The Old Year

The Old Year 

by John Clare

The Old Year’s gone away
To nothingness and night:
We cannot find him all the day

Nor hear him in the night:

He left no footstep, mark or place
In either shade or sun:
The last year he’d a neighbour’s face,
In this he’s known by none.

All nothing everywhere:
Mists we on mornings see
Have more of substance when they’re here
And more of form than he.
He was a friend by every fire,
In every cot and hall–
A guest to every heart’s desire,
And now he’s nought at all.

Old papers thrown away,
Old garments cast aside,
The talk of yesterday,
Are things identified;
But time once torn away
No voices can recall:
The eve of New Year’s Day
Left the Old Year lost to all.

The Blessed Midnight

The Blessed Midnight is a 1956 episode of Cavalcade of America. It stars Maureen O'Sullivan, Virginia Gregg, Frances Bavier, and Ray Teal. A young boy tries to help his friend.

A Cold Treachery

A Cold Treachery is the 7th book in Charles Todd's Inspector Ian Rutledge detective series. The series takes place in the immediate post-WWI period. This particular book takes place in the winter, with snow on the ground. I continue to enjoy this series. The main character is engaging, the other characters have depth, the plots are intriguing, and the books are real page-turners. I'd recommend beginning with the first in the series, as his war experience and resultant shell shock are key to understanding the character and are more fully explored in that book.

from the back of the book:

Called out into the teeth of a violent blizzard, Inspector Ian Rutledge faces one of the most savage murders he's ever encountered. He might have expected such unspeakable carnage on the World War I battlefields where he'd lost much of his soul -and his sanity- but not in an otherwise peaceful farm kitchen in remote Urskdale. Someone has murdered the Elcott family without the least sign of struggle. But when the victims are tallied, the local police are in for another shock: One child is missing. Now the Inspector must race to save a young boy before he's silenced by the murderous elements -or the even colder hands of the killer who hides in the blinding snow.

As you might think, much tea is offered and accepted in this book. Here's an early example:

"Would you care for a cup of tea?" She gestured to the kettle on the stove.

"Yes, please," he answered, already awash with it but suddenly unwilling to be alone. The kitchen was ordinary, quiet, cozy -it had nothing to do with a murdered family or the faces of a jury or the voice of Hamish MacLeod in the rear seat. Nothing to do with the overwhelming mountains outside or the duty he had come to carry out. He wanted only to sit down in one of the chairs nd think about the crackle of the fire and the warmth that was spreading through him and the drowsiness that would follow. Without dreams, because the light kept them at bay and the woman in the chair somehow reminded him of Olivia Marlowe.... But Olivia Marlowe -the war poet O.A. Manning- was dead, buried in Cornwall. Beyond his reach. Shaking himself awake, he began to take off his gloves, scarf, and coat, setting them with his hat on one of the chairs. Miss Fraser was busy with the tea, and without getting in her way he stood to one side of the great iron stove, absorbing the heat.

I have also read the following from this series:

#1 A Test of Wills
#2 Wings of Fire
#3 Search the Dark
#4 Legacy of the Dead
#5 Watchers of Time
#6 A Fearsome Doubt

Won't you join me in a cozy cuppa and visit with the T Stands for Tuesday bloggers linked at Bleubeard and Elizabeth's blog?

A Christmas Tree Miracle

A Christmas Tree Miracle is a 2013 Christmas movie about a family under stress during the holidays. I watched it free on Amazon Prime, but it's not available there free any more.. You can see it free on Tubi. The characters are a bit broadly played and the plot is predictable, but it's a sweet Christmas story I hadn't seen before. Sometimes that's enough.

trailer:

The Haunted Man and the Ghost's Bargain

The Haunted Man and the Ghost's Bargain is an 1848 story by Charles Dickens, fifth and last of his Christmas novellas. I find this particular of Dickens' stories tedious, but it may just be my mood. I didn't finish it but plan to come back to it another day.  You can read it online here. It begins,

CHAPTER I—The Gift Bestowed

Everybody said so.

Far be it from me to assert that what everybody says must be true. Everybody is, often, as likely to be wrong as right. In the general experience, everybody has been wrong so often, and it has taken, in most instances, such a weary while to find out how wrong, that the authority is proved to be fallible. Everybody may sometimes be right; “but that’s no rule,” as the ghost of Giles Scroggins says in the ballad.

The dread word, Ghost, recalls me.

Everybody said he looked like a haunted man. The extent of my present claim for everybody is, that they were so far right. He did.

Who could have seen his hollow cheek; his sunken brilliant eye; his black-attired figure, indefinably grim, although well-knit and well-proportioned; his grizzled hair hanging, like tangled sea-weed, about his face,—as if he had been, through his whole life, a lonely mark for the chafing and beating of the great deep of humanity,—but might have said he looked like a haunted man?

Who could have observed his manner, taciturn, thoughtful, gloomy, shadowed by habitual reserve, retiring always and jocund never, with a distraught air of reverting to a bygone place and time, or of listening to some old echoes in his mind, but might have said it was the manner of a haunted man?

Who could have heard his voice, slow-speaking, deep, and grave, with a natural fulness and melody in it which he seemed to set himself against and stop, but might have said it was the voice of a haunted man?

Who that had seen him in his inner chamber, part library and part laboratory,—for he was, as the world knew, far and wide, a learned man in chemistry, and a teacher on whose lips and hands a crowd of aspiring ears and eyes hung daily,—who that had seen him there, upon a winter night, alone, surrounded by his drugs and instruments and books; the shadow of his shaded lamp a monstrous beetle on the wall, motionless among a crowd of spectral shapes raised there by the flickering of the fire upon the quaint objects around him; some of these phantoms (the reflection of glass vessels that held liquids), trembling at heart like things that knew his power to uncombine them, and to give back their component parts to fire and vapour;—who that had seen him then, his work done, and he pondering in his chair before the rusted grate and red flame, moving his thin mouth as if in speech, but silent as the dead, would not have said that the man seemed haunted and the chamber too?

Who might not, by a very easy flight of fancy, have believed that everything about him took this haunted tone, and that he lived on haunted ground?

His dwelling was so solitary and vault-like,—an old, retired part of an ancient endowment for students, once a brave edifice, planted in an open place, but now the obsolete whim of forgotten architects; smoke-age-and-weather-darkened, squeezed on every side by the overgrowing of the great city, and choked, like an old well, with stones and bricks; its small quadrangles, lying down in very pits formed by the streets and buildings, which, in course of time, had been constructed above its heavy chimney stalks; its old trees, insulted by the neighbouring smoke, which deigned to droop so low when it was very feeble and the weather very moody; its grass-plots, struggling with the mildewed earth to be grass, or to win any show of compromise; its silent pavements, unaccustomed to the tread of feet, and even to the observation of eyes, except when a stray face looked down from the upper world, wondering what nook it was; its sun-dial in a little bricked-up corner, where no sun had straggled for a hundred years, but where, in compensation for the sun’s neglect, the snow would lie for weeks when it lay nowhere else, and the black east wind would spin like a huge humming-top, when in all other places it was silent and still.

His dwelling, at its heart and core—within doors—at his fireside—was so lowering and old, so crazy, yet so strong, with its worn-eaten beams of wood in the ceiling, and its sturdy floor shelving downward to the great oak chimney-piece; so environed and hemmed in by the pressure of the town yet so remote in fashion, age, and custom; so quiet, yet so thundering with echoes when a distant voice was raised or a door was shut,—echoes, not confined to the many low passages and empty rooms, but rumbling and grumbling till they were stifled in the heavy air of the forgotten Crypt where the Norman arches were half-buried in the earth.

