anyone cheats, he is turned out at once. There is no one in the dining room but the players, and nurse, Agafya Ivanovna, is in the kitchen, showing the cook how to cut a pattern, while their elder brother, Vasya, a schoolboy in the fifth class, is lying on the sofa in the drawing room, feeling bored.

They are playing with zest. ...

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The Practice of the Presence of God

The Practice of the Presence of God is a book of collected teachings of Brother Lawrence (born Nicolas Herman), a 17th-century Carmelite friar. The compilation includes letters, as well as records of his conversations kept by Brother Lawrence's interlocutors. The basic theme of the book is the development of an awareness of the presence of God. You can read it online here at this link or here at Project Gutenberg or at Internet Archive.

"That he had always been governed by love, without selfish views; and that having resolved to make the love of GOD the end of all his actions, he had found reasons to be well satisfied with his method. That he was pleased when he could take up a straw from the ground for the love of GOD, seeking Him only, and nothing else, not even His gifts."

“We ought not to be weary of doing little things for the love of God, who regards not the greatness of the work, but the love with which it is performed.”

You can listen to it read to you here:

I discovered this book in high school, having come across a little paperback copy somewhere. I've always been interested in spiritual practices, both from my own tradition and from those of others.

Please join me in a cozy beverage:

Post your own drink reference over at the T Stands for Tuesday blogger gathering.

A Ghost Story for Christmas: The Stalls of Barchester

The Stalls of Barchester (1971) is the first of the BBC's A Ghost Story for Christmas series. Based on the story "The Stalls of Barchester Cathedral" from the 1911 collection More Ghost Stories by M. R. James.

via YouTube:

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More little trees. The elves were a Christmas present from a maternal aunt when I was a child.

Christmas Eve (1820)

Christmas Eve is an 1820 short story by Washington Irving. Interesting Literature says,

Before Charles Dickens became the literary laureate of Christmas, Washington Irving was introducing American readers to a whole host of now ubiquitous Christmas traditions, including Christmas carols on people’s doorsteps, mistletoe, and the famous Yule log – traditions which Irving had to explain in footnotes, so unfamiliar were they to his original readers in 1820.

You can read it online here or have it read to you at the bottom of the post. It begins,

It was a brilliant moonlight night, but extremely cold; our chaise whirled rapidly over the frozen ground; the postboy smacked his whip incessantly, and a part of the time his horses were on a gallop. “He knows where he is going,” said my companion, laughing, “and is eager to arrive in time for some of the merriment and good cheer of the servants’ hall. My father, you must know, is a bigoted devotee of the old school, and prides himself upon keeping up something of old English hospitality. He is a tolerable specimen of what you will rarely meet with nowadays in its purity, the old English country gentleman; for our men of fortune spend so much of their time in town, and fashion is carried so much into the country, that the strong rich peculiarities of ancient rural life are almost polished away. My father, however, from early years, took honest Peacham for his textbook, instead of Chesterfield; he determined in his own mind that there was no condition more truly honorable and enviable than that of a country gentleman on his paternal lands, and therefore passes the whole of his time on his estate. He is a strenuous advocate for the revival of the old rural games and holiday observances, and is deeply read in the writers, ancient and modern, who have treated on the subject. Indeed, his favorite range of reading is among the authors who flourished at least two centuries since, who, he insists, wrote and thought more like true Englishmen than any of their successors. He even regrets sometimes that he had not been born a few centuries earlier, when England was itself and had its peculiar manners and customs. As he lives at some distance from the main road, in rather a lonely part of the country, without any rival gentry near him, he has that most enviable of all blessings to an Englishman—an opportunity of indulging the bent of his own humor without molestation. Being representative of the oldest family in the neighborhood, and a great part of the peasantry being his tenants, he is much looked up to, and in general is known simply by the appellation of ‘The Squire’—a title which has been accorded to the head of the family since time immemorial. I think it best to give you these hints about my worthy old father, to prepare you for any eccentricities that might otherwise appear absurd.”

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This is The Husband's Christmas stocking on the left with the stocking I've always had and used that was made for me by a maternal aunt when I was a baby.

Christmas in the Woods

Christmas in the Woods:

by Dallas Lore Sharp, who became known through his charming magazine articles on native birds and small mammals.

I've never heard the word "persimmon" pronounced the way this reader pronounces it.

*******

Mother made these for Christmas presents back in the day:

The Queen's Square

The Queen's Square is a 1933 Lord Peter Wimsey story by Dorothy Sayers in which Wimsey attends a fancy dress ball during the Christmas season. Sayers died on this date in 1957 at the age of 64. You can read this story online at this link. It begins,

"You Jack o' Di'monds, you Jack o' Di'monds," said Mark Sambourne, shaking a reproachful head, "I know you of old." He rummaged beneath the white satin of his costume, panelled with gigantic oblongs and spotted to represent a set of dominoes. "Hang this fancy rig! Where the blazes has the fellow put my pockets? You rob my pocket, yes, you rob-a my pocket, you rob my pocket of silver and go-ho-hold. How much do you make it?" He extracted a fountain-pen and a cheque-book.

"Five-seventeen-six," said Lord Peter Wimsey. "That's right, isn't it, partner?" His huge blue-and-scarlet sleeves rustled as he turned to Lady Hermione Creethorpe, who, in her Queen of Clubs costume, looked a very redoubtable virgin, as, indeed, she was.

"Quite right," said the old lady, "and I consider that very cheap."

"We haven't been playing long," said Wimsey apologetically.

"It would have been more, Auntie," observed Mrs. Wrayburn, "if you hadn't been greedy. You shouldn't have doubled those four spades of mine."

Lady Hermione snorted, and Wimsey hastily cut in:

"It's a pity we've got to stop, but Deverill will never forgive us if we're not there to dance Sir Roger. He feels strongly about it. What's the time? Twenty past one. Sir Roger is timed to start sharp at half-past. I suppose we'd better tootle back to the ballroom."

"I suppose we had," agreed Mrs. Wrayburn. She stood up, displaying her dress, boldly patterned with the red and black points of a backgammon board. "It's very good of you," she added, as Lady Hermione's voluminous skirts swept through the hall ahead of them, "to chuck your dancing to give Auntie her bridge. She does so hate to miss it."

"Not at all," replied Wimsey. "It's a pleasure. And in any case I was jolly glad of a rest. These costumes are dashed hot for dancing in."

