The Sorrows of Satan

The Sorrows of Satan, Or the Strange Experience of One Geoffrey Tempest, Millionaire is an 1895 Faustian novel by Marie Corelli. It is widely regarded as one of the world's first best-sellers. You can read it online here at this link. It begins,

I

Do you know what it is to be poor? Not poor with the arrogant poverty complained of by certain people who have five or six thousand a year to live upon, and who yet swear they can hardly manage to make both ends meet, but really poor,—downright, cruelly, hideously poor, with a poverty that is graceless, sordid and miserable? Poverty that compels you to dress in your one suit of clothes till it is worn threadbare,—that denies you clean linen on account of the ruinous charges of washerwomen,—that robs you of your own self-respect, and causes you to slink along the streets vaguely abashed, instead of walking erect among your fellow-men in independent ease,—this is the sort of poverty I mean. This is the grinding curse that keeps down noble aspiration under a load of ignoble care; this is the moral cancer that eats into the heart of an otherwise well-intentioned human creature and makes him envious and malignant, and inclined to the use of dynamite. When he sees the fat idle woman of society passing by in her luxurious carriage, lolling back lazily, her face mottled with the purple and red signs of superfluous eating,—when he observes the brainless and sensual man of fashion smoking and dawdling away the hours in the Park, as if all the world and its millions of honest hard workers were created solely for the casual diversion of the so-called 2‘upper’ classes,—then the good blood in him turns to gall, and his suffering spirit rises in fierce rebellion, crying out—“Why in God’s name, should this injustice be? Why should a worthless lounger have his pockets full of gold by mere chance and heritage, while I, toiling wearily from morn till midnight, can scarce afford myself a satisfying meal?”

Why indeed! Why should the wicked flourish like a green bay-tree? I have often thought about it. Now however I believe I could help to solve the problem out of my own personal experience. But ... such an experience! Who will credit it? Who will believe that anything so strange and terrific ever chanced to the lot of a mortal man? No one. Yet it is true;—truer than much so-called truth. Moreover I know that many men are living through many such incidents as have occurred to me, under precisely the same influence, conscious perhaps at times, that they are in the tangles of sin, but too weak of will to break the net in which they have become voluntarily imprisoned. Will they be taught, I wonder, the lesson I have learned? In the same bitter school, under the same formidable taskmaster? Will they realize as I have been forced to do,—aye, to the very fibres of my intellectual perception,—the vast, individual, active Mind, which behind all matter, works unceasingly, though silently, a very eternal and positive God? If so, then dark problems will become clear to them, and what seems injustice in the world will prove pure equity! But I do not write with any hope of either persuading or enlightening my fellow-men. I know their obstinacy too well;—I can gauge it by my own. My proud belief in myself was, at one time, not to be outdone by any human unit on the face of the globe. And I am aware that others are in similar case. I merely intend to relate the various incidents of my career in due order exactly as they happened,—leaving to more confident heads the business of propounding and answering the riddles of human existence as best they may.

During a certain bitter winter, long remembered for its arctic severity, when a great wave of intense cold spread 3freezing influences not alone over the happy isles of Britain, but throughout all Europe, I, Geoffrey Tempest, was alone in London and well-nigh starving.
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Gabriel-Ernest

Gabriel-Ernest is a short story by H. H. Munro, pen name Saki. You can read it online here or here or listen to it read to you at the bottom of this post. It begins,

"There is a wild beast in your woods," said the artist Cunningham, as he was being driven to the station. It was the only remark he had made during the drive, but as Van Cheele had talked incessantly his companion's silence had not been noticeable.

"A stray fox or two and some resident weasels. Nothing more formidable," said Van Cheele. The artist said nothing.

"What did you mean about a wild beast?" said Van Cheele later, when they were on the platform.

"Nothing. My imagination. Here is the train," said Cunningham.

That afternoon Van Cheele went for one of his frequent rambles through his woodland property. He had a stuffed bittern in his study, and knew the names of quite a number of wild flowers, so his aunt had possibly some justification in describing him as a great naturalist. At any rate, he was a great walker. It was his custom to take mental notes of everything he saw during his walks, not so much for the purpose of assisting contemporary science as to provide topics for conversation afterwards. When the bluebells began to show themselves in flower he made a point of informing every one of the fact; the season of the year might have warned his hearers of the likelihood of such an occurrence, but at least they felt that he was being absolutely frank with them.