You should have seen him in his dwelling about twilight, in the dead winter time.

When the wind was blowing, shrill and shrewd, with the going down of the blurred sun. When it was just so dark, as that the forms of things were indistinct and big—but not wholly lost. When sitters by the fire began to see wild faces and figures, mountains and abysses, ambuscades and armies, in the coals. When people in the streets bent down their heads and ran before the weather. When those who were obliged to meet it, were stopped at angry corners, stung by wandering snow-flakes alighting on the lashes of their eyes,—which fell too sparingly, and were blown away too quickly, to leave a trace upon the frozen ground. When windows of private houses closed up tight and warm. When lighted gas began to burst forth in the busy and the quiet streets, fast blackening otherwise. When stray pedestrians, shivering along the latter, looked down at the glowing fires in kitchens, and sharpened their sharp appetites by sniffing up the fragrance of whole miles of dinners.

When travellers by land were bitter cold, and looked wearily on gloomy landscapes, rustling and shuddering in the blast. When mariners at sea, outlying upon icy yards, were tossed and swung above the howling ocean dreadfully. When lighthouses, on rocks and headlands, showed solitary and watchful; and benighted sea-birds breasted on against their ponderous lanterns, and fell dead. When little readers of story-books, by the firelight, trembled to think of Cassim Baba cut into quarters, hanging in the Robbers’ Cave, or had some small misgivings that the fierce little old woman, with the crutch, who used to start out of the box in the merchant Abudah’s bedroom, might, one of these nights, be found upon the stairs, in the long, cold, dusky journey up to bed.

When, in rustic places, the last glimmering of daylight died away from the ends of avenues; and the trees, arching overhead, were sullen and black. When, in parks and woods, the high wet fern and sodden moss, and beds of fallen leaves, and trunks of trees, were lost to view, in masses of impenetrable shade. When mists arose from dyke, and fen, and river. When lights in old halls and in cottage windows, were a cheerful sight. When the mill stopped, the wheelwright and the blacksmith shut their workshops, the turnpike-gate closed, the plough and harrow were left lonely in the fields, the labourer and team went home, and the striking of the church clock had a deeper sound than at noon, and the churchyard wicket would be swung no more that night.

When twilight everywhere released the shadows, prisoned up all day, that now closed in and gathered like mustering swarms of ghosts. When they stood lowering, in corners of rooms, and frowned out from behind half-opened doors. When they had full possession of unoccupied apartments. When they danced upon the floors, and walls, and ceilings of inhabited chambers, while the fire was low, and withdrew like ebbing waters when it sprang into a blaze. When they fantastically mocked the shapes of household objects, making the nurse an ogress, the rocking-horse a monster, the wondering child, half-scared and half-amused, a stranger to itself,—the very tongs upon the hearth, a straddling giant with his arms a-kimbo, evidently smelling the blood of Englishmen, and wanting to grind people’s bones to make his bread.

When these shadows brought into the minds of older people, other thoughts, and showed them different images. When they stole from their retreats, in the likenesses of forms and faces from the past, from the grave, from the deep, deep gulf, where the things that might have been, and never were, are always wandering.

When he sat, as already mentioned, gazing at the fire. When, as it rose and fell, the shadows went and came. When he took no heed of them, with his bodily eyes; but, let them come or let them go, looked fixedly at the fire. You should have seen him, then.

When the sounds that had arisen with the shadows, and come out of their lurking-places at the twilight summons, seemed to make a deeper stillness all about him. When the wind was rumbling in the chimney, and sometimes crooning, sometimes howling, in the house. When the old trees outside were so shaken and beaten, that one querulous old rook, unable to sleep, protested now and then, in a feeble, dozy, high-up “Caw!” When, at intervals, the window trembled, the rusty vane upon the turret-top complained, the clock beneath it recorded that another quarter of an hour was gone, or the fire collapsed and fell in with a rattle.

—When a knock came at his door, in short, as he was sitting so, and roused him.

“Who’s that?” said he. “Come in!”

Surely there had been no figure leaning on the back of his chair; no face looking over it. It is certain that no gliding footstep touched the floor, as he lifted up his head, with a start, and spoke. And yet there was no mirror in the room on whose surface his own form could have cast its shadow for a moment; and, Something had passed darkly and gone!

“I’m humbly fearful, sir,” said a fresh-coloured busy man, holding the door open with his foot for the admission of himself and a wooden tray he carried, and letting it go again by very gentle and careful degrees, when he and the tray had got in, lest it should close noisily, “that it’s a good bit past the time to-night. But Mrs. William has been taken off her legs so often”—

“By the wind? Ay! I have heard it rising.”

“—By the wind, sir—that it’s a mercy she got home at all. Oh dear, yes. Yes. It was by the wind, Mr. Redlaw. By the wind.”

He had, by this time, put down the tray for dinner, and was employed in lighting the lamp, and spreading a cloth on the table. From this employment he desisted in a hurry, to stir and feed the fire, and then resumed it; the lamp he had lighted, and the blaze that rose under his hand, so quickly changing the appearance of the room, that it seemed as if the mere coming in of his fresh red face and active manner had made the pleasant alteration.

“Mrs. William is of course subject at any time, sir, to be taken off her balance by the elements. She is not formed superior to that.”

“No,” returned Mr. Redlaw good-naturedly, though abruptly.

“No, sir. Mrs. William may be taken off her balance by Earth; as for example, last Sunday week, when sloppy and greasy, and she going out to tea with her newest sister-in-law, and having a pride in herself, and wishing to appear perfectly spotless though pedestrian. Mrs. William may be taken off her balance by Air; as being once over-persuaded by a friend to try a swing at Peckham Fair, which acted on her constitution instantly like a steam-boat. Mrs. William may be taken off her balance by Fire; as on a false alarm of engines at her mother’s, when she went two miles in her nightcap. Mrs. William may be taken off her balance by Water; as at Battersea, when rowed into the piers by her young nephew, Charley Swidger junior, aged twelve, which had no idea of boats whatever. But these are elements. Mrs. William must be taken out of elements for the strength of her character to come into play.”

As he stopped for a reply, the reply was “Yes,” in the same tone as before.

“Yes, sir. Oh dear, yes!” said Mr. Swidger, still proceeding with his preparations, and checking them off as he made them. “That’s where it is, sir. That’s what I always say myself, sir. Such a many of us Swidgers!—Pepper. Why there’s my father, sir, superannuated keeper and custodian of this Institution, eighty-seven year old. He’s a Swidger!—Spoon.”

“True, William,” was the patient and abstracted answer, when he stopped again.

“Yes, sir,” said Mr. Swidger. “That’s what I always say, sir. You may call him the trunk of the tree!—Bread. Then you come to his successor, my unworthy self—Salt—and Mrs. William, Swidgers both.—Knife and fork. Then you come to all my brothers and their families, Swidgers, man and woman, boy and girl. Why, what with cousins, uncles, aunts, and relationships of this, that, and t’other degree, and whatnot degree, and marriages, and lyings-in, the Swidgers—Tumbler—might take hold of hands, and make a ring round England!”