...

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A few years ago I started gathering small trees for Christmas. Two of them are shown below along with a decoration my parents made when I was a child.

Last and First Men

image from Wikipedia

Last and First Men is a 1930 science fiction novel by Olaf Stapledon (photo above), who died suddenly on this date in 1950 at the age of 64 of a heart attack. He was a British philosopher and author of science fiction inducted into the Science Fiction and Fantasy Hall of Fame in 2014. Stapledon's writings directly influenced Arthur C. Clarke, Brian Aldiss, Stanisław Lem, Bertrand Russell, C. S. Lewis, Vernor Vinge, and indirectly influenced many others, contributing many ideas to the world of science fiction. The "supermind" composed of many individual consciousnesses forms a recurring theme in his work. Last and First Men features early descriptions of genetic engineering. You can read this book online here at this link. It begins,

Observe now your own epoch of history as it appears to the Last Men.

Long before the human spirit awoke to clear cognizance of the world and itself, it sometimes stirred in its sleep, opened bewildered eyes, and slept again. One of these moments of precocious experience embraces the whole struggle of the First Men from savagery towards civilization. Within that moment, you stand almost in the very instant when the species attains its zenith. Scarcely at all beyond your own day is this early culture to be seen progressing, and already in your time the mentality of the race shows signs of decline.

The first, and some would say the greatest, achievement of your own ‘Western’ culture was the conceiving of two ideals of conduct, both essential to the spirit’s well-being. Socrates, delighting in the truth for its own sake and not merely for practical ends, glorified unbiased thinking, honesty of mind and speech. Jesus, delighting in the actual human persons around him, and in that flavour of divinity which, for him, pervaded the world, stood for unselfish love of neighbours and of God. Socrates woke to the ideal of dispassionate intelligence, Jesus to the ideal of passionate yet self-oblivious worship. Socrates urged intellectual integrity, Jesus integrity of will. Each, of course, though starting with a different emphasis, involved the other.

Unfortunately both these ideals demanded of the human brain a degree of vitality and coherence of which the nervous system of the First Men was never really capable. For many centuries these twin stars enticed the more precociously human of human animals, in vain. And the failure to put these ideals in practice helped to engender in the race a cynical lassitude which was one cause of its decay.

There were other causes. The peoples from whom sprang Socrates and Jesus were also among the first to conceive admiration for Fate. In Greek tragic art and Hebrew worship of divine law, as also in the Indian resignation, man experienced, at first very obscurely, that vision of an alien and supernal beauty, which was to exalt and perplex him again and again throughout his whole career. The conflict between this worship and the intransigent loyalty to Life, embattled against Death, proved insoluble. And though few individuals were ever clearly conscious of the issue, the first human species was again and again unwittingly hampered in its spiritual development by this supreme perplexity.

While man was being whipped and enticed by these precocious experiences, the actual social constitution of his world kept changing so rapidly through increased mastery over physical energy, that his primitive nature could no longer cope with the complexity of his environment. Animals that were fashioned for hunting and fighting in the wild were suddenly called upon to be citizens, and moreover citizens of a world-community. At the same time they found themselves possessed of certain very dangerous powers which their petty minds were not fit to use. Man struggled; but, as you shall hear, he broke under the strain.

...

A Plague of Pythons

image from Wikipedia

A Plague of Pythons is a science fiction novel by American writer Frederik Pohl serialized in 1962 and published as a novel in 1965. Pohl died on this date in 2013 at the age of 93.

You can read this book online at this link or listen to it read to you in this LibriVox recording. It begins,

Because of the crowd they held Chandler's trial in the all-purpose room of the high school. It smelled of leather and stale sweat. He walked up the three steps to the stage, with the bailiff's hand on his elbow, and took his place at the defendant's table.

Chandler's lawyer looked at him without emotion. He was appointed by the court. He was willing to do his job, but his job didn't require him to like his client. All he said was, "Stand up. The judge is coming in."

Chandler got to his feet and leaned on the table while the bailiff chanted his call and the chaplain read some verses from John. He did not listen. The Bible verse came too late to help him, and besides he ached.

When the police arrested him they had not been gentle. There were four of them. They were from the plant's own security force and carried no guns. They didn't need any; Chandler had put up no resistance after the first few moments—that is, he stopped as soon as he could stop—but the police hadn't stopped. He remembered that very clearly. He remembered the nightstick across the side of his head that left his ear squashed and puffy, he remembered the kick in the gut that still made walking painful. He even remembered the series of blows about the skull that had knocked him out.

The bruises along his rib cage and left arm, though, he did not remember getting. Obviously the police had been mad enough to keep right on subduing him after he was already unconscious.

Chandler did not blame them—exactly. He supposed he would have done the same thing.

The judge was having a long mumble with the court stenographer apparently about something which had happened in the Union House the night before. Chandler knew Judge Ellithorp slightly. He did not expect to get a fair trial. The previous December the judge himself, while possessed, had smashed the transmitter of the town's radio station, which he owned, and set fire to the building it occupied. His son-in-law had been killed in the fire.

Laughing, the judge waved the reporter back to his seat and glanced around the courtroom. His gaze touched Chandler lightly, like the flick of the hanging strands of cord that precede a railroad tunnel. The touch carried the same warning. What lay ahead for Chandler was destruction.

"Read the charge," ordered Judge Ellithorp. He spoke very loudly. There were more than six hundred persons in the auditorium; the judge didn't want any of them to miss a word.

The bailiff ordered Chandler to stand and informed him that he was accused of having, on the seventeenth day of June last, committed on the person of Margaret Flershem, a minor, an act of rape—"Louder!" ordered the judge testily.

"Yes, Your Honor," said the bailiff, and inflated his chest. "An Act of Rape under Threat of Bodily Violence," he cried; "and Did Further Commit on the Person of Said Margaret Flershem an Act of Aggravated Assault—"

Chandler rubbed his aching side, looking at the ceiling. He remembered the look in Peggy Flershem's eyes as he forced himself on her. She was only sixteen years old, and at that time he hadn't even known her name.

The bailiff boomed on: "—and Did Further Commit on that Same Seventeenth Day of June Last on the Person of Ingovar Porter an Act of Assault with Intent to Rape, the Foregoing Being a True Bill Handed Down by the Grand Jury of Sepulpas County in Extraordinary Session Assembled, the Eighteenth Day of June Last."

