Friday, August 21, 2009

Terminator 2: Judgment Day

Terminator 2: Judgment Day is, obviously, the 2nd movie in the Terminator series. Directed by James Cameron, this 1991 film stars Arnold Schwarzenegger and Linda Hamilton. The Younger Son chose this. Neither he nor The Husband had seen it before. The Younger Son likes the first movie better.

trailer:


Moria likes it. So does Roger Ebert. Time.com calls it "A humongous, visionary parable that intermittently enthralls and ultimately disappoints. T2 is half of a terrific movie -- the wrong half." Variety says the director
has again taken a firstrate science fiction film and crafted a sequel that's in some ways more impressive - expanding on the original rather than merely remaking it.
The New York Times says,
Mr. Cameron has made a swift, exciting special-effects epic that thoroughly justifies its vast expense and greatly improves upon the first film's potent but rudimentary visual style.

Thursday, August 20, 2009

Cloud Atlas

Cloud Atlas is a fascinating book by David Mitchell. Structured in a way that has the first plot stop mid-sentence and conclude at the end of the book, the entire book is made of nested stories. Each story takes place further in the future than the last, with the one uninterrupted plot at the center of the book taking place in a far-future post-apocalyptic society of isolated primitives, and each story contains an element from the earlier narrative. The language is standard English suitable for its time, and the central story uses language that reminds me of that used in Russell Hoban's Riddley Walker.

from the back of the book:
A postmodern visionary who is also a master of styles and genres, David Mitchell combines flat-out adventure, a Nabokovian love of puzzles, a keen eye for character, and a taste for mind-bending philosophical and scientific speculation in the tradition of Umberto Eco and Philip K. Dick. The result is brilliantly original fiction how disparate people connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.


A.S. Byatt wrote the review in The Guardian and says, "Trust the tale. He reaches a cumulative ending of all of them, and then finishes them all individually, giving a complete narrative pleasure that is rare." Salon.com calls it "a genuine and thoroughly entertaining literary puzzle." The New York Times says,
It is a devious writer indeed who writes in such a way that the critic who finds himself unresponsive to the writer's vision feels like a philistine. So let it be said that Mitchell is, clearly, a genius.... The novel is frustrating not because it is too smart but because it is not nearly as smart as its author.

Wednesday, August 19, 2009

A Day at the Races

A Day at the Races is a 1937 Marx Brothers movie. Groucho plays Dr. Hugo Z. Hackenbush in this one, a veterinarian who takes a position as chief of staff at a sanitarium at the insistance of Margaret Dumont's character.

Veoh has this one online, but you have to download their player to see it. No, thank you. Been there, done that. Thought I'd never get the mess cleaned up.

trailer:


Variety calls it "surefire film fun". The BBC has a mixed review.

At the Circus

At the Circus is a 1939 Marx Brothers movie. Groucho sings "Lydia the Tattooed Lady" in this one. You can see that piece of the film here at youtube.

Googlevideo has the entire film online:


The New York Times doesn't like it as well as their earlier films.

Animal Crackers

Animal Crackers is a 1930 Marx Brothers film. In this one we get "Hooray for Captain Spaulding!" (watch it at youtube) and "Hello, I Must Be Going" (which can also be seen at youbube).

GoogleVideo has the entire film:


The New York Times says, "This mad affair suits the principals and its absurdities brought forth gales of laughter yesterday afternoon. "

Horse Feathers

Horse Feathers is a 1932 Marx Brothers movie that takes place on a college campus. I love the line, "Whatever it is, I'm against it!"

Googlevideo has it online:


The New York Times likes it. TCM has an overview.

Privatize the Roads! It's the American Way!

This (from a Tennessee Democratic Party blogger) is exactly the argument I've been making as I fume and fuss over this issue around here:
One thing we do have is equal access to the basics of life in a civilized nation- roads, schools, electricity, water. Both my Mercedes-driving neighbor and my Honda-driving self (as well as people lower on the income scale than me who can afford no better than a 5-year old used Buick) have the protection of the fire and police departments, and are equally defended by our military. Since health care addresses these same basics of a civilized existence, the question we need to be asking is not whether we should have a plan that covers everyone, but why health care was ever lumped into the same category as all the other extras (bigger houses, nicer furniture, fancier cars and televisions) in the first place.

I also loved the Joe Scarborough interview with my new hero Rep. Anthony Weiner (D-NYC), in which Weiner, arguing for a single payer plan, asks what we need insurance companies for while poor Joe is left speechless. part 1:


part 2:


excerpt:
Their director [of Medicare] makes 150,000 dollars. The director of my insurance company makes 4 million dollars. Why does that make any sense? It's indefensible...
...
I ask again: What value are insurance companies bringing to this transaction?

This is a good representation of the argument from FarLeftSide.com:

Groucho Marx

Today is the anniversary of the death in 1977 of Groucho Marx, whose death was pretty much ignored by most folks because of the death (only 3 days earlier) of Elvis. I have embedded a couple of key movie scenes here. There used to be more, but youtube and googlevideo removed them. FilmReference.com says,
The Marx Brothers' irreverent brand of humor has been described as surrealistic, absurdist, and anarchic. Consistently anti-authoritarian, their films mock serious institutions and professions, figures of authority, and "high art," with special abuse reserved for anyone deemed pompous, rich, or respectable.