Receiving no reply at all here, from the thoughtful man whom he addressed, Mr. William approached, him nearer, and made a feint of accidentally knocking the table with a decanter, to rouse him. The moment he succeeded, he went on, as if in great alacrity of acquiescence.

“Yes, sir! That’s just what I say myself, sir. Mrs. William and me have often said so. ‘There’s Swidgers enough,’ we say, ‘without our voluntary contributions,’—Butter. In fact, sir, my father is a family in himself—Castors—to take care of; and it happens all for the best that we have no child of our own, though it’s made Mrs. William rather quiet-like, too. Quite ready for the fowl and mashed potatoes, sir? Mrs. William said she’d dish in ten minutes when I left the Lodge.”

“I am quite ready,” said the other, waking as from a dream, and walking slowly to and fro.

“Mrs. William has been at it again, sir!” said the keeper, as he stood warming a plate at the fire, and pleasantly shading his face with it. Mr. Redlaw stopped in his walking, and an expression of interest appeared in him.

“What I always say myself, sir. She will do it! There’s a motherly feeling in Mrs. William’s breast that must and will have went.”

“What has she done?”

“Why, sir, not satisfied with being a sort of mother to all the young gentlemen that come up from a variety of parts, to attend your courses of lectures at this ancient foundation—its surprising how stone-chaney catches the heat this frosty weather, to be sure!” Here he turned the plate, and cooled his fingers.

“Well?” said Mr. Redlaw.

“That’s just what I say myself, sir,” returned Mr. William, speaking over his shoulder, as if in ready and delighted assent. “That’s exactly where it is, sir! There ain’t one of our students but appears to regard Mrs. William in that light. Every day, right through the course, they puts their heads into the Lodge, one after another, and have all got something to tell her, or something to ask her. ‘Swidge’ is the appellation by which they speak of Mrs. William in general, among themselves, I’m told; but that’s what I say, sir. Better be called ever so far out of your name, if it’s done in real liking, than have it made ever so much of, and not cared about! What’s a name for? To know a person by. If Mrs. William is known by something better than her name—I allude to Mrs. William’s qualities and disposition—never mind her name, though it is Swidger, by rights. Let ’em call her Swidge, Widge, Bridge—Lord! London Bridge, Blackfriars, Chelsea, Putney, Waterloo, or Hammersmith Suspension—if they like.”

The close of this triumphant oration brought him and the plate to the table, upon which he half laid and half dropped it, with a lively sense of its being thoroughly heated, just as the subject of his praises entered the room, bearing another tray and a lantern, and followed by a venerable old man with long grey hair.

Mrs. William, like Mr. William, was a simple, innocent-looking person, in whose smooth cheeks the cheerful red of her husband’s official waistcoat was very pleasantly repeated. But whereas Mr. William’s light hair stood on end all over his head, and seemed to draw his eyes up with it in an excess of bustling readiness for anything, the dark brown hair of Mrs. William was carefully smoothed down, and waved away under a trim tidy cap, in the most exact and quiet manner imaginable. Whereas Mr. William’s very trousers hitched themselves up at the ankles, as if it were not in their iron-grey nature to rest without looking about them, Mrs. William’s neatly-flowered skirts—red and white, like her own pretty face—were as composed and orderly, as if the very wind that blew so hard out of doors could not disturb one of their folds. Whereas his coat had something of a fly-away and half-off appearance about the collar and breast, her little bodice was so placid and neat, that there should have been protection for her, in it, had she needed any, with the roughest people. Who could have had the heart to make so calm a bosom swell with grief, or throb with fear, or flutter with a thought of shame! To whom would its repose and peace have not appealed against disturbance, like the innocent slumber of a child!

“Punctual, of course, Milly,” said her husband, relieving her of the tray, “or it wouldn’t be you. Here’s Mrs. William, sir!—He looks lonelier than ever to-night,” whispering to his wife, as he was taking the tray, “and ghostlier altogether.”

Without any show of hurry or noise, or any show of herself even, she was so calm and quiet, Milly set the dishes she had brought upon the table,—Mr. William, after much clattering and running about, having only gained possession of a butter-boat of gravy, which he stood ready to serve.

“What is that the old man has in his arms?” asked Mr. Redlaw, as he sat down to his solitary meal.

“Holly, sir,” replied the quiet voice of Milly.

“That’s what I say myself, sir,” interposed Mr. William, striking in with the butter-boat. “Berries is so seasonable to the time of year!—Brown gravy!”

“Another Christmas come, another year gone!” murmured the Chemist, with a gloomy sigh. “More figures in the lengthening sum of recollection that we work and work at to our torment, till Death idly jumbles all together, and rubs all out. So, Philip!” breaking off, and raising his voice as he addressed the old man, standing apart, with his glistening burden in his arms, from which the quiet Mrs. William took small branches, which she noiselessly trimmed with her scissors, and decorated the room with, while her aged father-in-law looked on much interested in the ceremony.

“My duty to you, sir,” returned the old man. “Should have spoke before, sir, but know your ways, Mr. Redlaw—proud to say—and wait till spoke to! Merry Christmas, sir, and Happy New Year, and many of ’em. Have had a pretty many of ’em myself—ha, ha!—and may take the liberty of wishing ’em. I’m eighty-seven!”

“Have you had so many that were merry and happy?” asked the other.

“Ay, sir, ever so many,” returned the old man.

“Is his memory impaired with age? It is to be expected now,” said Mr. Redlaw, turning to the son, and speaking lower.

“Not a morsel of it, sir,” replied Mr. William. “That’s exactly what I say myself, sir. There never was such a memory as my father’s. He’s the most wonderful man in the world. He don’t know what forgetting means. It’s the very observation I’m always making to Mrs. William, sir, if you’ll believe me!”

Mr. Swidger, in his polite desire to seem to acquiesce at all events, delivered this as if there were no iota of contradiction in it, and it were all said in unbounded and unqualified assent.

The Chemist pushed his plate away, and, rising from the table, walked across the room to where the old man stood looking at a little sprig of holly in his hand.

“It recalls the time when many of those years were old and new, then?” he said, observing him attentively, and touching him on the shoulder. “Does it?”

“Oh many, many!” said Philip, half awaking from his reverie. “I’m eighty-seven!”

“Merry and happy, was it?” asked the Chemist in a low voice. “Merry and happy, old man?”

“Maybe as high as that, no higher,” said the old man, holding out his hand a little way above the level of his knee, and looking retrospectively at his questioner, “when I first remember ’em! Cold, sunshiny day it was, out a-walking, when some one—it was my mother as sure as you stand there, though I don’t know what her blessed face was like, for she took ill and died that Christmas-time—told me they were food for birds. The pretty little fellow thought—that’s me, you understand—that birds’ eyes were so bright, perhaps, because the berries that they lived on in the winter were so bright. I recollect that. And I’m eighty-seven!”

“Merry and happy!” mused the other, bending his dark eyes upon the stooping figure, with a smile of compassion. “Merry and happy—and remember well?”

“Ay, ay, ay!” resumed the old man, catching the last words. “I remember ’em well in my school time, year after year, and all the merry-making that used to come along with them. I was a strong chap then, Mr. Redlaw; and, if you’ll believe me, hadn’t my match at football within ten mile. Where’s my son William? Hadn’t my match at football, William, within ten mile!”

“That’s what I always say, father!” returned the son promptly, and with great respect. “You ARE a Swidger, if ever there was one of the family!”