Judge Ellithorp looked satisfied as the bailiff sat down, quite winded. While the judge hunted through the papers on his desk the crowd in the auditorium stirred and murmured.

A child began to cry.

The judge stood up and pounded his gavel. "What is it? What's the matter with him? You, Dundon!" The court attendant the judge was looking at hurried over and spoke to the child's mother, then reported to the judge.

"I dunno, Your Honor. All he says is something scared him."

The judge was enraged. "Well, that's just fine! Now we have to take up the time of all these good people, probably for no reason, and hold up the business of this court, just because of a child. Bailiff! I want you to clear this courtroom of all children under—" he hesitated, calculating voting blocks in his head—"all children under the age of six. Dr. Palmer, are you there? Well, you better go ahead with the—prayer." The judge could not make himself say "the exorcism."

"I'm sorry, madam," he added to the mother of the crying two-year-old. "If you have someone to leave the child with, I'll instruct the attendants to save your place for you." She was also a voter.

Dr. Palmer rose, very grave, as he was embarrassed. He glared around the all-purpose room, defying anyone to smile, as he chanted: "Domina Pythonis, I command you, leave! Leave, Hel! Leave, Heloym! Leave, Sother and Thetragrammaton, leave, all unclean ones! I command you! In the name of God, in all of His manifestations!" He sat down again, still very grave. He knew that he did not make nearly as fine a showing as Father Lon, with his resonant in nomina Jesu Christi et Sancti Ubaldi and his censer, but the post of exorcist was filled in strict rotation, one month to a denomination, ever since the troubles started. Dr. Palmer was a Unitarian. Exorcisms had not been in the curriculum at the seminary and he had been forced to invent his own.

Chandler's lawyer tapped him on the shoulder. "Last chance to change your mind," he said.

"No. I'm not guilty, and that's the way I want to plead."

The lawyer shrugged and stood up, waiting for the judge to notice him.

Chandler, for the first time, allowed himself to meet the eyes of the crowd.

He studied the jury first. He knew some of them casually—it was not a big enough town to command a jury of total strangers for any defendant, and Chandler had lived there most of his life. He recognized Pop Matheson, old and very stiff, who ran the railroad station cigar stand. Two of the other men were familiar as faces passed in the street. The forewoman, though, was a stranger. She sat there very composed and frowning, and all he knew about her was that she wore funny hats. Yesterday's had been red roses when she was selected from the panel; today's was, of all things, a stuffed bird.

He did not think that any of them were possessed. He was not so sure of the audience.

He saw girls he had dated in high school, long before he met Margot; men he worked with at the plant. They all glanced at him, but he was not sure who was looking out through some of those familiar eyes. The visitors reliably watched all large gatherings, at least momentarily; it would be surprising if none of them were here.

"All right, how do you plead," said Judge Ellithorp at last.

Chandler's lawyer straightened up. "Not guilty, Your Honor, by reason of temporary pandemic insanity."

The judge looked pleased. The crowd murmured, but they were pleased too. They had him dead to rights and it would have been a disappointment if Chandler had pleaded guilty. They wanted to see one of the vilest criminals in contemporary human society caught, exposed, convicted and punished; they did not want to miss a step of the process. Already in the playground behind the school three deputies from the sheriff's office were loading their rifles, while the school janitor chalked lines around the handball court to mark where the crowd witnessing the execution would be permitted to stand.

The prosecution made its case very quickly. ...

Sherlock Holmes Day

Have a Happy Sherlock Holmes Day! Perhaps you might want to read about him at this Wikipedia article. From that article:

Sherlock Holmes is a fictional detective created by British author Arthur Conan Doyle. Referring to himself as a "consulting detective" in the stories, Holmes is known for his proficiency with observation, deduction, forensic science and logical reasoning that borders on the fantastic, which he employs when investigating cases for a wide variety of clients, including Scotland Yard.

First appearing in print in 1887's A Study in Scarlet, the character's popularity became widespread with the first series of short stories in The Strand Magazine, beginning with "A Scandal in Bohemia" in 1891...

You could read one of the short stories online. An early one -A Scandal in Bohemia- can be read here. It begins,

To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. All emotions, and that one particularly, were abhorrent to his cold, precise but admirably balanced mind. He was, I take it, the most perfect reasoning and observing machine that the world has seen, but as a lover he would have placed himself in a false position. He never spoke of the softer passions, save with a gibe and a sneer. They were admirable things for the observer—excellent for drawing the veil from men's motives and actions. But for the trained reasoner to admit such intrusions into his own delicate and finely adjusted temperament was to introduce a distracting factor which might throw a doubt upon all his mental results. Grit in a sensitive instrument, or a crack in one of his own high-power lenses, would not be more disturbing than a strong emotion in a nature such as his. And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory.

Or perhaps you might want to watch one of the many adaptations. Wikipedia says, "It has been estimated that Sherlock Holmes is the most prolific screen character in the history of cinema." My personal favorite of the adaptations is the Jeremy Brett Holmes. You can watch The Speckled Band here via YouTube:

Enjoy the day!

The Storm

The Storm is a short story by Kate Chopin, written in 1898 but not published 'til 1969. You can read it online here or listen to it read to you at the bottom of this post. It begins,

I

The leaves were so still that even Bibi thought it was going to rain. Bobint, who was accustomed to converse on terms of perfect equality with his little son, called the child's attention to certain sombre clouds that were rolling with sinister intention from the west, accompanied by a sullen, threatening roar. They were at Friedheimer's store and decided to remain there till the storm had passed. They sat within the door on two empty kegs. Bibi was four years old and looked very wise.

"Mama'll be 'fraid, yes, he suggested with blinking eyes.

"She'll shut the house. Maybe she got Sylvie helpin' her this evenin'," Bobint responded reassuringly.

"No; she ent got Sylvie. Sylvie was helpin' her yistiday,' piped Bibi.

Bobint arose and going across to the counter purchased a can of shrimps, of which Calixta was very fond. Then he retumed to his perch on the keg and sat stolidly holding the can of shrimps while the storm burst. It shook the wooden store and seemed to be ripping great furrows in the distant field. Bibi laid his little hand on his father's knee and was not afraid.

