trailer:
Slant Magazine gives it 3 out of 4 stars and closes with this:
There are moments here so emotional and powerful it's a shame the film's visual vernacular is so distancing at times—perhaps Spielberg's greatest (intentional perhaps?) nod to Kubrick—but in spite of its excess baggage, the film lingers in the mind, not unlike a blanket or toy from one's youth.Salon.com declares it a "misunderstood masterpiece" and says, "As a profound meditation on the difference between what’s human and what isn’t, it also constitutes one of the best allegories about cinema that I know." Bright Lights makes a lengthy examination of the film's philosophical aspects. DVD Talk says, "it's certainly a film with terrific visual effects and great performances." Empire Online calls it "a very unusual masterpiece" and says, "Osment is staggering. In a mesmerisingly-controlled performance he creates a perfect balance between charm and otherworldliness, defying but imploring the watcher to empathise. This is a mighty old talent for one so young." Roger Ebert has it on his list of great movies. The critics at Rotten Tomatoes give it 73%.
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