“Dear!” said the old man, shaking his head as he again looked at the holly. “His mother—my son William’s my youngest son—and I, have sat among ’em all, boys and girls, little children and babies, many a year, when the berries like these were not shining half so bright all round us, as their bright faces. Many of ’em are gone; she’s gone; and my son George (our eldest, who was her pride more than all the rest!) is fallen very low: but I can see them, when I look here, alive and healthy, as they used to be in those days; and I can see him, thank God, in his innocence. It’s a blessed thing to me, at eighty-seven.”

The keen look that had been fixed upon him with so much earnestness, had gradually sought the ground.

“When my circumstances got to be not so good as formerly, through not being honestly dealt by, and I first come here to be custodian,” said the old man, “—which was upwards of fifty years ago—where’s my son William? More than half a century ago, William!”

“That’s what I say, father,” replied the son, as promptly and dutifully as before, “that’s exactly where it is. Two times ought’s an ought, and twice five ten, and there’s a hundred of ’em.”

“It was quite a pleasure to know that one of our founders—or more correctly speaking,” said the old man, with a great glory in his subject and his knowledge of it, “one of the learned gentlemen that helped endow us in Queen Elizabeth’s time, for we were founded afore her day—left in his will, among the other bequests he made us, so much to buy holly, for garnishing the walls and windows, come Christmas. There was something homely and friendly in it. Being but strange here, then, and coming at Christmas time, we took a liking for his very picter that hangs in what used to be, anciently, afore our ten poor gentlemen commuted for an annual stipend in money, our great Dinner Hall.—A sedate gentleman in a peaked beard, with a ruff round his neck, and a scroll below him, in old English letters, ‘Lord! keep my memory green!’ You know all about him, Mr. Redlaw?”

“I know the portrait hangs there, Philip.”

“Yes, sure, it’s the second on the right, above the panelling. I was going to say—he has helped to keep my memory green, I thank him; for going round the building every year, as I’m a doing now, and freshening up the bare rooms with these branches and berries, freshens up my bare old brain. One year brings back another, and that year another, and those others numbers! At last, it seems to me as if the birth-time of our Lord was the birth-time of all I have ever had affection for, or mourned for, or delighted in,—and they’re a pretty many, for I’m eighty-seven!”

“Merry and happy,” murmured Redlaw to himself.

The room began to darken strangely.

“So you see, sir,” pursued old Philip, whose hale wintry cheek had warmed into a ruddier glow, and whose blue eyes had brightened while he spoke, “I have plenty to keep, when I keep this present season. Now, where’s my quiet Mouse? Chattering’s the sin of my time of life, and there’s half the building to do yet, if the cold don’t freeze us first, or the wind don’t blow us away, or the darkness don’t swallow us up.”

The quiet Mouse had brought her calm face to his side, and silently taken his arm, before he finished speaking.

“Come away, my dear,” said the old man. “Mr. Redlaw won’t settle to his dinner, otherwise, till it’s cold as the winter. I hope you’ll excuse me rambling on, sir, and I wish you good night, and, once again, a merry—”

“Stay!” said Mr. Redlaw, resuming his place at the table, more, it would have seemed from his manner, to reassure the old keeper, than in any remembrance of his own appetite. “Spare me another moment, Philip. William, you were going to tell me something to your excellent wife’s honour. It will not be disagreeable to her to hear you praise her. What was it?”

“Why, that’s where it is, you see, sir,” returned Mr. William Swidger, looking towards his wife in considerable embarrassment. “Mrs. William’s got her eye upon me.”

“But you’re not afraid of Mrs. William’s eye?”

“Why, no, sir,” returned Mr. Swidger, “that’s what I say myself. It wasn’t made to be afraid of. It wouldn’t have been made so mild, if that was the intention. But I wouldn’t like to—Milly!—him, you know. Down in the Buildings.”

Mr. William, standing behind the table, and rummaging disconcertedly among the objects upon it, directed persuasive glances at Mrs. William, and secret jerks of his head and thumb at Mr. Redlaw, as alluring her towards him.

“Him, you know, my love,” said Mr. William. “Down in the Buildings. Tell, my dear! You’re the works of Shakespeare in comparison with myself. Down in the Buildings, you know, my love.—Student.”

“Student?” repeated Mr. Redlaw, raising his head.

“That’s what I say, sir!” cried Mr. William, in the utmost animation of assent. “If it wasn’t the poor student down in the Buildings, why should you wish to hear it from Mrs. William’s lips? Mrs. William, my dear—Buildings.”

“I didn’t know,” said Milly, with a quiet frankness, free from any haste or confusion, “that William had said anything about it, or I wouldn’t have come. I asked him not to. It’s a sick young gentleman, sir—and very poor, I am afraid—who is too ill to go home this holiday-time, and lives, unknown to any one, in but a common kind of lodging for a gentleman, down in Jerusalem Buildings. That’s all, sir.”

“Why have I never heard of him?” said the Chemist, rising hurriedly. “Why has he not made his situation known to me? Sick!—give me my hat and cloak. Poor!—what house?—what number?”

“Oh, you mustn’t go there, sir,” said Milly, leaving her father-in-law, and calmly confronting him with her collected little face and folded hands.

“Not go there?”

“Oh dear, no!” said Milly, shaking her head as at a most manifest and self-evident impossibility. “It couldn’t be thought of!”

“What do you mean? Why not?”

“Why, you see, sir,” said Mr. William Swidger, persuasively and confidentially, “that’s what I say. Depend upon it, the young gentleman would never have made his situation known to one of his own sex. Mrs. Williams has got into his confidence, but that’s quite different. They all confide in Mrs. William; they all trust her. A man, sir, couldn’t have got a whisper out of him; but woman, sir, and Mrs. William combined—!”

“There is good sense and delicacy in what you say, William,” returned Mr. Redlaw, observant of the gentle and composed face at his shoulder. And laying his finger on his lip, he secretly put his purse into her hand.

“Oh dear no, sir!” cried Milly, giving it back again. “Worse and worse! Couldn’t be dreamed of!”

Such a staid matter-of-fact housewife she was, and so unruffled by the momentary haste of this rejection, that, an instant afterwards, she was tidily picking up a few leaves which had strayed from between her scissors and her apron, when she had arranged the holly.

Finding, when she rose from her stooping posture, that Mr. Redlaw was still regarding her with doubt and astonishment, she quietly repeated—looking about, the while, for any other fragments that might have escaped her observation:

“Oh dear no, sir! He said that of all the world he would not be known to you, or receive help from you—though he is a student in your class. I have made no terms of secrecy with you, but I trust to your honour completely.”

“Why did he say so?”

“Indeed I can’t tell, sir,” said Milly, after thinking a little, “because I am not at all clever, you know; and I wanted to be useful to him in making things neat and comfortable about him, and employed myself that way. But I know he is poor, and lonely, and I think he is somehow neglected too.—How dark it is!”

The room had darkened more and more. There was a very heavy gloom and shadow gathering behind the Chemist’s chair.

“What more about him?” he asked.

“He is engaged to be married when he can afford it,” said Milly, “and is studying, I think, to qualify himself to earn a living. I have seen, a long time, that he has studied hard and denied himself much.—How very dark it is!”

“It’s turned colder, too,” said the old man, rubbing his hands. “There’s a chill and dismal feeling in the room. Where’s my son William? William, my boy, turn the lamp, and rouse the fire!”