II

Calixta, at home, felt no uneasiness for their safety. She sat at a side window sewing furiously on a sewing machine. She was greatly occupied and did not notice the approaching storm. But she felt very warm and often stopped to mop her face on which the perspiration gathered in beads. She unfastened her white sacque at the throat. It began to grow dark, and suddenly realizing the situation she got up hurriedly and went about closing windows and doors.

Out on the small front gallery she had hung Bobint's Sunday clothes to dry and she hastened out to gather them before the rain fell. As she stepped outside, Alce Laballire rode in at the gate. She had not seen him very often since her marriage, and never alone. She stood there with Bobint's coat in her hands, and the big rain drops began to fall. Alce rode his horse under the shelter of a side projection where the chickens had huddled and there were plows and a harrow piled up in the corner.

"May I come and wait on your gallery till the storm is over, Calixta?" he asked.

Come 'long in, M'sieur Alce."

His voice and her own startled her as if from a trance, and she seized Bobint's vest. Alce, mounting to the porch, grabbed the trousers and snatched Bibi's braided jacket that was about to be carried away by a sudden gust of wind. He expressed an intention to remain outside, but it was soon apparent that he might as well have been out in the open: the water beat in upon the boards in driving sheets, and he went inside, closing the door after him. It was even necessary to put something beneath the door to keep the water out.

"My! what a rain! It's good two years sence it rain' like that," exclaimed Calixta as she rolled up a piece of bagging and Alce helped her to thrust it beneath the crack.

She was a little fuller of figure than five years before when she married; but she had lost nothing of her vivacity. Her blue eyes still retained their melting quality; and her yellow hair, dishevelled by the wind and rain, kinked more stubbornly than ever about her ears and temples.

The rain beat upon the low, shingled roof with a force and clatter that threatened to break an entrance and deluge them there. They were in the dining room the sitting room the general utility room. Adjoining was her bed room, with Bibi's couch along side her own. The door stood open, and the room with its white, monumental bed, its closed shutters, looked dim and mysterious.

Alce flung himself into a rocker and Calixta nervously began to gather up from the floor the lengths of a cotton sheet which she had been sewing.

lf this keeps up, Dieu sait if the levees goin' to stan it!" she exclaimed.

"What have you got to do with the levees?"

"I got enough to do! An' there's Bobint with Bibi out in that storm if he only didn' left Friedheimer's!"

"Let us hope, Calixta, that Bobint's got sense enough to come in out of a cyclone."

She went and stood at the window with a greatly disturbed look on her face. She wiped the frame that was clouded with moisture. It was stiflingly hot. Alce got up and joined her at the window, looking over her shoulder. The rain was coming down in sheets obscuring the view of far-off cabins and enveloping the distant wood in a gray mist. The playing of the lightning was incessant. A bolt struck a tall chinaberry tree at the edge of the field. It filled all visible space with a blinding glare and the crash seemed to invade the very boards they stood upon.

Calixta put her hands to her eyes, and with a cry, staggered backward. Alce's arm encircled her, and for an instant he drew her close and spasmodically to him.

...

*******

With the Night Mail

With the Night Mail is a 1905 science fiction story by Rudyard Kipling. You can read it online here or listen to it at the bottom of this post. It begins,

At nine o'clock of a gusty winter night I stood on the lower stages of one of the G. P. O. outward mail towers. My purpose was a run to Quebec in "Postal Packet 162 or such other as may be appointed"; and the Postmaster-General himself countersigned the order. This talisman opened all doors, even those in the despatching-caisson at the foot of the tower, where they were delivering the sorted Continental mail. The bags lay packed close as herrings in the long gray under-bodies which our G. P. O. still calls "coaches." Five such coaches were filled as I watched, and were shot up the guides to be locked on to their waiting packets three hundred feet nearer the stars.

From the despatching-caisson I was conducted by a courteous and wonderfully learned official—Mr. L. L. Geary, Second Despatcher of the Western Route—to the Captains' Room (this wakes an echo of old romance), where the mail captains come on for their turn of duty. He introduces me to the Captain of "162"—Captain Purnall, and his relief, Captain Hodgson. The one is small and dark; the other large and red; but each has the brooding sheathed glance characteristic of eagles and aëronauts. You can see it in the pictures of our racing professionals, from L. V. Rautsch to little Ada Warrleigh—that fathomless abstraction of eyes habitually turned through naked space.

On the notice-board in the Captains' Room, the pulsing arrows of some twenty indicators register, degree by geographical degree, the progress of as many homeward-bound packets. The word "Cape" rises across the face of a dial; a gong strikes: the South African mid-weekly mail is in at the Highgate Receiving Towers. That is all. It reminds one comically of the traitorous little bell which in pigeon-fanciers' lofts notifies the return of a homer.

"Time for us to be on the move," says Captain Purnall, and we are shot up by the passenger-lift to the top of the despatch-towers. "Our coach will lock on when it is filled and the clerks are aboard."...

"No. 162" waits for us in Slip E of the topmost stage. The great curve of her back shines frostily under the lights, and some minute alteration of trim makes her rock a little in her holding-down slips.

Captain Purnall frowns and dives inside. Hissing softly, "162" comes to rest as level as a rule. From her North Atlantic Winter nose-cap (worn bright as diamond with boring through uncounted leagues of hail, snow, and ice) to the inset of her three built-out propeller-shafts is some two hundred and forty feet. Her extreme diameter, carried well forward, is thirty-seven. Contrast this with the nine hundred by ninety-five of any crack liner and you will realize the power that must drive a hull through all weathers at more than the emergency-speed of the "Cyclonic"!

The eye detects no joint in her skin plating save the sweeping hair-crack of the bow-rudder—Magniac's rudder that assured us the dominion of the unstable air and left its inventor penniless and half-blind. It is calculated to Castelli's "gull-wing" curve. Raise a few feet of that all but invisible plate three-eighths of an inch and she will yaw five miles to port or starboard ere she is under control again. Give her full helm and she returns on her track like a whip-lash. Cant the whole forward—a touch on the wheel will suffice—and she sweeps at your good direction up or down. Open the complete circle and she presents to the air a mushroom-head that will bring her up all standing within a half mile.

"Yes," says Captain Hodgson, answering my thought, "Castelli thought he'd discovered the secret of controlling aëroplanes when he'd only found out how to steer dirigible balloons. Magniac invented his rudder to help war-boats ram each other; and war went out of fashion and Magniac he went out of his mind because he said he couldn't serve his country any more. I wonder if any of us ever know what we're really doing."