What Van Cheele saw on this particular afternoon was, however, something far removed from his ordinary range of experience. On a shelf of smooth stone overhanging a deep pool in the hollow of an oak coppice a boy of about sixteen lay asprawl, drying his wet brown limbs luxuriously in the sun. His wet hair, parted by a recent dive, lay close to his head, and his light-brown eyes, so light that there was an almost tigerish gleam in them, were turned towards Van Cheele with a certain lazy watchfulness. It was an unexpected apparition, and Van Cheele found himself engaged in the novel process of thinking before he spoke. Where on earth could this wild-looking boy hail from? The miller's wife had lost a child some two months ago, supposed to have been swept away by the mill-race, but that had been a mere baby, not a half-grown lad.

"What are you doing there?" he demanded.

"Obviously, sunning myself," replied the boy.

"Where do you live?"

"Here, in these woods."

"You can't live in the woods," said Van Cheele.

"They are very nice woods," said the boy, with a touch of patronage in his voice.

"But where do you sleep at night?"

"I don't sleep at night; that's my busiest time."

Van Cheele began to have an irritated feeling that he was grappling with a problem that was eluding him.

"What do you feed on?" he asked.

"Flesh," said the boy, and he pronounced the word with slow relish, as though he were tasting it.
...

Deathdream

Deathdream is a 1974 horror film that begins with the death of a soldier in combat and then the sound of the voice of his mother saying, "You can't die, Andy, you can't die. You promised, Andy. You promised you'd come back. You promised, Andy." It was inspired by the well-known short story The Monkey's Paw, by W.W. Jacobs, and ends as you might imagine it would.

Slant Magazine gives it 4.5 out of 5 stars. Dread Central closes with this: "Overall, Deathdream is definitely an under-appreciated and hidden horror that needs more love. So give it the love that it deserves and go watch it. NOW! It’s a great one. Point blank. PERIOD."

Rotten Tomatoes has a consensus critics score of 83%.

The Monkey's Paw

The Monkey's Paw is a 1902 short story by W.W. Jacobs. You can read it online here or listen to it read to you at the bottom of this post. It begins,

Part I

Without, the night was cold and wet, but in the small parlour of Laburnum villa the blinds were drawn and the fire burned brightly. Father and son were at chess; the former, who possessed ideas about the game involving radical chances, putting his king into such sharp and unnecessary perils that it even provoked comment from the white-haired old lady knitting placidly by the fire.

"Hark at the wind," said Mr. White, who, having seen a fatal mistake after it was too late, was amiably desirous of preventing his son from seeing it.

"I'm listening," said the latter grimly surveying the board as he stretched out his hand. "Check."

"I should hardly think that he's come tonight, " said his father, with his hand poised over the board.

"Mate," replied the son.

"That's the worst of living so far out," balled Mr. White with sudden and unlooked-for violence; "Of all the beastly, slushy, out of the way places to live in, this is the worst. Path's a bog, and the road's a torrent. I don't know what people are thinking about. I suppose because only two houses in the road are let, they think it doesn't matter."

"Never mind, dear," said his wife soothingly; "perhaps you'll win the next one."

Mr. White looked up sharply, just in time to intercept a knowing glance between mother and son. the words died away on his lips, and he hid a guilty grin in his thin grey beard.

"There he is," said Herbert White as the gate banged to loudly and heavy footsteps came toward the door.

The old man rose with hospitable haste and opening the door, was heard condoling with the new arrival. The new arrival also condoled with himself, so that Mrs. White said, "Tut, tut!" and coughed gently as her husband entered the room followed by a tall, burly man, beady of eye and rubicund of visage.

"Sergeant-Major Morris, " he said, introducing him.

The Sergeant-Major took hands and taking the proffered seat by the fire, watched contentedly as his host got out whiskey and tumblers and stood a small copper kettle on the fire.

At the third glass his eyes got brighter, and he began to talk, the little family circle regarding with eager interest this visitor from distant parts, as he squared his broad shoulders in the chair and spoke of wild scenes and doughty deeds; of wars and plagues and strange peoples.