Milly’s voice resumed, like quiet music very softly played:

“He muttered in his broken sleep yesterday afternoon, after talking to me” (this was to herself) “about some one dead, and some great wrong done that could never be forgotten; but whether to him or to another person, I don’t know. Not by him, I am sure.”

“And, in short, Mrs. William, you see—which she wouldn’t say herself, Mr. Redlaw, if she was to stop here till the new year after this next one—” said Mr. William, coming up to him to speak in his ear, “has done him worlds of good! Bless you, worlds of good! All at home just the same as ever—my father made as snug and comfortable—not a crumb of litter to be found in the house, if you were to offer fifty pound ready money for it—Mrs. William apparently never out of the way—yet Mrs. William backwards and forwards, backwards and forwards, up and down, up and down, a mother to him!”

The room turned darker and colder, and the gloom and shadow gathering behind the chair was heavier.

“Not content with this, sir, Mrs. William goes and finds, this very night, when she was coming home (why it’s not above a couple of hours ago), a creature more like a young wild beast than a young child, shivering upon a door-step. What does Mrs. William do, but brings it home to dry it, and feed it, and keep it till our old Bounty of food and flannel is given away, on Christmas morning! If it ever felt a fire before, it’s as much as ever it did; for it’s sitting in the old Lodge chimney, staring at ours as if its ravenous eyes would never shut again. It’s sitting there, at least,” said Mr. William, correcting himself, on reflection, “unless it’s bolted!”

“Heaven keep her happy!” said the Chemist aloud, “and you too, Philip! and you, William! I must consider what to do in this. I may desire to see this student, I’ll not detain you any longer now. Good-night!”

“I thank’ee, sir, I thank’ee!” said the old man, “for Mouse, and for my son William, and for myself. Where’s my son William? William, you take the lantern and go on first, through them long dark passages, as you did last year and the year afore. Ha ha! I remember—though I’m eighty-seven! ‘Lord, keep my memory green!’ It’s a very good prayer, Mr. Redlaw, that of the learned gentleman in the peaked beard, with a ruff round his neck—hangs up, second on the right above the panelling, in what used to be, afore our ten poor gentlemen commuted, our great Dinner Hall. ‘Lord, keep my memory green!’ It’s very good and pious, sir. Amen! Amen!”

As they passed out and shut the heavy door, which, however carefully withheld, fired a long train of thundering reverberations when it shut at last, the room turned darker.

As he fell a musing in his chair alone, the healthy holly withered on the wall, and dropped—dead branches.

As the gloom and shadow thickened behind him, in that place where it had been gathering so darkly, it took, by slow degrees,—or out of it there came, by some unreal, unsubstantial process—not to be traced by any human sense,—an awful likeness of himself!

Ghastly and cold, colourless in its leaden face and hands, but with his features, and his bright eyes, and his grizzled hair, and dressed in the gloomy shadow of his dress, it came into his terrible appearance of existence, motionless, without a sound. As he leaned his arm upon the elbow of his chair, ruminating before the fire, it leaned upon the chair-back, close above him, with its appalling copy of his face looking where his face looked, and bearing the expression his face bore.

This, then, was the Something that had passed and gone already. This was the dread companion of the haunted man!

It took, for some moments, no more apparent heed of him, than he of it. The Christmas Waits were playing somewhere in the distance, and, through his thoughtfulness, he seemed to listen to the music. It seemed to listen too.

At length he spoke; without moving or lifting up his face.

“Here again!” he said.

“Here again,” replied the Phantom.

“I see you in the fire,” said the haunted man; “I hear you in music, in the wind, in the dead stillness of the night.”

The Phantom moved its head, assenting.

“Why do you come, to haunt me thus?”

“I come as I am called,” replied the Ghost.

“No. Unbidden,” exclaimed the Chemist.

You can listen to it here:

December 26

December 26 is a poem, one view of what the day after Christmas is like for a child, by Kenn Nesbitt. You can read it here. It begins

A BB gun.
A model plane.
A basketball.
A ’lectric train.

Merry Christmas!

The Adoration of the Shepherds, by Georges de La Tour, c.1645

Luke 

Chapter 2, verses 1-7 

And it came to pass in those days, that there went out a decree from Caesar Augustus that all the world should be taxed. (And this taxing was first made when Cyrenius was governor of Syria.) And all went to be taxed, every one into his own city. And Joseph also went up from Galilee, out of the city of Nazareth, into Judaea, unto the city of David, which is called Bethlehem; (because he was of the house and lineage of David:) To be taxed with Mary his espoused wife, being great with child. And so it was, that, while they were there, the days were accomplished that she should be delivered. And she brought forth her firstborn son, and wrapped him in swaddling clothes, and laid him in a manger; because there was no room for them in the inn.

'Twas the Night Before Christmas

'Twas the Night Before Christmas:

read by Bob Dylan

Landscape with Rising Sun

Landscape with Rising Sun:

is a painting by Joseph Michael Gandy. It is a study made December 1, 1828, at 8:30 in the morning under a southwest wind. Gandy died on Christmas Day in 1843, "penniless and anonymous in a darkened [windowless] asylum cell" according to this article from The Guardian. "It is heart-breaking to imagine the darkness of that windowless cell for a man so sensitive to light that he would stop to sketch a rainbow, or the blurry haze of sunrise on a frosty morning." (also from The Guardian) No one knows where he is buried.

Reginald's Christmas Revel

Reginald's Christmas Revel is a short story by Saki. Join me in a cup of something hot while you read it?

You can read it online here. It begins,

They say (said Reginald) that there's nothing sadder than victory except defeat. If you've ever stayed with dull people during what is alleged to be the festive season, you can probably revise that saying. I shall never forget putting in a Christmas at the Babwolds'. Mrs. Babwold is some relation of my father's -a sort of to-be-left-till-called-for cousin- and that was considered sufficient reason for my having to accept her invitation at about the sixth time of asking; though why the sins of the father should be visited by the children -you won't find any notepaper in that drawer; that's where I keep old menus and first-night programmes.

Mrs. Babwold wears a rather solemn personality, and has never been known to smile, even when saying disagreeable things to her friends or making out the Stores list. She takes her pleasures sadly. A state elephant at a Durbar gives one a very similar impression. Her husband gardens in all weathers. When a man goes out in the pouring rain to brush caterpillars off rose-trees, I generally imagine his life indoors leaves something to be desired; anyway, it must be very unsettling for the caterpillars.

Of course there were other people there. There was a Major Somebody who had shot things in Lapland, or somewhere of that sort; I forget what they were, but it wasn't for want of reminding. We had them cold with every meal almost, and he was continually giving us details of what they measured from tip to tip, as though he thought we were going to make them warm under-things for the winter. I used to listen to him with a rapt attention that I thought rather suited me, and then one day I quite modestly gave the dimensions of an okapi I had shot in the Lincolnshire fens. The Major turned a beautiful Tyrian scarlet (I remember thinking at the time that I should like my bathroom hung in that colour), and I think that at that moment he almost found it in his heart to dislike me. Mrs. Babwold put on a first-aid-to-the-injured expression, and asked him why he didn't publish a book of his sporting reminiscences; it would be so interesting. She didn't remember till afterwards that he had given her two fat volumes on the subject, with his portrait and autograph as a frontispiece and an appendix on the habits of the Arctic mussel.

It was in the evening that we cast aside the cares and distractions of the day and really lived. Cards were thought to be too frivolous and empty a way of passing the time...