"If you want to see the coach locked you'd better go aboard. It's due now," says Mr. Geary. I enter through the door amidships. There is nothing here for display. The inner skin of the gas-tanks comes down to within a foot or two of my head and turns over just short of the turn of the bilges. Liners and yachts disguise their tanks with decoration, but the G. P. O. serves them raw under a lick of gray official paint. The inner skin shuts off fifty feet of the bow and as much of the stern, but the bow-bulkhead is recessed for the lift-shunting apparatus as the stern is pierced for the shaft-tunnels. The engine-room lies almost amidships. Forward of it, extending to the turn of the bow tanks, is an aperture—a bottomless hatch at present—into which our coach will be locked. One looks down over the coamings three hundred feet to the despatching-caisson whence voices boom upward. The light below is obscured to a sound of thunder, as our coach rises on its guides. It enlarges rapidly from a postage-stamp to a playing-card; to a punt and last a pontoon. The two clerks, its crew, do not even look up as it comes into place. The Quebec letters fly under their fingers and leap into the docketed racks, while both captains and Mr. Geary satisfy themselves that the coach is locked home. A clerk passes the waybill over the hatch-coaming. Captain Purnall thumb-marks and passes it to Mr. Geary. Receipt has been given and taken. "Pleasant run," says Mr. Geary, and disappears through the door which a foot-high pneumatic compressor locks after him.

"A-ah!" sighs the compressor released. Our holding-down clips part with a tang. We are clear.

Captain Hodgson opens the great colloid underbody-porthole through which I watch million-lighted London slide eastward as the gale gets hold of us. The first of the low winter clouds cuts off the well-known view and darkens Middlesex. On the south edge of it I can see a postal packet's light ploughing through the white fleece. For an instant she gleams like a star ere she drops toward the Highgate Receiving Towers. "The Bombay Mail," says Captain Hodgson, and looks at his watch. "She's forty minutes late."

"What's our level?" I ask.

"Four thousand. Aren't you coming up on the bridge?"

The bridge (let us ever bless the G. P. O. as a repository of ancientest tradition!) is represented by a view of Captain Hodgson's legs where he stands on the control platform that runs thwartships overhead. The bow colloid is unshuttered and Captain Purnall, one hand on the wheel, is feeling for a fair slant. The dial shows 4,300 feet.

"It's steep to-night," he mutters, as tier on tier of cloud drops under. "We generally pick up an easterly draught below three thousand at this time o' the year. I hate slathering through fluff."

"So does Van Cutsem. Look at him huntin' for a slant!" says Captain Hodgson. A fog-light breaks cloud a hundred fathoms below. The Antwerp Night Mail makes her signal and rises between two racing clouds far to port, her flanks blood-red in the glare of Sheerness Double Light. The gale will have us over the North Sea in half an hour, but Captain Purnall lets her go composedly—nosing to every point of the compass as she rises.

"Five thousand—six, six thousand eight hundred"—the dip-dial reads ere we find the easterly drift, heralded by a flurry of snow at the thousand-fathom level. Captain Purnall rings up the engines and keys down the governor on the switch before him. There is no sense in urging machinery when Æolus himself gives you good knots for nothing. We are away in earnest now—our nose notched home on our chosen star. At this level the lower clouds are laid out all neatly combed by the dry fingers of the East. Below that again is the strong westerly blow through which we rose. Overhead, a film of southerly drifting mist draws a theatrical gauze across the firmament. The moonlight turns the lower strata to silver without a stain except where our shadow underruns us. Bristol and Cardiff Double Lights (those statelily inclined beams over Severnmouth) are dead ahead of us; for we keep the Southern Winter Route. Coventry Central, the pivot of the English system, stabs upward once in ten seconds its spear of diamond light to the north; and a point or two off our starboard bow The Leek, the great cloud-breaker of Saint David's Head, swings its unmistakable green beam twenty-five degrees each way. There must be half a mile of fluff over it in this weather, but it does not affect The Leek.

"Our planet's overlighted if anything," says Captain Purnall at the wheel, as Cardiff-Bristol slides under. "I remember the old days of common white verticals that 'ud show two or three thousand feet up in a mist, if you knew where to look for 'em. In really fluffy weather they might as well have been under your hat. One could get lost coming home then, an' have some fun. Now, it's like driving down Piccadilly."

He points to the pillars of light where the cloud-breakers bore through the cloud-floor. We see nothing of England's outlines: only a white pavement pierced in all directions by these manholes of variously coloured fire—Holy Island's white and red—St. Bee's interrupted white, and so on as far as the eye can reach. Blessed be Sargent, Ahrens, and the Dubois brothers, who invented the cloud-breakers of the world whereby we travel in security!

"Are you going to lift for The Shamrock?" asks Captain Hodgson. Cork Light (green, fixed) enlarges as we rush to it. Captain Purnall nods. There is heavy traffic hereabouts—the cloud-bank beneath us is streaked with running fissures of flame where the Atlantic boats are hurrying Londonward just clear of the fluff. Mail-packets are supposed, under the Conference rules, to have the five-thousand-foot lanes to themselves, but the foreigner in a hurry is apt to take liberties with English air. "No. 162" lifts to a long-drawn wail of the breeze in the fore-flange of the rudder and we make Valencia (white, green, white) at a safe 7,000 feet, dipping our beam to an incoming Washington packet.

There is no cloud on the Atlantic, and faint streaks of cream round Dingle Bay show where the driven seas hammer the coast. A big S. A. T. A. liner (Société Anonyme des Transports Aëriens) is diving and lifting half a mile below us in search of some break in the solid west wind. Lower still lies a disabled Dane: she is telling the liner all about it in International. Our General Communication dial has caught her talk and begins to eavesdrop. Captain Hodgson makes a motion to shut it off but checks himself. "Perhaps you'd like to listen," he says.

"'Argol' of St. Thomas," the Dane whimpers. "Report owners three starboard shaft collar-bearings fused. Can make Flores as we are, but impossible further. Shall we buy spares at Fayal?"

The liner acknowledges and recommends inverting the bearings. The "Argol" answers that she has already done so without effect, and begins to relieve her mind about cheap German enamels for collar-bearings. The Frenchman assents cordially, cries "Courage, mon ami," and switches off.

Their lights sink under the curve of the ocean.