"Twenty-one years of it," said Mr. White, nodding at his wife and son. "When he went away he was a slip of a youth in the warehouse. Now look at him."

"He don't look to have taken much harm." said Mrs. White politely.

"I'd like to go to India myself," said the old man, just to look around a bit, you know."

"Better where you are," said the Sergeant-Major, shaking his head. He put down the empty glass and sighning softly, shook it again.

"I should like to see those old temples and fakirs and jugglers," said the old man. "what was that that you started telling me the other day about a monkey's paw or something, Morris?"

"Nothing." said the soldier hastily. "Leastways, nothing worth hearing."

"Monkey's paw?" said Mrs. White curiously.

"Well, it's just a bit of what you might call magic, perhaps." said the Sergeant-Major off-handedly.

His three listeners leaned forward eagerly. The visitor absent-mindedly put his empty glass to his lips and then set it down again. His host filled it for him again.

"To look at," said the Sergeant-Major, fumbling in his pocket, "it's just an ordinary little paw, dried to a mummy."

He took something out of his pocket and proffered it. Mrs. White drew back with a grimace, but her son, taking it, examined it curiously.

"And what is there special about it?" inquired Mr. White as he took it from his son, and having examined it, placed it upon the table.

"It had a spell put on it by an old Fakir," said the Sergeant-Major, "a very holy man. He wanted to show that fate ruled people's lives, and that those who interfered with it did so to their sorrow. He put a spell on it so that three separate men could each have three wishes from it."

His manners were so impressive that his hearers were conscious that their light laughter had jarred somewhat.

"Well, why don't you have three, sir?" said Herbert White cleverly.

The soldier regarded him the way that middle age is wont to regard presumptuous youth."I have," he said quietly, and his blotchy face whitened.

"And did you really have the three wishes granted?" asked Mrs. White.

"I did," said the sergeant-major, and his glass tapped against his strong teeth.

"And has anybody else wished?" persisted the old lady.

"The first man had his three wishes. Yes," was the reply, "I don't know what the first two were, but the third was for death. That's how I got the paw."

His tones were so grave that a hush fell upon the group.
...

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The Lady of the House of Love

The Lady of the House of Love is a short story by Angela Carter. You can read it online here. It begins,

At last the revenants became so troublesome the peasants abandoned the village and it fell solely into the possession of subtle and vindictive inhabitants who manifest their presences by shadows that fall almost imperceptibly awry, too many shadows, even at midday, shadows that have no source in anything visible; by the sound, sometimes, of sobbing in a derelict bedroom where a cracked mirror suspended from a wall does not reflect a presence; by a sense of unease that will afflict the traveler unwise enough to pause to drink from the fountain in the square that still gushes spring water from a faucet stuck in a stone lion’s mouth. A cat prowls in a weedy garden; he grins and spits, arches his back, bounces away from an intangible on four fear-stiffened legs. Now all shun the village below the château in which the beautiful somnambulist helplessly perpetuates her ancestral crimes.

Wearing an antique bridal gown, the beautiful queen of the vampires sits all alone in her dark, high house under the eyes of the portraits of her demented and atrocious ancestors, each one of whom, through her, projects a baleful posthumous existence; she counts out the Tarot cards, ceaselessly construing a constellation of possibilities as if the random fall of the cards on the red plush tablecloth before her could precipitate her from her chill, shuttered room into a country of perpetual summer and obliterate the perennial sadness of a girl who is both death and the maiden.

The Bottle Imp

The Bottle Imp is a short story by Robert Louis Stevenson. You can read it online here or here or have it read to you at the bottom of this post. It begins,

There was a man of the Island of Hawaii, whom I shall call Keawe; for the truth is, he still lives, and his name must be kept secret; but the place of his birth was not far from Honaunau, where the bones of Keawe the Great lie hidden in a cave. This man was poor, brave, and active; he could read and write like a schoolmaster; he was a first-rate mariner besides, sailed for some time in the island steamers, and steered a whaleboat on the Hamakua coast. At length it came in Keawe's mind to have a sight of the great world and foreign cities, and he shipped on a vessel bound to San Francisco.