You can listen to the story here:

I'm headed over to Bleubeard and Elizabeth's T Stands for Tuesday blogger gathering to see what everybody else is up to during the season.

I'll Play The Blues For You

I'll Play The Blues For You:

by Albert King, who died in his Memphis home on this date in 1992 of a heart attack when he was 69 years old. His last concert was just two days before his death.

Better Off Dead

Better Off Dead is a 1985 dark comedy cult classic. It takes place during the Christmas season. You can watch it via DailyMotion in 2 parts with commercials.

Part 1:

Part 2:

Christmas Music

I have a Christmas playlist on Spotify. It's eclectic, containing a variety of types of music. I invite you to check it out and see if you enjoy any of it.

Lady in the Lake

Lady in the Lake is a 1947 film noir that takes place during the Christmas holiday season. It's an adaptation of the 1943 Raymond Chandler novel. This is the directorial debut of Robert Montgomery, who also stars. You can watch it online at this link.

trailer:

The Evenings

The Evenings is the 1947 debut novel of Dutch author Gerard Reve. I didn't expect it, but I found this one of the most encouraging books I've read in years. from Wikipedia:

The novel describes ten evenings out of the life of the 23-year-old office clerk Frits van Egters living in Amsterdam. It is partitioned into ten chapters, of which each describes an evening between 22 and 31 December 1946. The novel was written very shortly after World War II. Though the war itself is hardly mentioned, the story gives, by describing an individual's experiences, a detailed description of contemporary post-war society...

from the back of the book:

Twnty-three-year-old Fritz -office worker,daydreamer, teller of inappropriate jokes- finds life absurd and inexplicable. He lives with his parents, who drive him mad. He has terrible, disturbing dreams of death and destruction. Sometimes he talks to a toy rabbit. Darkly funny and mesmerizing, The Evenings takes the tiny quotidian triumphs and heartbreaks of our everyday lives and turns them into a work of brilliant wit and profound beauty.

The Guardian calls it a masterpiece. The LA Review of Books concludes a positive review with this: "The Evenings earns its status as a little masterpiece — a provocative reminder that life goes on even in the bleakest of circumstances."

The Christmas Story

The Christmas Story is a 1952 2nd season Amos 'n' Andy episode in which Andy needs money and takes a position as a department story Santa and Amos explains the meaning of The Lord's Prayer to his sweet little daughter.

This would've been (when shown in re-runs in the late 50s or early 60s) one of my earliest TV Santas.

I know the controversy about this television series, and being white I don't feel qualified to speak on that. I will say I liked this show when I was quite small and felt a real kinship with some of the characters. I certainly felt more in tune with them than with small town Mayberry or any of the suburban families I saw on TV.

Johnny Cash Christmas Show

I'll be drinking something hot while I watch

and while I visit with the T Stands for Tuesday bloggers. Join us at the weekly party hosted by Bleubeard and Elizabeth.

The Little Lamb: A Christmas Story

The Little Lamb: A Christmas Story is a 1955 live action short film about a mother telling a bed-time story to her children. She chooses the story of the shepherds going to see the baby Jesus. Nicely done. A sweet telling.

Nicholas Was

Not your typical cheerful tale, Nicholas Was is a 2010 2-minute short film based on a Neil Gaiman story.

Nicholas Was from 39 degrees north on Vimeo.

The Curse of the Cat People

The Curse of the Cat People is a 1944 fantasy film, a sequel of sorts to Cat People, and Simone Simon stars. This was Robert Wise's first credit as director.

There's one scene in particular that's a Christmas scene, with a Christmas tree and people gathered around a piano singing:

The Warrior's Way

The Warrior's Way is a 2010 New Zealand/South Korean martial arts western. Geoffrey Rush has a starring role. Part of it takes place during the Christmas season.

trailer:

Mr. Krueger's Christmas

Mr. Krueger's Christmas is a 1980 half-hour television Christmas special. James Stewart plays Willy Krueger, a widowed apartment janitor on a lonely Christmas Eve.

 

 

 

A Carol Christmas

A Carol Christmas is a 2003 Hallmark channel movie adaptation of Dickens' Christmas Carol. It stars Tori Spelling, Dinah Manoff, William Shatner and Gary Coleman.

Holiday (1938)

Holiday is a 1938 romantic comedy film. It's directed by George Cukor and stars Katharine Hepburn and Cary Grant. You can watch it online at the link here.

Here's a trailer:

Criterion says, "Holiday is an enchanting ode to nonconformists and pie-in-the-sky dreamers everywhere, as well as a thoughtful reflection on what it truly means to live well." Emmanuel Levy has a review. Time Out calls it "one of Cukor's best films." Rotten Tomatoes has a critics consensus rating of 100%.

I'll be having a Christmas cuppa:

while I visit the T Stands for Tuesday blogger gathering hosted by Bleubeard and Elizabeth. Join me?

A Ghost Story for Christmas: The Dead Room

A Ghost Story for Christmas: The Dead Room is a 2018 BBC presentation in the spirit of the traditional Christmas ghost story.

Three Godfathers (1936)

Three Godfathers is a 1936 Western film about three bandits who find a dying mother and her infant out in the desert. Walter Brennan stars. It takes place around Christmastime. It's a delightful film that provides something a bit different for the holidays. You can watch it online here at this link

or here:

Here's a trailer:

The Nativity (1952)

The Nativity is a 1952 television play.

from Wikipedia:

The Nativity was a 58-minute United States television drama with music about the birth of Jesus Christ, presented on the television anthology Westinghouse Studio One. Directed by Franklin Schaffner, it is a rare modern network television production of an authentic mystery play, mostly culled from the York and Chester mystery plays of the 14th and 15th centuries in England. ...

The play was performed in what is now known as Elizabethan English. Although it takes its text straight from fifteenth-century English, the words were not pronounced as Middle English would be, but in a more modern manner. Musical selections were selected from Christmas carols and sung by the Robert Shaw Chorale..

Tennessee Road

Tennessee Road:

by Gary P. Nunn, who has a birthday today. This song is all about Elvis.

Klaus

Klaus is a 2019 animated Christmas movie. I watched it on Netflix. I enjoyed this one. It's good to see new shows I think of as fun for both kids and adults. This tells the origins of Santa, but is a completely new re-imagining of the story unrelated to any actual history.


trailer:

Stonehearst Asylum

Stonehearst Asylum is a 2014 gothic film loosely based on the Edgar Allan Poe story The System of Doctor Tarr and Professor Fether, which can be read online here. It stars Kate Beckinsale, Jim Sturgess, Michael Caine, Ben Kingsley, and David Thewlis. I expected a lot from this because of the cast. It's not a horror film in any real sense of the word, even though it was listed in the Horror category, but it'd be a good one for somebody who just wants a tiny bit of a horror feel without any real horror.

The film begins during the Christmas season. I watched it on Netflix. I tend to schedule posts ahead of time, and this isn't on Netflix anymore. You can watch it free on Tubi. If you have an Amazon Prime subscription you'll find it here.

trailer:

The Guardian calls it a "supremely entertaining Poe-inspired gothic thriller". Variety says, "A tony British cast is underserved by this well-mounted but pointless version of an Edgar Allan Poe story." Roger Ebert's site calls it "a disappointingly shallow affair that wastes an opportunity to breathe life into a timeless Edgar Allen Poe short story."