"That's one of Lundt & Bleamers's boats," says Captain Hodgson. "Serves 'em right for putting German compos in their thrust-blocks. She won't be in Fayal to-night! By the way, wouldn't you like to look round the engine-room?"

I have been waiting eagerly for this invitation and I follow Captain Hodgson from the control-platform, stooping low to avoid the bulge of the tanks. We know that Fleury's gas can lift anything, as the world-famous trials of '89 showed, but its almost indefinite powers of expansion necessitate vast tank room. Even in this thin air the lift-shunts are busy taking out one-third of its normal lift, and still "162" must be checked by an occasional downdraw of the rudder or our flight would become a climb to the stars. Captain Purnall prefers an overlifted to an underlifted ship; but no two captains trim ship alike. "When I take the bridge," says Captain Hodgson, "you'll see me shunt forty per cent. of the lift out of the gas and run her on the upper rudder. With a swoop upwards instead of a swoop downwards, as you say. Either way will do. It's only habit. Watch our dip-dial! Tim fetches her down once every thirty knots as regularly as breathing."

So is it shown on the dip-dial. For five or six minutes the arrow creeps from 6,700 to 7,300. There is the faint "szgee" of the rudder, and back slides the arrow to 6,500 on a falling slant of ten or fifteen knots.

"In heavy weather you jockey her with the screws as well," says Captain Hodgson, and, unclipping the jointed bar which divides the engine-room from the bare deck, he leads me on to the floor.

Here we find Fleury's Paradox of the Bulkheaded Vacuum—which we accept now without thought—literally in full blast. The three engines are H. T. &. T. assisted-vacuo Fleury turbines running from 3,000 to the Limit—that is to say, up to the point when the blades make the air "bell"—cut out a vacuum for themselves precisely as over-driven marine propellers used to do. "162's" Limit is low on account of the small size of her nine screws, which, though handier than the old colloid Thelussons, "bell" sooner. The midships engine, generally used as a reinforce, is not running; so the port and starboard turbine vacuum-chambers draw direct into the return-mains.

The turbines whistle reflectively. From the low-arched expansion-tanks on either side the valves descend pillarwise to the turbine-chests, and thence the obedient gas whirls through the spirals of blades with a force that would whip the teeth out of a power-saw. Behind, is its own pressure held in leash or spurred on by the lift-shunts; before it, the vacuum where Fleury's Ray dances in violet-green bands and whirled turbillions of flame. The jointed U-tubes of the vacuum-chamber are pressure-tempered colloid (no glass would endure the strain for an instant) and a junior engineer with tinted spectacles watches the Ray intently. It is the very heart of the machine—a mystery to this day. Even Fleury who begat it and, unlike Magniac, died a multi-millionaire, could not explain how the restless little imp shuddering in the U-tube can, in the fractional fraction of a second, strike the furious blast of gas into a chill grayish-green liquid that drains (you can hear it trickle) from the far end of the vacuum through the eduction-pipes and the mains back to the bilges. Here it returns to its gaseous, one had almost written sagacious, state and climbs to work afresh. Bilge-tank, upper tank, dorsal-tank, expansion-chamber, vacuum, main-return (as a liquid), and bilge-tank once more is the ordained cycle. Fleury's Ray sees to that; and the engineer with the tinted spectacles sees to Fleury's Ray. If a speck of oil, if even the natural grease of the human finger touch the hooded terminals Fleury's Ray will wink and disappear and must be laboriously built up again. This means half a day's work for all hands and an expense of one hundred and seventy-odd pounds to the G. P. O. for radium-salts and such trifles.

"Now look at our thrust-collars. You won't find much German compo there. Full-jewelled, you see," says Captain Hodgson as the engineer shunts open the top of a cap. Our shaft-bearings are C. M. C. (Commercial Minerals Company) stones, ground with as much care as the lens of a telescope. They cost £37 apiece. So far we have not arrived at their term of life. These bearings came from "No. 97," which took them over from the old "Dominion of Light," which had them out of the wreck of the "Perseus" aëroplane in the years when men still flew linen kites over thorium engines!

They are a shining reproof to all low-grade German "ruby" enamels, so-called "boort" facings, and the dangerous and unsatisfactory alumina compounds which please dividend-hunting owners and turn skippers crazy.

The rudder-gear and the gas lift-shunt, seated side by side under the engine-room dials, are the only machines in visible motion. The former sighs from time to time as the oil plunger rises and falls half an inch. The latter, cased and guarded like the U-tube aft, exhibits another Fleury Ray, but inverted and more green than violet. Its function is to shunt the lift out of the gas, and this it will do without watching. That is all! A tiny pump-rod wheezing and whining to itself beside a sputtering green lamp. A hundred and fifty feet aft down the flat-topped tunnel of the tanks a violet light, restless and irresolute. Between the two, three white-painted turbine-trunks, like eel-baskets laid on their side, accentuate the empty perspectives. You can hear the trickle of the liquefied gas flowing from the vacuum into the bilge-tanks and the soft gluck-glock of gas-locks closing as Captain Purnall brings "162" down by the head. The hum of the turbines and the boom of the air on our skin is no more than a cotton-wool wrapping to the universal stillness. And we are running an eighteen-second mile.

I peer from the fore end of the engine-room over the hatch-coamings into the coach. The mail-clerks are sorting the Winnipeg, Calgary, and Medicine Hat bags: but there is a pack of cards ready on the table.

Suddenly a bell thrills; the engineers run to the turbine-valves and stand by; but the spectacled slave of the Ray in the U-tube never lifts his head. He must watch where he is. We are hard-braked and going astern; there is language from the control-platform.

"Tim's sparking badly about something," says the unruffled Captain Hodgson. "Let's look."

...

*******

The Golden Pot: A Modern Fairy Tale

self-portrait of the author

The Golden Pot: A Modern Fairy Tale is a novella by E. T. A. Hoffmann, first published in 1814 and revised by the author in 1819. Hoffmann regarded it as his best story, and it is widely praised as a masterpiece by literary scholars. You can read it online here or here. It begins,

On Ascension Day, about three o'clock in the afternoon in Dresden, a young man dashed through the Schwarzthor, or Black Gate, and ran right into a basket of apples and cookies which an old and very ugly woman had set out for sale. The crash was prodigious; what wasn't squashed or broken was scattered, and hordes of street urchins delightedly divided the booty which this quick gentleman had provided for them. At the fearful shrieking which the old hag began, her fellow vendors, leaving their cake and brandy tables, surrounded the young man, and with plebian violence scolded and stormed at him. For shame and vexation he uttered no word, but merely held out his small and by no means particularly well-filled purse, which the old woman eagerly seized and stuck into her pocket.