I've blogged the following of his films:

Animal Crackers (1930)
The Cocoanuts (1929) and Monkey Business (1931)
Horse Feathers (1932)
Duck Soup (1933)
A Night at the Opera (1935)
A Day at the Races (1937)
At the Circus (1939)

Tuesday, August 18, 2009

Where Are You on the Political Spectrum?

You can take the quiz at Culture Kitchen.

Here are my quiz results:

Where are you on the political spectrum
Your Result: Liberal
 

Your political and policy decisions are influenced by the principles of liberty, equality, peace and justice. You have an altruistic concern for your fellow men and women. You are likely to be a Democrat, but not all Democrats are liberals.

Lefty
 
Moderate
 
Libertarian
 
Wingnut
 
Conservative
 
Where are you on the political spectrum
Quiz Created on GoToQuiz

Mickelsson's Ghosts

Mickelsson's Ghosts is a 1982 novel by John Gardner, the last novel he wrote.

from the back of the book:
It is the story of Peter Mickelsson, a brilliant professor of philosophy, who, having totally lost control of his life, buys and sets about restoring an old farmhouse, only to find that he is haunted by the ghosts of former occupants.

He's not haunted only by ghosts of the house's former occupants, but by ghosts of his own imagination and weird happenings. Philosophy, psychology, religion, questions about madness and reality, abortion, the I.R.S., medical malpractice, incest, suicide,...

The New York Times concludes it's "a standard-brand thriller with a queer Gothic hum in the background."

Live Graceland Camera


Now that the tourists have finished paying their Death Week homage to The King, it's quieter at Graceland. You can see a picture of the house that updates every minute at this link. There are 3 virtual tours linked here.

The picture above is from Wikipedia Commons.

Monday, August 17, 2009

After Midnight

Eric Clapton's version of J.J. Cale's After Midnight was on Clapton's 1970 album.



This song is on the list of 500 Songs that shaped Rock and Roll from the Rock and Roll Hall of Fame and Museum.

Sunday, August 16, 2009

Elvis Presley


The Daughter offers these 2 tasteless Elvis jokes in honor of the day:

  • Q: What was Elvis' last big hit?
    A: The bathroom floor.
  • Q: What would Elvis say if he were alive today?
    A: "Let me out, let me out, let me out!"

If she really had a full appreciation of Elvis and real faith that he is still alive she would, of course, not think those jokes were so funny. She is not, however, a true believer. What can I say? I have tried to convince her, but she remains more than skeptical.

As a finish for our Elvis Presley Tribute Film Fest we watched Lilo and Stitch, which I wrote a blog post for back in January.

Earlier tonight we watched Elvis Has Left the Building and Bubba Ho-Tep.

Blog posts on other Elvis movies:

King Creole

Elvis Has Left the Building

2nd in our Death Week Tribute Film Fest is Elvis Has Left the Building, a 2004 film about Elvis impersonators who are dropping like flies. It stars Kim Basinger, around whom no Elvis impersonator is safe and John Corbett, a man whose soon-to-be-ex-wife is an Elvis impersonator. Annie Potts, Sean Astin, Angie Dickinson, Pat Morita and Wayne Newton (as himself) are also here.

trailer:


MSN has an overview. Reviews are hard to come by, but we think it's hilarious.

Bubba Ho-Tep

In honor of Elvis Presley on the anniversary of the date of his supposed death, we watched Bubba Ho-Tep, a 2002 Elvis movie starring Bruce Campbell as Elvis and Ossie Davis as President ("They dyed me this color") Kennedy. This is my 3rd time to see it, the 2nd time for The Husband and maiden voyages for The Daughter and The Younger Son.

trailer:


Moria gives it 4 stars. 1000 Misspent Hours calls it "the best mummy movie I’ve seen in years, probably the best to hit the screen since 1959." Variety calls Bruce Campbell's performance "inspired". Rolling Stone says it's "absurdly clever". The New York Times starts off, "I'm not sure you could do much better in terms of high concept than the premise for the action-comedy ''Bubba Ho-Tep.''" Roger Ebert begins,
Elvis and JFK did not die, and today they're roommates in an East Texas nursing home whose residents are being killed by an ancient Egyptian Soul Sucker named Bubba Ho-Tep. I want to get that on the table right at the get-go, so I can deal with the delightful wackiness of this movie, which is endearing and vulgar in about the right proportion.

BBC says,
Cult horror classics don't come more instantaneous than Bubba Ho-Tep, a fiendishly funny comedy horror, in which an ageing Elvis Presley battles an Egyptian mummy with a little help from former President John F Kennedy.

Religulous

Religulous is a 2008 documentary with Bill Maher.

Online at GoogleVideo:


The scriptures are not teaching science. It's very hard for me to accept, not just a literal interpretation of scripture but a fundamentalist approach to religious belief. It's kind of a plague. It presents itself as science, and it's not. (astronomer/priest)

The irony of religion is that, because of its power to divert man to destructive courses, the world actually could come to an end.
...
The plain fact is, religion must die for mankind to live. The hour is getting very late to be able to indulge in having key decisions made by religious people, by irrationalists,

That last quote is from Bill Maher and is part of a mini-sermon well worth listening to even if you don't watch the rest of the movie. It's about the last 10 minutes of the film.