Christmas Time In Front of the Screen

Watching Christmas movies, short films, and TV episodes is one of the highlights of the season for me. I keep a list here, which I update as I write blog posts on them. Please check them out, let me know if any of the videos have disappeared, and I'd love suggestions for new viewing possibilities. Except for the Hallmark-type rom-coms. I've seen a few of those and don't care to watch any more.

Please join me at the T Stands for Tuesday blogger gathering hosted by Bleubeard and Elizabeth.

Under the Skin

Under the Skin is a 2013 science fiction film starring Scarlett Johansson. I watched it on Netflix, but this post was scheduled and the movie isn't there any more. You'd have to pay to see it now on hulu or such, and there are too many films available to me either free or with the Netflix and Amazon Prime subscriptions I already have. It'd be worth seeing if you're so inclined, but I'd never have seen it if it hadn't been included on Netflix.

trailer:

Roger Ebert's site concludes a positive review with this: "the movie's sensibility is as distinctive as any I've seen. "Under the Skin" is hideously beautiful. Its life force is overwhelming." Rotten Tomatoes has an 85% critics consensus score.

By the Waters of Babylon

Stephen Vincent Benét

By the Waters of Babylon is a short story by Stephen Vincent Benet. You can read it online here or here. It begins,

The north and the west and the south are good hunting ground, but it is forbidden to go east. It is forbidden to go to any of the Dead Places except to search for metal and then he who touches the metal must be a priest or the son of a priest. Afterwards, both the man and the metal must be purified. These are the rules and the laws; they are well made. It is forbidden to cross the great river and look upon the place that was the Place of the Gods —this is most strictly forbidden. We do not even say its name though we know its name. It is there that spirits live, and demons —it is there that there are the ashes of the Great Burning. These things are forbidden—they have been forbidden since the beginning of time. 

My father is a priest; I am the son of a priest. I have been in the Dead Places near us, with my father —at first, I was afraid. When my father went into the house to search for the metal, I stood by the door and my heart felt small and weak. It was a dead man's house, a spirit house. It did not have the smell of man, though there were old bones in a corner. But it is not fitting that a priest's son should show fear. I looked at the bones in the shadow and kept my voice still. 

Then my father came out with the metal—a good, strong piece. He looked at me with both eyes but I had not run away. He gave me the metal to hold—I took it and did not die. So he knew that I was truly his son and would be a priest in my time. That was when I was very young—nevertheless, my brothers would not have done it, though they are good hunters. After that, they gave me the good piece of meat and the warm corner by the fire. My father watched over me —he was glad that I should be a priest. But when I boasted or wept without a reason, he punished me more strictly than my brothers. That was right. 

...

You can have it read to you:

Zero (2011)

Zero is a 2011 award-winning animated short film. from the IMDb: "Born into a world of numbers, an oppressed zero discovers that through determination, courage, and love, nothing can be truly something."

Tight Little Stitches in a Dead Man’s Back

Tight Little Stitches in a Dead Man’s Back is a post-apocalyptic science fiction short story by Joe R. Lansdale. You can read it online here. It begins,

From the Journal of Paul Marder 

(Boom!) 

That’s a little scientist joke, and the proper way to begin this. As for the purpose of my notebook, I’m uncertain. Perhaps to organize my thoughts and not to go insane. 

No. Probably so I can read it and feel as if I’m being spoken to. Maybe neither of those reasons. It doesn’t matter. I just want to do it, and that is enough. 

What’s new? 

Well, Mr. Journal, after all these years I’ve taken up martial arts again—or at least the forms and calisthenics of Tae Kwon Do. There is no one to spar with here in the lighthouse, so the forms have to do. 

There is Mary, of course, but she keeps all her sparring verbal. And as of late, there is not even that. 

...

Gun for a Coward

image from Wikipedia

Gun for a Coward is a 1957 Western film starring Fred MacMurray and Jeffrey Hunter. Chill Wills, Dean Stockwell, and Iron Eyes Cody are also in this movie. This is a traditional western about brothers who have a serious conflict with each other. I watched it online but can't find it now. I can't even find a trailer sigh. Reviews don't put it in the top tier Best Westerns Ever ranks, but it's worth watching for the cast. If you can find it.

Fermi and Frost

image from Wikipedia

Fermi and Frost is a science fiction short story by Frederik Pohl. You can read it online here. It begins,

On Timothy Clary's ninth birthday he got no cake. He spent all of it in a bay of the TWA terminal at John F. Kennedy airport in New York, sleeping fitfully, crying now and then from exhaustion or fear. All he had to eat was stale Danish pastries from the buffet wagon and not many of them, and he was fearfully embarrassed because he had wet his pants. Three times. Getting to the toilets over the packed refugee bodies was just about impossible. There were twenty-eight hundred people in a space designed for a fraction that many, and all of them with the same idea. Get away! Climb the highest mountain! Drop yourself splat, spang, right in the middle of the widest desert! Run! Hide! — 

And pray. Pray as hard as you can, because even the occasional planeload of refugees that managed to fight their way aboard and even take off had no sure hope of refuge when they got wherever the plane was going. Families parted. Mothers pushed their screaming children aboard a jet and melted back into the crowd before screaming, more quietly, themselves. 

Because there had been no launch order yet, or none that the public had heard about anyway, there might still be time for escape. A little time. Time enough for the TWA terminal, and every other airport terminal everywhere, to jam up with terrified lemmings. There was no doubt that the missiles were poised to fly. The attempted Cuban coup had escalated wildly, and one nuclear sub had attacked another with a nuclear charge. That, everyone agreed, was the signal. The next event would be the final one. 

Timothy knew little of this, but there would have been nothing he could have done about it—except perhaps cry, or have nightmares, or wet himself, and young Timothy was doing all of those anyway. He did not know where his father was. He didn't know where his mother was, either, except that she had gone somewhere to try to call his father; but then there had been a surge that could not be resisted when three 747s at once had announced boarding, and Timothy had been carried far from where he had been left. Worse than that. Wet as he was, with a cold already, he was beginning to be very sick. The young woman who had brought him the Danish pastries put a worried hand to his forehead and drew it away helplessly. The boy needed a doctor. But so did a hundred others, elderly heart patients and hungry babies and at least two women close to childbirth. 

If the terror had passed and the frantic negotiations had succeeded, Timothy might have found his parents again in time to grow up and marry and give them grandchildren. If one side or the other had been able to preempt, and destroy the other, and save itself, Timothy forty years later might have been a graying, cynical colonel in the American military government of Leningrad. (Or body servant to a Russian one in Detroit.) Or if his mother had pushed just a little harder earlier on, he might have wound up in the plane of refugees that reached Pittsburgh just in time to become plasma. Or if the girl who was watching him had become just a little more scared, and a little more brave, and somehow managed to get him through the throng to the improvised clinics in the main terminal, he might have been given medicine, and found somebody to protect him, and take him to a refuge, and live. . . . 

But that is in fact what did happen! 

...

At Home

At Home - Intimacy - Towards the Day:

by Louise De Hem, who died on November 22, 1922, at the age of 55.

******* 

Please join us at the T Stands for Tuesday blogger gathering where we share a drink in our posts and enjoy some pleasant company.

Elvis Presley Blues

Elvis Presley Blues:

by Gillian Welch

A House Divided

A House Divided is a 1913 short silent comedy film direct by Alice Guy-Blaché.

North Of

North Of is a short story by Marie-Helene Bertino. You can read it online here. It begins,

There are American flags on school windows, on cars, on porch swings; it is the year I bring Bob Dylan home for Thanksgiving.