The hostile ring of bystanders now broke; but as the young man started off, the hag called after him, "Ay, run, run your way, Devil's Bird! You'll end up in the crystal! The crystal!" The screeching harsh voice of the woman had something unearthly in it: so that the promenaders paused in amazement, and the laughter, which at first had been universal, instantly died away.

The Student Anselmus, for the young man was no other, even though he did not in the least understand these singular phrases, felt himself seized with a certain involuntary horror; and he quickened his steps still more, until he was almost running, to escape the curious looks of the multitude, all of whom were staring at him. As he made his way through the crowd of well-dressed people, he heard them muttering on all sides: "Poor young fellow! Ha! What a vicious old witch!" The mysterious words of the old woman, oddly enough, had given this ludicrous adventure a sort of sinister turn; and the youth, previously unobserved, was now regarded with a certain sympathy. The ladies, because of his fine figure and handsome face, which the glow of inward anger rendered still more expressive, forgave him his awkwardness, as well as the dress he wore, though it was at variance with all fashion. His pike-gray frock was shaped as if the tailor had known the modern style only by hearsay; and his well-kept black satin trousers gave him a certain pedagogic air, to which his gait and manner did not at all correspond.

The Student had almost reached the end of the alley which leads out to the Linkische Bath; but his breath could no longer stand such a pace. From running, he took to walking; but he still hardly dared to lift an eye from the ground, for he still saw apples and cookies dancing around him, and every kind look from this or that pretty girl seemed to him to be only a continuation of the mocking laughter at the Schwarzthor.

In this mood he reached the entrance of the Bath: groups of holiday people, one after the other, were moving in. Music of wind instruments resounded from the place, and the din of merry guests was growing louder and louder. The poor Student Anselmus was almost ready to weep; since Ascension Day had always been a family festival for him, he had hoped to participate in the felicities of the Linkische paradise; indeed, he had intended even to go to the length of a half portion of coffee with rum and a whole bottle of double beer, and he had put more money in his purse than was entirety convenient or advisable. And now, by accidentally kicking the apple-and--cookie basket, he had lost all the money he had with him. Of coffee, of double or single beer, of music, of looking at the pretty girls-in a word, of all his fancied enjoyments there was now nothing more to be said. He glided slowly past; and at last turned down the Elbe road, which at that time happened to be quite empty.

Beneath an elder-tree, which had grown out through the wall, he found a kind green resting place: here he sat down...

Second Dawn

Second Dawn is a 1951 science fiction story by Arthur C. Clarke. You can read it online here or here. It begins,

“Here they come,” said Eris, rising to his fore-feet and turning to look down the long valley. For a moment the pain and bitterness had left his thoughts, so the even Jeryl, whose mind was more closely tuned to his than to any other, could scarcely detect it. There was even an undertone of softness that recalled poignantly the Eris she had known in the days before the War—the old Eris who now seemed almost as remote and as lost as if he were lying with all the others out there on the plain.

A dark tide was flowing up the valley, advancing with a curious hesitant motion, making odd pauses and little bounds forward. It was flanked with gold—the thin line of the Atheleni guards, so terrifyingly few compared with the black mass of the prisoners. But they were enough: indeed, they were only needed to guide that aimless river on its faltering way. Yet at the sight of so many thousands of the enemy, Jeryl found herself trembling; instinctively, she moved towards her mate, silver pelt resting against gold. Eris gave no sign that he had understood or even noticed the action.

The fear vanished as Jeryl saw how slowly the dark flood was moving forwards. ...

The Sundering Flood

The Sundering Flood is an 1897 fantasy novel by William Morris. His last work, it was completed on his deathbed. From Wikipedia:

Its importance in the history of fantasy literature was recognized by its republication by Ballantine Books as the fifty-seventh volume of the celebrated Ballantine Adult Fantasy series in May, 1973. The Ballantine edition includes an introduction by Lin Carter.

The book appears to be the first fantasy novel to include what has become conventional in the genre, a fantasy map that defines a wholly imagined world

You can read it online here or here or here. Chapter 1:

It is told that there was once a mighty river which ran south into the sea, and at the mouth thereof was a great and rich city, which had been builded and had waxed and thriven because of the great and most excellent haven which the river aforesaid made where it fell into the sea. And now it was like looking at a huge wood of barked and smoothened fir-trees when one saw the masts of the ships that lay in the said haven.

But up in this river ran the flood of tide a long way, so that the biggest of dromonds and round-ships might fare up it, and oft they lay amid pleasant up-country places, with their yards all but touching the windows of the husbandman's stead, and their bowsprits thrusting forth amongst the middens, and the routing swine, and querulous hens. And the uneasy lads and lasses sitting at high-mass of the Sunday in the grey church would see the tall masts amidst the painted saints of the aisle windows, and their minds would wander from the mass-hackled priest and the words and the gestures of him, and see visions of far countries and outlandish folk, and some would be heart-smitten with that desire of wandering and looking on new things which so oft the sea-beat board and the wind-strained pine bear with them to the dwellings of the stay-at-homes: and to some it seemed as if, when they went from out the church, they should fall in with St. Thomas of India stepping over the gangway, and come to visit their uplandish Christmas and the Yule-feast of the field-abiders of midwinter frost. And moreover, when the tide failed, and there was no longer a flood to bear the sea-going keels up-stream (and that was hard on an hundred of miles from the sea), yet was this great river a noble and wide-spreading water, and the downlong stream thereof not so heavy nor so fierce but that the barges and lesser keels might well spread their sails when the south-west blew, and fare on without beating; or if the wind were fouler for them, they that were loth to reach from shore to shore might be tracked up by the draught of horses and bullocks, and bear the wares of the merchants to many a cheaping.

Other rivers moreover not a few fell into this main flood, and of the some were no lesser than the Thames is at Abingdon, where I, who gathered this tale, dwell in the House of the Black Canons; blessed be St. William, and St. Richard, and the Holy Austin our candle in the dark! Yea and some were even bigger, so that the land was well furnished both of fisheries and water-ways.