The New York Times describes it as "a sometimes funny, sometimes cheap attack on organized religion." Variety calls it "brilliant" and "incendiary". Roger Ebert has a review, giving it 3 1/2 stars. The Guardian opens with this: "Shooting fish in a barrel is the order of the day in comedian Bill Maher's faintly tiresome attack on religion". Christianity Today points out that
it's not the hardest thing in the world to make a religion look silly when you only focus on the kitschiest, most grimace-inducing practitioners of it.
Slant Magazine compares it to Ben Stein's Expelled, saying
to both films' detriment, they employ a similar, debilitating brand of smug disingenuousness, feigning interest in discussion while arrogantly and speciously preaching in the very same manner that their subjects are ridiculed for.
Rotten Tomatoes links to many reviews.

blog responses:
Exploring Our Matrix

HT: MoviesFoundOnline

Jathia's Wager

Jathia's Wager is the first open-source science fiction film.
a science fiction story about a young man living in an isolated community of humans, who must make a life changing decision about his future and his species

a bit preachy...

It's online at googlevideo:


HT: SFSignal

Saturday, August 15, 2009

Tantrix



When I went downstairs for tea tonight I discovered The Daughter and The Younger Son playing Tantrix. I watched that round, and they let me in on the next one. I was Green. We've had this game for several years and pretty much obey the stated rules. You can play a solitaire version online here.

There's a Facebook page.

The photo above is from Joff Hopkins' Flickr stream.

The Body Farm

The Younger Son and I have talked about this for some time -he brought it up, and I don't mind discussing topics some might consider morbid- and we have decided we want to donate our bodies to the University of Tennessee Forensic Anthropology Center. Besides avoiding the continually sky-rocketing cost of funerals, this provides a service and keeps our bodies from being stuck in an air-tight box in a vault. Not much "ashes to ashes and dust to dust" involved in current funeral practices around here. It's not that we particularly want to donate our bodies to science, but the idea of natural decomposition just appeals to us as an alternative to the death-denying funeral culture. One of the F.A.Q.s:
2. What happens to my body after it is donated?

Once we receive a body, we assign an identifying number and we place it at the Anthropology Research Facility (ARF), our outdoor laboratory. The body may be used in a decomposition project or not. Regardless, all of donations go to the ARF and are allowed to decompose naturally.
Information on body donations is here. There's a wikipedia article here. The Utne Reader has an article. Wired.com did an interview with the founder. There was a story on NPR's Weekend Edition. FBI.gov has a video. There's also a short (warning: graphic, not for the squeamish) video tour at youtube hosted by founder Dr. William Bass. There is a Facebook group.

Cendrillon

Cendrillon (no English Wikipedia page) is an 1899 short Georges Melies film re-telling the Cinderella story. This is one of the earliest filmed Cinderellas. This film pioneered the first dissolve effect.

It's online at the Internet Archive:


FilmJournal.net has an article.

Friday, August 14, 2009

Play Time

The Younger Son chose a foreign film tonight (bless his heart), and The Husband and The Daughter sat through the entire movie without a word of complaint. Play Time is a Jacques Tati film, released in France in 1967 and in America in 1973. We have the Criterion edition, and I also watched the short biography on the 2nd disc.

There's some video from the movie here:


There are several still shots from the film here. DVDTalk has an appreciation. FilmReference.com opens with this:
Jacques Tati's Playtime is perhaps the only epic achievement of the modernist cinema, a film that not only accomplishes the standard modernist goals of breaking away from closed classical narration and discovering a new, open form of story-telling, but also uses that form to produce an image of an entire society.

Only the Cinema calls it
one of the most exuberant, free-spirited, formally playful tributes imaginable to the spirit of invention and humor that leads people to make their own fun in the most unlikely of contexts.

Thursday, August 13, 2009

The Thieving Hand

The Thieving Hand is a 1908 short film produced and directed by Stuart Blackton. Though he was better known for his work in animation, this silent film is live action with some interesting effects having to do with a prosthetic arm with a mind of its own.

Youtube has it online:


TCM has an overview. Weird Wild Realm has a plot synopsis and similar information on several of Blackton's films.

Wednesday, August 12, 2009

Drinking Liberally, Memphis

After our interesting experience at the recent Steve Cohen Town Hall meeting, The Daughter and I thought we'd seek out other local liberals. I had read about the Drinking Liberally group on a blog a while back, so I looked them up and we went. I knew where the place was, parking was no problem and the group was meeting just inside the door. So far, so good.

It went downhill from there.

