This film is almost universally praised, finding a place on everybody's best-of lists, and I feel foolish criticising it; but at every point along the way if there's a stupid decision to make the character does that. It's downright painful. I kept talking to the screen. "Don't do that! Anything but that!"
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The Guardian gives it 5 out of 5 stars and calls it "brilliant". Empire Online opens with this: "For over 40 years critics and filmmakers from Francois Truffaut to Paul Schrader to Curtis Hanson (citing its influence on LA Confidential) have paid homage to the technical mastery and I inspiration of Orson Welles' potent 50s noir." Time Out gives it 5 out of 5 stars and calls it a masterpiece that gets better with age.
A 1958 NYT review says, "THANKS to Orson Welles, nobody, and we mean nobody, will nap during "Touch of Evil,"". Roger Ebert gives it a spot on his Best Movies list. Rotten Tomatoes has a critics score of 96%.
HMMM! You made me laugh when I read your account of this movie, because it has SO many great actors that even I (that's an extra large capital I) have heard of. But, I often feel that way about shows and movies I watch. Seems especially true when the heroine gets herself into bigger trouble from being stupid.
ReplyDeleteI was focused on the plot, and I think maybe the plot isn't the strongest element here ;) I should focus more on direction and lighting maybe? idk. I was sooo hurt by all the stupid going on lol
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