Now the name of this river was the Sundering Flood, and the city at the mouth thereof was called the City of the Sundering Flood. And it is no wonder, considering all that I have told concerning the wares and chaffer that it bore up-country, though the folk of the City and its lands (and the city-folk in special) knew no cause for this name. Nay, oft they jested and gibed and gabbed, for they loved their river much and were proud of it; wherefore they said it was no sunderer but a uniter; that it joined land to land and shore to shore; that it had peopled the wilderness and made the waste places blossom, and that no highway for wheels and beasts in all the land was so full of blessings and joys as was their own wet Highway of the Flood. Nevertheless, as meseemeth that no name is given to any town or mountain or river causeless, but that men are moved to name all steads for a remembrance of deeds that have been done and tidings that have befallen, or some due cause, even so might it well be with the Sundering Flood, and whereas also I wot something of that cause I shall now presently show you the same.

For ye must know that all this welfare of the said mighty river was during that while that it flowed through the plain country anigh the city, or the fertile pastures and acres of hill and dale and down further to the north. But one who should follow it up further and further would reach at last the place where it came forth from the mountains. There, though it be far smaller than lower down, yet is it still a mighty great water, and it is then well two hundred miles from the main sea. Now from the mountains it cometh in three great forces, and many smaller ones, and perilous and awful it is to behold; for betwixt those forces it filleth all the mountain ghyll, and there is no foothold for man, nay for goat, save at a hundred foot or more above the water, and that evil and perilous; and is the running of a winter millstream to the beetles and shrew-mice that haunt the greensward beside it, so is the running of that flood to the sons of Adam and the beasts that serve them: and none has been so bold as to strive to cast a bridge across it.

But when ye have journeyed with much toil and no little peril over the mountain-necks (for by the gorge of the river, as aforesaid, no man may go) and have come out of the mountains once more, then again ye have the flood before you, cleaving a great waste of rocks mingled with sand, where groweth neither tree nor bush nor grass; and now the flood floweth wide and shallow but swift, so that no words may tell of its swiftness, and on either side the water are great wastes of tumbled stones that the spates have borne down from the higher ground. And ye shall know that from this place upward to its very wells in the higher mountains, the flood decreaseth not much in body or might, though it be wider or narrower as it is shallower or deeper, for nought but mere trickles of water fall into it in the space of this sandy waste, and what feeding it hath is from the bents and hills on either side as you wend toward the mountains to the north, where, as aforesaid, are its chiefest wells.

Now when ye have journeyed over this waste for some sixty miles, the land begins to better, and there is grass again, yet no trees, and it rises into bents, which go back on each side, east and west, from the Flood, and the said bents are grass also up to the tops, where they are crested with sheer rocks black of colour. As for the Flood itself, it is now gathered into straiter compass, and is deep, and exceeding strong; high banks it hath on either side thereof of twenty foot and upward of black rock going down sheer to the water; and thus it is for a long way, save that the banks be higher and higher as the great valley of the river rises toward the northern mountains.

But as it rises the land betters yet, and is well grassed, and in divers nooks and crannies groweth small wood of birch and whiles of quicken tree; but ever the best of the grass waxeth nigh unto the lips of the Sundering Flood, where it rises a little from the Dale to the water; and what little acre-land there is, and it is but little, is up on knolls that lie nearer to the bent, and be turned somewhat southward; or on the east side of the Flood (which runneth here nigh due north to south), on the bent-side itself, where, as it windeth and turneth, certain slopes lie turned to southwest. And in these places be a few garths, fenced against the deer, wherein grow rye, and some little barley whereof to make malt for beer and ale, whereas the folk of this high-up windy valley may have no comfort of wine. And it is to be said that ever is that land better and the getting more on the east side of the Sundering Flood than on the west.

As to the folk of this land, they are but few even now, and belike were fewer yet in the time of my tale. There was no great man amongst them, neither King, nor Earl, nor Alderman, and it had been hard living for a strong-thief in the Dale. Yet folk there were both on the east side and the west of the Flood. On neither side were they utterly cut off from the world outside the Dale; for though it were toilsome, it was not perilous to climb the bents and so wend over the necks east and west, where some forty miles from the west bank and fifty from the east you might come down into a valley fairly well peopled, wherein were two or three cheaping-towns: and to these towns the dalesmen had some resort, that they might sell such of their wool as they needed not to weave for themselves, and other small chaffer, so that they might buy wrought wares such as cutlery and pots, and above all boards and timber, whereof they had nought at home.

But this you must wot and understand, that howsoever the Sundering Flood might be misnamed down below, up in the Dale and down away to the southern mountains it was such that better named it might not be, and that nought might cross its waters undrowned save the fowl flying. Nay, and if one went up-stream to where it welled forth from the great mountains, he were no nearer to passing from one side to the other, for there would be nought before him but a wall of sheer rock, and above that rent and tumbled crags, the safe strong-houses of erne and osprey and gerfalcon. Wherefore all the dealings which the folk on the east Dale and the west might have with each other was but shouting and crying across the swirling and gurgling eddies of the black water, which themselves the while seemed to be talking together in some dread and unknown tongue.

True it is that on certain feast days and above all on Midsummer night, the folk would pluck up a heart, and gather together as gaily clad as might be where the Flood was the narrowest (save at one place, whereof more hereafter), and there on each side would trundle the fire-wheel, and do other Midsummer games, and make music of string-play and horns, and sing songs of old time and drink to each other, and depart at last to their own homes blessing each other. But never might any man on the east touch the hand of any on the west, save it were that by some strange wandering from the cheaping-towns aforesaid they might meet at last, far and far off from the Dale of the Sundering Flood.

On Seeing the 100% Perfect Girl One Beautiful April Morning

On Seeing the 100% Perfect Girl One Beautiful April Morning is a 1981 short story by Haruki Murakami. You can read it online here at this link or listen to it read to you at the bottom of this post. It begins,

One beautiful April morning, on a narrow side street in Tokyo’s fashionable Harajuku neighborhood, I walked past the 100% perfect girl.

Tell you the truth, she’s not that good-looking. She doesn’t stand out in any way. Her clothes are nothing special. The back of her hair is still bent out of shape from sleep. She isn’t young, either - must be near thirty, not even close to a “girl,” properly speaking. But still, I know from fifty yards away: She’s the 100% perfect girl for me. The moment I see her, there’s a rumbling in my chest, and my mouth is as dry as a desert.