The bartender took us over to the group, saying, "I've got some new folks for you." The tables were already pretty full, and we sat in the first available seats we came to: on the side at the end of the table next to a man with a cute little boy. The bartender pulled another table up to make room for more folks, took our order (he was great) and told us where the patio was. We sat there for a while before anyone spoke to us, but one guy did get up and come down to where we were to introduce himself. He was cordial and asked how we learned about the meeting. Sometime during the hour and 15 minutes we were there, a couple of other folks who came introduced themselves; but everyone who came scooted in to sit next to the people at the other end of the table. No one ever did sit down at the table that had been added next to us. The guy next to me turned completely sideways in his chair so that his back was to me, making it impossible for me to see past him or hear anything that was said on the other side of him. The guy across from me was apparently new, too, and he told us he was interested in learning more about politics. He was there with his sister (I think), who talked with the folks at the other end of the table. There was no one seated to his left across from The Daughter. These people seem like they all already know each other and may not be used to strangers coming who have never met any of them before. We felt "really awkward" to quote The Daughter. They don't seem to object to strangers sitting at their table, but we figure it's probably a private group in actual practice -at least, it felt closed to us sitting where we were.

As we left I told them it had been nice to have met them, and they smiled in a sociable way, but I don't think they'll miss us when we never go back. The bartender seemed interested in having us come back. That's nice.

8/13/2009: I see this mention of the event at LeftWingCracker. I think the woman he identifies as "Kelly, the author of THE MEMPHIS LIBERAL" might have been the sister of the man who sat across from me, though I never heard her name mentioned last night. Her report of the meeting is here. It's evident, then, that they aren't a closed group and that they do welcome some newcomers. Sitting behind that guy's back where we couldn't see or hear anybody except for the guy sitting across from me (nice as he was) was just a bad place to be.

8/14/2009: LeftWingCracker is inviting everybody to Drinking Liberally at RP Billiards to visit with gubernatorial candidate Jim Kyle.

King Creole

The Younger Son and The Daughter had never seen an Elvis movie before. I felt like I had somehow failed as a Memphis native, so when I saw that King Creole was one of the movies being shown as part of the Elvis Film Fest, I bought tickets and took them yesterday. I think they were surprised by how good it was. The first time I saw this film it was on television. This was my third time to see it and my first time to see it in a theater.

King Creole is a 1958 Elvis movie directed by Michael Curtiz. It also stars Carolyn Jones, Walter Matthau and Vic Morrow.

trailer:


Variety praises Elvis' acting. The New York Times also praises Elvis, saying,
In Paramount's surprisingly colorful and lively "King Creole," most of it outright drama, he does a good, convincing walk-through as a downtrodden New Orleans youth who tangles with some gangsters (along with that blasted guitar). It's a sturdy, picturesque job

Tuesday, August 11, 2009

Star Wars

I still call it the 1st Star Wars movie, but since it came out it has become Star Wars Episode IV: A New Hope. It'd been years since we had last seen this, and we decided it would be a fitting end to our Peter Cushing Appreciation Day. Peter Cushing is Grand Moff Tarkin. The film also stars Mark Hamill, Harrison Ford, Carrie Fisher and Alec Guinness. It is written and directed by George Lucas. We watched the Han Shot First version. You know... the real one.

trailer:


The New York Times has a positive review. Time Magazine calls it "the year's best movie". Variety says it's "magnificent". The BBC says it "remains one of the most memorable and glorious fantasies ever made." Roger Ebert considers it a great movie and closes by saying,
If I were asked to say with certainty which movies will still be widely-known a century or two from now, I would list “2001: A Space Odyssey,'' and “The Wizard of Oz,'' and Keaton and Chaplin, and Astaire and Rogers, and probably “Casablanca''. . . and “Star Wars,'' for sure.

Moria loves it and says,
Perhaps what made Star Wars such an enduring classic – and there is no doubt about this for when Empire magazine conducted an All-Time Best readers poll in 1997, Star Wars emerged as the No. 1 film – is less to do with myth and pastiche than it is simply out-and-out entertainment.

Island of Terror

Island of Terror is a 1966 horror film starring Peter Cushing, Edward Judd, Eddie Byrne, Sam Kydd and Niall MacGinnis.

You can watch it online at this link. Here's a trailer:



StompTokyo begins its look at this movie by saying,
You have to respect - well, perhaps not respect, but certainly admire - a movie like Island of Terror, that takes pains to set up a Simple Movie Fact in its opening minutes; that point being: these people are screwed.
1000 Misspent Hours describes the foreshadowing at the beginning of the film:
You see what I mean about the filmmakers using audience expectations to their advantage here, right? Here we are less than five minutes into the movie, and already we can see exactly how fucked these people are, and we have a pretty good idea why, too. And moments later, when we learn that Philips is rushing ahead on some super-advanced cancer-related research without checking with his colleagues in Rome, New York, and Tokyo, our suspicions only deepen. Then, when Philips’s experiment is interrupted by the main title display and the sound of breaking glass, we know without even needing to be shown that something has gone disastrously wrong.
Moria doesn't like it.

The Gorgon

The Gorgon is a 1964 Hammer Studios film starring Peter Cushing, Christopher Lee, Michael Goodliffe and Patrick Troughton.



Moria likes it, and says it " is one of the most neglected and underrated of the classics from England’s Hammer Films." 1000 Misspent Hours calls it "An extremely bizarre offering". StompTokyo says,
there's something about the obvious culture and confident earnestness of these two actors that makes their films downright irresistible. Lines of dialogue that would be laughable in the mouths of lesser men sound natural when handled by these distinguished-looking gents. The studio, recognizing the good thing in its grasp, pumped Cushing and Lee for dozens of films, and the history of cinema is richer for it.

The Brides of Dracula

Brides of Dracula is a 1960 Hammer Studios production starring Peter Cushing, Martita Hunt, Freda Jackson, Miles Malleson, Henry Oscar and Mona Washbourne.

trailer:



The New York Times says, "here is but another repetition of the standard tale of the vampire bugaboo who likes to sink his oversized dentures into the necks of pretty girls. There is nothing new or imaginative about it." Moria says it "emerges as one of the occasions where a sequel favourably compares to its predecessor." 1000 Misspent Hours closes by saying,
I can’t fully get behind a movie called The Brides of Dracula that not only lacks Count Dracula, but that also lacks any characters who could in any honest way be described as his brides. It’s still a good movie, and it’s certainly an improvement over its dim-witted predecessor, but for some reason, the double bait-and-switch in the title really bothers me.

The Flesh and the Fiends

The Flesh and the Fiends (aka Mania) is a 1960 horror movie starring Peter Cushing, Donald Pleasence and Billie Whitelaw (voice of Aughra in The Dark Crystal). Stanley Black did the music.



AMC has an overview. Reviews are a bit hard to come by.

The Mummy (1959)


The Mummy is a 1959 Hammer Films production starring Christopher Lee and Peter Cushing. You can watch it online at this link. Here is a trailer:



1000 Misspent Hours says this film "is everything all those über-famous Universal Studios flicks from the 30’s and 40’s should have been, but mostly weren’t."

The picture at the top of the post is from Wikipedia.

The Curse of Frankenstein

The Curse of Frankenstein is a 1957 Hammer Films production starring Peter Cushing and Christopher Lee. This was the beginning of a wonderful relationship.

trailer:



The New York Times has an unenthusiastic review. 1000 Misspent Hours calls it one of the "precious few intelligent Frankenstein movies". Moria says,
This is where it all began – the grand Anglo-horror cycle that lasted throughout the 1960s and most of the 1970s and had influences that reach to the continental Gothic horror revival of the 1960s and Roger Corman’s Edgar Allan Poe films. But most of all The Curse of Frankenstein is the beginning of the legend of Hammer Films.

Alexander the Great (1956)

Alexander the Great stars Richard Burton, Fredric March, Claire Bloom, Barry Jones, Harry Andrews, Stanley Baker, Niall MacGinnis, Peter Cushing, Michael Hordern and Friedrich von Ledebur.

Fancast has it online:



The New York Times
calls it "a sweeping pageant" and "thoughtful and spectacular entertainment." Variety says it's "a spectacle of tremendous size."

The Hound of the Baskervilles (1959)

The Hound of the Baskervilles is a 1959 Hammer Films adaptation of the Sherlock Holmes story. This version stars Peter Cushing and Christopher Lee.

from GoogleVideo:


Variety praises Cushing, saying he "looks, talks and behaves in precisely the way approved by the Sherlock Holmes Society." The New York Times calls it "a garish excuse for what should he a fog-wreathed and ghost-haunted vehicle for another excursion of Sherlock Holmes." Ferdy on Films says "This is the best film of Sir Arthur Conan Doyle’s book. In fact, it’s better than the book." Classic-Horror.com calls it "charming".

Peter Cushing

Today is the anniversary of the death in 1994 of Peter Cushing. NeedCoffee.com links to "A One Way Ticket to Hollywood, a feature-length interview/retrospective". FilmReference.com says,
Peter Cushing was identifiable by his noble air and refined manner, by all appearances a gentleman. Yet he is best remembered for those moments in film where he plunges the stake, without reservation or mercy, into the waiting chest of the sleeping vampire, amid deafening screams from the dying and a pool of blood to reassure us that the deed is done. For Cushing was one of the mainstays of the British horror film, as defined by Hammer Films.

I have blog posts on the following of his films:

Hamlet (1948)
Nineteen Eighty-Four (1954)
Alexander the Great (1956)
The Curse of Frankenstein (1957)
The Horror of Dracula (1958)
The Hound of the Baskervilles (1959)
The Mummy (1959)
The Brides of Dracula (1960)
The Flesh and the Fiends (1960)
The Gorgon (1964)
Island of Terror (1966)
I, Monster (1971)
Horror Express (1973)
The Satanic Rites of Dracula (1973)
The Legend of the 7 Golden Vampires (1974)
Madhouse (1974)
At the Earth's Core (1976)
Shock Waves (1977)
Star Wars (1977)
House of Long Shadows (1983)

And here's a Hammer Frankenstein fan video featuring music by Queen:

Monday, August 10, 2009

The David Gemmell Legend Award


This is the first year for The David Gemmell Legend Award. Named in memory of fantasy author David Gemmell, who died in 2006, it is given to the best fantasy novel of the year. I don't think I've ever before become aware of an award in its inaugural year.

Winners:

2009 Blood of Elves, by Andrzej Sapkowski

Sunday, August 09, 2009

Gog

Gog is a 1954 science fiction film directed by Herbert Strock and starring Richard Egan and Herbert Marshall. Also in this film is William Schallert, who has an original series Star Trek connection as well as a DS9 appearance.

This is filled with the kind of sexism you would expect from a 1950's-era film.

Guba has this online, but I'm having trouble getting it to actually appear on the blog using their code. GoogleVideo has it:


The New York Times calls it "utter nonsense". Reviews are a bit hard to find.

4/4/2010: SFSignal has is featuring this film for its Easter Sunday Cinema today.

Saturday, August 08, 2009

Steve Cohen's Town Hall Meeting



The Daughter and I got downtown about half an hour before the event was to start to find a line already snaking around the building. We got in line behind 2 women, and 2 men came up behind us.

Our first impressions began in the line. I noticed a bright red Smart Fortwo parked next to where I was standing and told The Daughter I wanted that car. She said I'd just get crushed by the SUVs, and I said that we could just outlaw those SUVs and I could drive my Smart Car without fear. One of the women in front of us was apparently eavesdropping and took me seriously, turning and making some disparaging comment about me not liking kids or something -surely not.... I tried to "friendly" it up a bit by saying that the big van we had needed when I had 3 kids in car-seats was good at the time but that now I was ready for the cute little red car. By then, though, she had turned her back on me.

The men behind us were a friendlier pair. I did eventually say something that revealed my personal views on the health care issue, and one of the men offered us each a sign to use during the meeting. Here's a photo The Daughter took of the sign: Our experience throughout the morning was this: Our political views unknown, the liberals were friendly and sociable while the conservatives were, um, not.

As we made it up closer to the door there was a young woman handing out blank index cards on which to write one's name and question. The woman ahead of us in line who had so objected to my SUV comment said, "It's about democracy!" and slapped the card from the worker's hand -actually slapping the hand of the young woman, the card falling to the ground, leaving the worker with a stunned expression on her face. At that point I decided to make sure not to sit anywhere near that angry soul for fear her slapping habits might escalate.

We got in, filled out constituent cards and worked our way into the already crowded room. We found a couple of seats in the middle of a row at the back and settled in to wait. The people on our row seemed to share our political leanings, having some pink "Health Care Now" signs that someone had handed to interested parties in the line outside.

Someone made an announcement that there were people who had come in armed. They were legally armed, with permits, but he did ask folks carrying weapons to check in with security. This request (I would have preferred a "no guns allowed" rule) brought a loud chorus of boos and the beginning of a head-ache I still have. The Daughter and I had lost sight of the Angry Slapping Woman from the line but were hoping she didn't have a gun with her.

They asked that everyone who lives in the 9th congressional district stand, and I swear the only people who remained seated were those who didn't hear the man. This was followed by laughter from those of us who actually do live in the district.

Congressman Cohen began by introducing his staff. The introductions did go on a bit, but it was interesting to hear about the staff responsibilities -what I could hear of it, that is, over the rude grumblings and occasional shouts of some of the crowd.

When it came time to actually start, the congressman began with the pledge of allegiance to the flag. Why do they do that? I didn't see a flag anywhere, but visibility was poor. Everyone stood. I knew exactly what would happen, and sure enough the "under God" phrase was shouted loudly and angrily as if to make some kind of statement. What? That God is hard of hearing? That saying it louder will convert some poor sinner? (sigh, worsening headache) After we sat, a young woman directly behind me leaned up to The Daughter and asked if she knew the words to the pledge. My darlin' daughter smiled sweetly and said, "Yes, ma'am." These people are just plain rude. What business did that young woman have accosting The Daughter in that fashion?

Doctors got a lot of time to put forth their various opinions on this issue, time that would have been better spent letting sick people without health insurance tell their stories. To be honest, I don't care what the doctors think about this any more than I care what the insurance companies think.

Questions were submitted on cards and read by his staff, which I liked because it kept people from taking a rambling 5-minutes to work up to their 5-word question. Many questions were interrupted by yells or chants. Local issues were drowned out by folks who aren't from around here. There was impatience, for example, with the question about what will become of the Pyramid. People who live here care about these things, but the people who came from other areas just to disrupt our time with our congressman were anxious to keep the focus on their own agenda.

We were lucky in our seat-mates. The woman to my daughter's left was quiet and calm. Like us, she had trouble hearing. The older man to my right thought the same things were funny that I did and made several comments (quietly) that I agreed with.

Other rows were different. A man behind us (probably attached in some way to the rude pledge woman) yelled so much the man next to him got up and moved to another seat further down that same row. Towards the end he was yelling adamantly for open microphones, and I wondered why he was there if not to hear Cohen address constituent questions and issues. In front of us were a couple of women who repeatedly called Congressman Cohen a liar, though they didn't do it loudly. "That's just not true," they kept saying. We heard a lot of that. The Daughter said, "If they already know it all, why are they here?" A man a couple of rows ahead of us stood and yelled for Mr. Cohen to "Just Shut Up!" Again, I have to wonder why he came if not to hear Cohen speak. He could have gone lots of places where the congressman isn't speaking. There was a loud man on the other side of the room and further to the front insisting repeatedly that Cohen go on record as to whether or not he'll vote for the bill. What bill, you ask? The bill that hasn't even been written yet? Yes, well Cohen rightly refused to play in that sandbox.

I felt sorry for the poor child who was made to hold up the huge sign asking that we not kill his "gigi" -whatever a "gigi" is. The congressman assured folks that no one would be killed and explained that the purpose of that part of the proposed legislation is to make sure folks are informed of options of hospice care and other end of life support services. Another big issue was abortion. The conservative group did a lot of yelling about not wanting tax dollars used to pay for abortions. It also seemed that they would much rather "illegal aliens" be left to die painful deaths by the roadside than have one dollar spent on their care. The story of the good Samaritan comes to mind, but surely they know that story.

The Church Health Center got a lot of press, and I agree it's a good and holy endeavor, but I hate seeing it used as an answer to folks who don't have health insurance. Many don't qualify, and most cities don't have a facility like this one. The Church Health Center is not The Answer to the health care crisis.

There was some problem with the Fire Marshall complaining that aisles were being blocked, and the meeting ended early. As we were leaving there were several people saying that Cohen could do whatever he likes now that he's in office because there are no term limits and no competition, a fact that may come as a shock to former mayor Herenton, who seems to think he has a shot at this. Also as we were leaving we walked past a woman standing in the hall who told me that the sign I had in my hand was "upside down, dummy." Our level of discourse just keeps on improving... The Daughter says that woman would never win the playground fight.

And that's our first experience with Town Hall meetings. From the experience we had today we think conservatives are mean, violent, unfriendly, loud, rude, condescending and unwilling to listen. At the end of the event, The Daughter and I were quite relieved that none of these angry folks who had proven themselves prone to physical violence had pulled out one of their legally carried weapons and shot us dead. Honestly. I haven't always voted Democratic, but I'll never again vote on the same side as the conservatives I saw in action today. Never. Ever. I'll be more likely to check what they are against and vote for it.

Other local reports of this event:

Congressman Cohen's report
ShelbyWatchdog
Main Street Journal
a video report from someone who was there
Newscoma
Remixx World
The Tennessean
BlueCollarRepublican also calls us "dummies".
Born-Again Hippies, who writes, "If Cohen had announced free beer and Bar-B-Que, this crowd would have still booed" in reporting on a part of the meeting I neglected:
I knew we were in in for a long day when he read the headline from the morning's paper that said "U.S. Economy Shows Life," and a cascade of boos gushed forth from the hostile crowd.

FireDogLake
LeftWing Cracker, who has 14 photos here
Vibinc
Grand Divisions
Memphis Daily News
Commercial Appeal here
Jackson Sun
WREG
Queer Notes
AP
Memphis Flyer
WMCTV

The 2 photos in this post were taken by The Daughter at the event.

Friday, August 07, 2009

Paths of Glory


Paths of Glory is a 1957 Stanley Kubrick film starring Kirk Douglas. The movie is inspired by events in the military career of French general Geraud Reveilhac

Youtube has it available online in 9 segments, but embedding is disabled.

The New York Times has a review. The Guardian calls it "arguably one of his finest films". Roger Ebert says, ""Paths of Glory" was the film by which Stanley Kubrick entered the ranks of great directors, never to leave them." FilmReference.com says it "is Kubrick's best motion picture."

The photo at the top of the page is from Wikipedia.

Thursday, August 06, 2009

The Element of Crime

The Element of Crime, released in the U.S. in 1987, is directed by Lars von Trier. It takes place in a near-future dystopic Europe. The horses have a hard time of it.

trailer:



Moria gives it 2 stars and calls it "incredibly dull". The New York Times calls it "a film noir that's murky without being terribly mysterious." Images Journal describes it as "a deliberate fusion of genres, philosophies, and nationalities."

Wednesday, August 05, 2009

A Man Escaped

A Man Escaped is a 1956 Robert Bresson film based on a true story of the escape of a French Resistance fighter from a WWII prison camp. It's on the ArtsAndFaith.com list of 100 most spiritually significant films.

This seems to be out of print -at least, I can't find a DVD of it anywhere- but youtube has it up in segments. part 1:
part 2, part 3, part 4, part 5, part 6, part 7, part 8, part 9 [these videos have been deleted]

trailer:



The New York Times says this film is evidence that the director "is an extraordinary artist in his realm" who "makes his pictures with patience, simplicity and the uncompromising devotion of a saint." Senses of Cinema has a lengthy summary. Images Journal (also at Bright Lights Film Journal) says the film "is typical of Bresson's work in creating highly emotional effects by juxtaposing seemingly oppositional images and motifs." DecentFilms.com says it "offers newcomers to Bresson perhaps the most accessible point of entry into the work of this brilliant, challenging, God-haunted artist." Christianity Today says, "it can be a remarkably powerful experience the first time you view it, its suspense gradually building to excruciating intensity". Slant Magazine says,
The genius of the film is obvious from the start: The way Bresson breathlessly postures Devigny's autobiographical account as a modern spiritual fable and the intensely suffocating aesthetic that truly evokes the squashing of the human soul.

Tuesday, August 04, 2009

The Americanization of Emily

The Americanization of Emily is a 1964 film directed by Arthur Hiller and starring James Garner, Julie Andrews, Melvyn Douglas, James Coburn (a favorite of mine), Keenan Wynn, William Windom (who has an original series Star Trek connection). This comedy/drama takes place in London during WWII.

Youtube has it online in 11 pieces that should autoplay from here:

Part of the movie from the 6th section is not included.

I don't trust people who make bitter reflections about war, Mrs. Barham. It's always the generals with the bloodiest records who are the first to shout what a Hell it is. And it's always the widows who lead the Memorial Day parades ... we shall never end wars, Mrs. Barham, by blaming it on ministers and generals or warmongering imperialists or all the other banal bogies. It's the rest of us who build statues to those generals and name boulevards after those ministers, the rest of us who make heroes of our dead and shrines of our battlefields. We wear our widows' weeds like nuns and perpetuate war by exalting its sacrifices.
...
It may be generals and ministers who blunder us into wars, Mrs. Barham, but the least the rest of us can do is resist honoring the institution.


The New York Times gives it high praise. Slant Magazine says it "offers a scathing critique of the military establishment, war, and its pervasive glorification." TCM has an overview, as do MSN and AMC.

Advance to the Rear

Advance to the Rear is a 1964 film directed by George Marshall and starring Glenn Ford, Stella Stevens, Melvyn Douglas, Jim Backus, Joan Blondell, Andrew Prine (who has a Star Trek connection), Alan Hale, Jr. (a favorite of ours) and Whit Bissell (who has an original series Star Trek connection). It is a Civil War-era comedy that takes place out west. I found it too boring to finish.

Googlevideo has it online:


The New York Times does not like it. MSN has an overview, as do TCM and AMCTV.

The Guilt of Janet Ames

The Guilt of Janet Ames is a 1947 film starring Rosalind Russell and Melvyn Douglas. Also in this movie are Sid Caesar, Nina Foch and Hugh Beaumont.

Youtube has it online divided into 9 sections. Part 1:

part 2, part 3, part 4, part 5, part 6, part 7, part 8, part 9

The New York Times says what it lacks "in large doses is dramatic interest, and there isn't much the principals, Rosalind Russell and Melvyn Douglas, can do about that." TCM has an overview.

Melvyn Douglas

Today is the anniversary of the death in 1981 of Melvyn Douglas. FilmReference.com begins its article by saying, "Melvyn Douglas's career may be divided into two major periods, each of which earned him a considerable reputation as a skillful performer." He has a Facebook page.

I've written blog posts on the following of his films:

Counsellor at Law (1933)
The Vampire Bat (1933)
A Woman's Face (1941)
The Guilt of Janet Ames (1947)
Mr. Blandings Builds His Dream House (1948)
Advance to the Rear (1964)
The Americanization of Emily (1964)
Being There (1979)

A Woman's Face

A Woman's Face is a 1941 George Cukor film starring Joan Crawford, Melvyn Douglas, Conrad Veidt, Reginald Owen, Albert Bassermann, Marjorie Main, Donald Meek, Connie Gilchrist, George Zucco, Robert Warwick, Gilbert Emery and Henry Daniell.

It's online in short segments at youtube, and those parts should autoplay from here: (5/8/2010: that's gone now.)

trailer:


AMCTV has an overview, as does TCM. The New York Times says,
as melodrama, sheer and simple, the story behind Anna Holm's murder trial is often superbly effective, but when it attempts to become a study of emotional anguish it merely betrays the essential hokum of which the film is constructed.

For the story basically is no more than a good old-fashioned thriller which makes use of most of the tricks of the old ten, twent' thirt'—the mad villain, the chase on sleights to save an abducted child, the letter which at the last moment whitewashes the accused.

5/8/2010: The Evening Class has an article.

9/17/2011: Great Old Movies calls it "Absorbing and first-class all the way."

Monday, August 03, 2009

Harold and Maude

Harold and Maude is a 1971 dark comedy/romance directed by Hal Ashby and starring Ruth Gordon, Bud Cort and Ellen Geer (who has a Star Trek connection). The music is by Cat Stevens. The film is on several "top" lists, including 3 from the AFI. There's a Facebook page.

It's online at Googlevideo:


The New York Times doesn't like it. Roger Ebert doesn't like it either, saying, "Harold is death, Maude life, and they manage to make the two seem so similar that life's hardly worth the extra bother." Variety makes it 3 for 3, opening with this: "Harold and Maude has all the fun and gaiety of a burning orphanage."

6/16/2010: 366 Weird Movies calls it "my all-time favorite for about as long as I can remember".

Sunday, August 02, 2009

The 7th Voyage of Sinbad

The 7th Voyage of Sinbad is a 1958 film with special effects by Ray Harryhausen.

The Cinemated Man has this film online at GoogleVideo:

The film itself starts about 2 minutes into the video.

Variety calls it "primarily entertainment for the eye". Moria says,
The 7th Voyage of Sinbad is perhaps the most well-remembered of Ray Harryhausen’s films. It was certainly the most popular and its success formed the template for the best of Harryhausen’s subsequent fantasies

1000 Misspent Hours closes by saying
It’s a good thing for this movie’s reputation that most people see it for the first time when they’re seven years old; without that nostalgia factor working in its favor, there’s just no way The 7th Voyage of Sinbad could ever have earned as much respect as it has.