This is a fine town, with a fine harbour, and rich people uncountable; and in particular, there is one hill which is covered with palaces. Upon this hill Keawe was one day taking a walk with his pocket full of money, viewing the great houses upon either hand with pleasure. "What fine houses these are!" he was thinking, "and how happy must those people be who dwell in them, and take no care for the morrow!" The thought was in his mind when he came abreast of a house that was smaller than some others, but all finished and beautified like a toy; the steps of that house shone like silver, and the borders of the garden bloomed like garlands, and the windows were bright like diamonds; and Keawe stopped and wondered at the excellence of all he saw. So stopping, he was aware of a man that looked forth upon him through a window so clear that Keawe could see him as you see a fish in a pool upon the reef. The man was elderly, with a bald head and a black beard; and his face was heavy with sorrow, and he bitterly sighed. And the truth of it is, that as Keawe looked in upon the man, and the man looked out upon Keawe, each envied the other.
...

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The Spectre Bridegroom

The Spectre Bridegroom is a gothic tale by Washington Irving. Published in 1819, it was inspired by a German legend. It's tagged "horror" because of the gothic atmosphere, but it's not "horror" as many would define that word. You can read it online here or have it read to you at the bottom of this post. It begins,

On the summit of one of the heights of the Odenwald, a wild and romantic tract of Upper Germany that lies not far from the confluence of the Main and the Rhine, there stood many, many years since the castle of the Baron Von Landshort. It is now quite fallen to decay, and almost buried among beech trees and dark firs; above which, however, its old watch-tower may still be seen struggling, like the former possessor I have mentioned, to carry a high head and look down upon the neighboring country.

The baron was a dry branch of the great family of Katzenellenbogen, and inherited the relics of the property and all the pride, of his ancestors. Though the warlike disposition of his predecessors had much impaired the family possessions, yet the baron still endeavored to keep up some show of former state. The times were peaceable, and the German nobles in general had abandoned their inconvenient old castles, perched like eagles’ nests among the mountains, and had built more convenient residences in the valleys; still, the baron remained proudly drawn up in his little fortress, cherishing with hereditary inveteracy all the old family feuds, so that he was on ill terms with some of his nearest neighbors, on account of disputes that had happened between their great-great-grandfathers.

The baron had but one child, a daughter, but Nature, when she grants but one child, always compensates by making it a prodigy; and so it was with the daughter of the baron.

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The Horse of the Invisible

Pull up a chair and let me pour you a cozy cup, may I?

Please join me at the T Stands for Tuesday blogger gathering.

There's nothing quite as engaging as these old tales.

The Horse of the Invisible is a 1910 short story by William Hope Hodgson. It features his detective Carnacki, who specializes in the occult. You can read it online here. It begins,

When I reached 427, Cheyne Walk, Chelsea, I found Carnacki sitting alone. As I came into the room, he rose with a perceptibly stiff movement, and extended his left hand. His face seemed to be badly scarred and bruised, and his right hand was bandaged. He shook hands and offered me his paper, which I refused. Then he passed me a handful of photographs, and returned to his reading.

Now, that is just Carnacki. Not a word had come from him, and not a question from me. He would tell us all about it later. I spent about half an hour, looking at the photographs, which were chiefly "snaps" (some by flashlight) of an extraordinarily pretty girl; though in some of the photographs it was wonderful that her prettiness was so evident, for so frightened and startled was her expression, that it was difficult not to believe that she had been photographed in the presence of some imminent and overwhelming danger.

The bulk of the photographs were of interiors of different rooms and passages, and in every one the girl might be seen, either full length in the distance, or closer, with, perhaps, only a hand or arm, or portion of the head or dress included in the photograph. All of these had evidently been taken with some definite aim, that did not have for its first purpose the picturing of the girl, but obviously of her surroundings; and they made me very curious, as you can imagine.

Near the bottom of the pile, however, I came upon something definitely extraordinary. It was a photograph of the girl, standing abrupt and clear in the great blaze of a flashlight, as was plain to be seen. Her face was turned a little upward, as if she had been frightened suddenly by some noise. Directly above her, as though half-formed and coming down out of the shadows, was the shape of a single, enormous hoof.