We park in front of my mom’s house, my mom who has been waiting for us at the door, probably since dawn. Her hello carries over the lawn. Bob Dylan opens the car door, stretches one leg and then the other. He wears a black leather coat, and has spent the entire ride from New York trying to remember the name of a guitarist he played with in Memphis. I pull our bags from the trunk.

“You always pack too much,” I say.

He shrugs. His arms are small in his coat. His legs are small in his jeans.

“Hello hello,” my mother says as we amble toward her.

“This is Bob,” I say.

...

Tusk

Tusk is a 2014 horror film. I watched it on Netflix. This won't be one I'll ever watch again. from Wikipedia:

Best friends Wallace Bryton and Teddy Craft host the popular podcast The Not-See Party, where they find and mock humiliating viral videos. Wallace announces plans to fly to Canada to interview the Kill Bill Kid, an Internet celebrity famous for severing his leg with a samurai sword. Upon arriving in Manitoba, Wallace is surprised to learn that the Kill Bill Kid committed suicide. Upset that he flew to Canada for nothing, Wallace decides to stay an extra day and find another person to interview. He finds a handbill from someone offering a room in his home for free and the guarantee of hearing a lifetime of interesting stories. His interest piqued, Wallace arrives at the mansion of Howard Howe, a retired seaman in a wheelchair. Howard tells the story of how a walrus, whom he named "Mr. Tusk", rescued him after a shipwreck. Wallace then passes out from the secobarbital laced in the tea that Howard made for him. The next morning, Wallace wakes up...

and the horror begins. I don't like films that feature torture and don't even begin watching if I know that's what the film is like. I also don't like slasher films in general but will watch them depending on what else is involved in the movie. I've never seen anything like Tusk, which seems to fall into a category called body horror. That sub-genre is now on my never-watch list right alongside torture movies.

trailer:

Roger Ebert's site doesn't like it, saying ""Tusk" is what you'd get if you wrote a comedy inspired by both "The Human Centipede" and Roger Corman's Edgar Allan Poe adaptations." Bloody Disgusting defends it and says, "“Is man indeed a walrus at heart?” That is the question that Kevin Smith posed to audiences in 2014 with his body-horror-comedy Tusk. Apparently, no one wanted to know the answer because the film flopped in theaters."

If I Forget Thee, Oh Earth

If I Forget Thee, Oh Earth is a science fiction short story by Arthur C. Clarke. You can read it online here. It begins,

When Marvin was ten years old, his father took him through the long, echoing corridors that led up through Administration and Power, until at last they came to the uppermost levels of all and were among the swiftly growing vegetation of the Farmlands. Marvin liked it here: it was fun watching the great, slender plants creeping with almost visible eagerness toward the sunlight as it filtered down through the plastic domes to meet them. The smell of life was everywhere, awakening inexpressible longings in his heart: no longer was he breathing the dry, cool air of the residential levels, purged of all smells but the faint tang of ozone. He wished he could stay here for a little while, but Father would not let him. They went onward until they had reached the entrance to the Observatory, which he had never visited: but they did not stop, and Marvin knew with a sense of rising excitement that there could be only one goal left. For the first time in his life, he was going Outside. 

...

Fantastic Beasts: The Crimes of Grindelwald

Fantastic Beasts: The Crimes of Grindelwald is a 2018 fantasy film that takes place in the Harry Potter universe. If you are a Potter fan you can't resist this. If not, I'm not sure how much sense it would make to you.

trailer:

The Horse of the Invisible

Pull up a chair and let me pour you a cozy cup, may I?

Please join me at the T Stands for Tuesday blogger gathering.

There's nothing quite as engaging as these old tales.

The Horse of the Invisible is a 1910 short story by William Hope Hodgson. It features his detective Carnacki, who specializes in the occult. You can read it online here. It begins,

When I reached 427, Cheyne Walk, Chelsea, I found Carnacki sitting alone. As I came into the room, he rose with a perceptibly stiff movement, and extended his left hand. His face seemed to be badly scarred and bruised, and his right hand was bandaged. He shook hands and offered me his paper, which I refused. Then he passed me a handful of photographs, and returned to his reading.

Now, that is just Carnacki. Not a word had come from him, and not a question from me. He would tell us all about it later. I spent about half an hour, looking at the photographs, which were chiefly "snaps" (some by flashlight) of an extraordinarily pretty girl; though in some of the photographs it was wonderful that her prettiness was so evident, for so frightened and startled was her expression, that it was difficult not to believe that she had been photographed in the presence of some imminent and overwhelming danger.

The bulk of the photographs were of interiors of different rooms and passages, and in every one the girl might be seen, either full length in the distance, or closer, with, perhaps, only a hand or arm, or portion of the head or dress included in the photograph. All of these had evidently been taken with some definite aim, that did not have for its first purpose the picturing of the girl, but obviously of her surroundings; and they made me very curious, as you can imagine.

Near the bottom of the pile, however, I came upon something definitely extraordinary. It was a photograph of the girl, standing abrupt and clear in the great blaze of a flashlight, as was plain to be seen. Her face was turned a little upward, as if she had been frightened suddenly by some noise. Directly above her, as though half-formed and coming down out of the shadows, was the shape of a single, enormous hoof.

I examined this photograph for a long time, without understanding it more than that it had probably to do with some queer Case in which Carnacki was interested.

When Jessop, Arkwright, and Taylor came in, Carnacki quietly held out his hand for the photographs, which I returned in the same spirit, and afterwards we all went in to dinner. When we had spent a quiet but profitable hour at the table, we pulled our chairs round, and made ourselves snug; and Carnacki began:-

"I've been North," he said, speaking slowly and painfully, between puffs at his pipe. "Up to Hisgins of East Lancashire. It has been a pretty strange business all round, as I fancy you chaps will think, when I have finished. I knew, before I went, something about the "horse story," as I have heard it called; but I never thought of it as coming my way, somehow. Also I know now that I never considered it seriously -- in spite of my rule always to keep an open mind. Funny creatures, we humans!

"Well, I got a wire, asking for an appointment, which of course told me that there was some trouble. On the date I fixed, old Captain Hisgins himself came up to see me. He told me a great many new details about the horse story; though, naturally, I had always known the main points, and understood that if the first child were a girl, that girl would be haunted by the Horse, during her courtship.

"It is, as you can see, an extraordinary story, and though I have always known about it, I have never thought it to be anything more than old-time legend, as I have already hinted. You see, for seven generations the Hisgins family have had men children for their first-born, and even the Hisgins themselves have long considered the tale to be little more than a myth.

"To come to the present, the eldest child of the reigning family, is a girl, and she has been often teased and warned in jest by her friends and relations that she is the first girl to be the eldest for seven generations, and that she would have to keep her men friends at arm's length, or go into a nunnery, if she hoped to escape the haunting. And this, I think, shows us how thoroughly the tale had grown to be considered as nothing worthy of the least serious thought. Don't you think so?

"Two months ago, Miss Hisgins became engaged to Beaumont, a young Naval Officer, and on the evening of the very day of the engagement, before it was even formally announced, a most extraordinary thing happened, which resulted in Captain Hisgins making the appointment, and my ultimately going down to their place to look into the thing.

It was adapted for the TV series The Rivals of Sherlock Holmes starring Donald Pleasance as the detective:

You can listen to it read to you: