Scoop

Scoop is a 1938 satiric novel by Evelyn Waugh. I got a kick out of this one.

Plot description from Wikipedia:

William Boot, a young man who lives in genteel poverty, far from the iniquities of London, contributes nature notes to Lord Copper's Daily Beast, a national daily newspaper. He is dragooned into becoming a foreign correspondent, when the editors mistake him for John Courteney Boot, a fashionable novelist and a remote cousin. He is sent to Ishmaelia, a fictional state in East Africa, to report on the crisis there.

You can read it online at this link or have it read to you at the bottom of this post. It begins,

BOOK ONE

The Stitch Service

Chapter One

While still a young man, John Courteney Boot had, as his publisher proclaimed, ‘achieved an assured and enviable position in contemporary letters’. His novels sold fifteen thousand copies in their first year and were read by the people whose opinion John Boot respected. Between novels he kept his name sweet in intellectual circles with unprofitable but modish works on history and travel. His signed first editions sometimes changed hands at a shilling or two above their original price. He had published eight books—(beginning with a life of Rimbaud written when he was eighteen, and concluding, at the moment, with Waste of Time, a studiously modest description of some harrowing months among the Patagonian Indians)—of which most people who lunched with Lady Metroland could remember the names of three or four. He had many charming friends of whom the most valued was the lovely Mrs Algernon Stitch.

Like all in her circle John Boot habitually brought his difficulties to her for solution. It was with this purpose, on a biting-cold mid-June morning, that he crossed the Park and called at her house (a superb creation by Nicholas Hawksmoor modestly concealed in a cul-de-sac near Saint James’s Palace).

Algernon Stitch was standing in the hall; his bowler hat was on his head; his right hand, grasping a crimson, royally emblazoned despatch case, emerged from the left sleeve of his overcoat; his other hand burrowed petulantly in his breast pocket. An umbrella under his left arm further inconvenienced him. He spoke indistinctly, for he was holding a folded copy of the morning paper between his teeth.

‘Can’t get it on,’ he seemed to say.

The man who had opened the door came to his assistance, removed the umbrella and despatch case and laid them on the marble table; removed the coat and held it behind his master. John took the newspaper.

‘Thanks. Thanks very much. Much obliged. Come to see Julia, eh?’

From high overhead, down the majestic curves of the great staircase, came a small but preternaturally resonant voice.

‘Try not to be late for dinner, Algy; the Kents are coming.’

‘She’s upstairs,’ said Stitch. He had his coat on now and looked fully an English cabinet minister; long and thin, with a long, thin nose, and long, thin moustaches; the ideal model for continental caricaturists. ‘You’ll find her in bed,’ he said.

‘Your speech reads very well this morning.’ John was always polite to Stitch; everybody was; Labour members loved him.

‘Speech? Mine? Ah. Reads well, eh? Sounded terrible to me. Thanks all the same. Thanks very much. Much obliged.’

So Stitch went out to the Ministry of Imperial Defence and John went up to see Julia.

As her husband had told him, she was still in bed although it was past eleven o’clock. Her normally mobile face encased in clay was rigid and menacing as an Aztec mask. But she was not resting. Her secretary, Miss Holloway, sat at her side with account books, bills and correspondence. With one hand Mrs Stitch was signing cheques; with the other she held the telephone to which, at the moment, she was dictating details of the costumes for a charity ballet. An elegant young man at the top of a step-ladder was painting ruined castles on the ceiling. Josephine, the eight year old Stitch prodigy, sat on the foot of the bed construing her day’s passage of Virgil. Mrs Stitch’s maid, Brittling, was reading her the clues of the morning crossword. She had been hard at it since half-past seven.

Josephine rose from her lesson to kick John as he entered. ‘Boot,’ she said savagely, ‘Boot’ catching him first on one knee cap, then on the other. It was a joke of long standing.

Mrs Stitch turned her face of clay, in which only the eyes gave a suggestion of welcome, towards her visitor.

‘Come in,’ she said, ‘I’m just going out. Why twenty pounds to Mrs Beaver?’

‘That was for Lady Jean’s wedding present,’ said Miss Holloway.

‘I must have been insane. About the lion’s head for the centurion’s breastplate; there’s a beautiful one over the gate of a house near Salisbury, called Twisbury Manor; copy that as near as you can; ring up Country Life and ask for “back numbers”, there was a photograph of it about two years ago. You’re putting too much ivy on the turret, Arthur; the owl won’t show up unless you have him on the bare stone and I’m particularly attached to the owl. Munera, darling, like tumtiddy; always a short a in neuter plurals. It sounds like an anagram; see if “Terracotta” fits. I’m delighted to see you, John. Where have you been? You can come and buy carpets with me; I’ve found a new shop in Bethnal Green, kept by a very interesting Jew who speaks no English; the most extraordinary things keep happening to his sister. Why should I go to Viola Chasm’s Distressed Area; did she come to my Model Madhouse?’

‘Oh, yes, Mrs Stitch.’

‘Then I suppose it means two guineas. I absolutely loved Waste of Time. We read it aloud at Blackewell. The headless abbot is grand.’

‘Headless abbot?’

‘Not in Wasters. On Arthur’s ceiling. I put it in the Prime Minister’s bedroom.’

‘Did he read it?’

‘Well I don’t think he reads much.’

‘Terracotta is too long, madam, and there is no r.’

‘Try hottentot. It’s that kind of word. I can never do anagrams unless I can see them. No Twisbury, you must have heard of it.’

‘Floribus Austrum,’ Josephine chanted, ‘perditus et liquidis immisi fontibus apros; having been lost with flowers in the South and sent into the liquid fountains; apros is wild boars but I couldn’t quite make sense of that bit.’

‘We’ll do it tomorrow. I’ve got to go out now. Is “hottentot” any use?’

‘No h, madam,’ said Brittling with ineffable gloom.

‘Oh, dear. I must look at it in my bath. I shall only be ten minutes. Stay and talk to Josephine.’

She was out of bed and out of the room. Brittling followed. Miss Holloway collected the cheques and papers. The young man on the ladder dabbed away industriously. Josephine rolled to the head of the bed and stared up at him.

‘It’s very banal, isn’t it, Boot?’

‘I like it very much.’

‘Do you? I think all Arthur’s work is banal. I read your book Waste of Time.’

‘Ah.’ John did not invite criticism.

‘I thought it very banal.’

‘You seem to find everything banal.’

‘It is a new word whose correct use I have only lately learnt,’ said Josephine with dignity. ‘I find it applies to nearly everything; Virgil and Miss Brittling and my gymnasium.’

‘How is the gymnasium going?’

‘I am by far the best of my class although there are several girls older than me and two middle-class boys.’

When Mrs Stitch said ten minutes, she meant ten minutes. Sharp on time she was back, dressed for the street; her lovely face, scraped clean of clay, was now alive with interest.

‘Sweet Josephine, has Mr Boot been boring you?’

‘It was all right really. I did most of the talking.’

‘Show him your imitation of the Prime Minister.’

‘No.’

‘Sing him your Neapolitan song.’

‘No.’

‘Stand on your head. Just once for Mr Boot.’

‘No.’

‘Oh dear. Well we must go at once if we are to get to Bethnal Green and back before luncheon. The traffic’s terrible.’

Algernon Stitch went to his office in a sombre and rather antiquated Daimler; Julia always drove herself, in the latest model of mass-produced, baby car; brand-new twice a year, painted an invariable brilliant black, tiny and glossy as a midget’s funeral hearse. She mounted the kerb and bowled rapidly along the pavement to the corner of St James’s, where a policeman took her number and ordered her into the road.

‘Third time this week,’ said Mrs Stitch. ‘I wish they wouldn’t. It’s such a nuisance for Algy.’

Once embedded in the traffic block, she stopped the engine and turned her attention to the crossword.

‘It’s “detonated”,’ she said, filling it in.

East wind swept the street, carrying with it the exhaust-gas of a hundred motors and coarse particles of Regency stucco from a once decent Nash façade that was being demolished across the way. John shivered and rubbed some grit further into his eye. Eight minutes close application was enough to finish the puzzle. Mrs Stitch folded the paper and tossed it over her shoulder into the back seat; looked about her resentfully at the stationary traffic.

‘This is too much,’ she said; started the engine, turned sharp again onto the kerb and proceeded to Piccadilly, driving before her at a brisk pace, until he took refuge on the step of Brook’s, a portly, bald young man; when he reached safety, he turned to remonstrate, recognized Mrs Stitch, and bowed profoundly to the tiny, black back as it shot the corner of Arlington Street. ‘One of the things I like about these absurd cars,’ she said, ‘is that you can do things with them that you couldn’t do in a real one.’

From Hyde Park Corner to Piccadilly Circus the line of traffic was continuous and motionless, still as a photograph, unbroken and undisturbed save at a few strategic corners where barricaded navvies, like desperate outposts of some proletarian defence, were rending the road with mechanical drills, mining for the wires and tubes that controlled the life of the city.

‘I want to get away from London,’ said John Boot.

‘So it’s come to that? All on account of your American girl?’

‘Well, mostly.’

‘I warned you, before you began. Is she being frightful?’

‘My lips are sealed. But I’ve got to get far away or else go crazy.’

‘To my certain knowledge she’s driven three men into the bin. Where are you going?’

‘That’s just what I wanted to talk about.’

The line of cars jerked forwards for ten yards and again came to rest. The lunch-time edition of the evening papers was already on the streets; placards announcing

ISHMAELITE CRISIS

and

STRONG LEAGUE NOTE

were fluttering in the east wind.

‘Ishmaelia seems to be the place. I was wondering if Algy would send me there as a spy.’

‘Not a chance.’

‘No?’

‘Foregonners. Algy’s been sacking ten spies a day for weeks. It’s a grossly overcrowded profession. Why don’t you go as a war correspondent?’

‘Could you fix it?’
...

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