I examined this photograph for a long time, without understanding it more than that it had probably to do with some queer Case in which Carnacki was interested.

When Jessop, Arkwright, and Taylor came in, Carnacki quietly held out his hand for the photographs, which I returned in the same spirit, and afterwards we all went in to dinner. When we had spent a quiet but profitable hour at the table, we pulled our chairs round, and made ourselves snug; and Carnacki began:-

"I've been North," he said, speaking slowly and painfully, between puffs at his pipe. "Up to Hisgins of East Lancashire. It has been a pretty strange business all round, as I fancy you chaps will think, when I have finished. I knew, before I went, something about the "horse story," as I have heard it called; but I never thought of it as coming my way, somehow. Also I know now that I never considered it seriously -- in spite of my rule always to keep an open mind. Funny creatures, we humans!

"Well, I got a wire, asking for an appointment, which of course told me that there was some trouble. On the date I fixed, old Captain Hisgins himself came up to see me. He told me a great many new details about the horse story; though, naturally, I had always known the main points, and understood that if the first child were a girl, that girl would be haunted by the Horse, during her courtship.

"It is, as you can see, an extraordinary story, and though I have always known about it, I have never thought it to be anything more than old-time legend, as I have already hinted. You see, for seven generations the Hisgins family have had men children for their first-born, and even the Hisgins themselves have long considered the tale to be little more than a myth.

"To come to the present, the eldest child of the reigning family, is a girl, and she has been often teased and warned in jest by her friends and relations that she is the first girl to be the eldest for seven generations, and that she would have to keep her men friends at arm's length, or go into a nunnery, if she hoped to escape the haunting. And this, I think, shows us how thoroughly the tale had grown to be considered as nothing worthy of the least serious thought. Don't you think so?

"Two months ago, Miss Hisgins became engaged to Beaumont, a young Naval Officer, and on the evening of the very day of the engagement, before it was even formally announced, a most extraordinary thing happened, which resulted in Captain Hisgins making the appointment, and my ultimately going down to their place to look into the thing.

It was adapted for the TV series The Rivals of Sherlock Holmes starring Donald Pleasance as the detective:

You can listen to it read to you:

Birds in the Mouth

Birds in the Mouth is a 2011 short story by Samanta Schweblin. You can read it online here. It begins,

I turned off the TV and looked out the window. Silvia’s car was parked in front of the house, with the emergency lights on. The bell rang again; she knew I was home. I went to the door and opened it.

“Hi,” she said. “We have to talk.”

She pointed to the sofa, and I obeyed because sometimes, when the past knocks on the door and treats me as it did four years ago, I continue to be an idiot.

“You’re not going to like it. It’s…it’s hard.” She looked at her watch. “It’s about Sara.”

“It’s always about Sara.”

“You’re going to say I’m exaggerating, I’m nuts, all that stuff. But there’s no time today. You’re coming home right now. This you have to see with your own eyes.”

“What’s going on?”

“Besides, I told Sara you were going to come, so she’s waiting for you.”

We remained silent for a moment. She frowned, got up, and went to the door. I grabbed my coat and went after her.

The house looked as it always did, with the lawn recently cut and Silvia’s azaleas hanging from the balconies on the second floor. We got out of our cars and went inside without speaking.

Sara was on the sofa. Although classes were over for the year, she was wearing her middle school uniform

The Crown Derby Plate

The Crown Derby Plate is a horror short story by Marjorie Bowen. It was first published on Christmas Eve in 1931 and takes place during the Christmas season. I find it delightful, featuring as it does three cheerful old women sitting at a big cozy fire and wondering about the rumor of a ghost. You can read it online here. You can have it read aloud to you at the bottom of this post. It begins,

Martha Pym said that she had never seen a ghost and that she would very much like to do so, “particularly at Christmas, for you can laugh as you like, that is the correct time to see a ghost.”

“I don’t suppose you ever will,” replied her cousin Mabel comfortably, while her cousin Clara shuddered and said that she hoped they would change the subject for she disliked even to think of such things.

The three elderly, cheerful women sat round a big fire, cosy and content after a day of pleasant activities; Martha was the guest of the other two, who owned the handsome, convenient country house; she always came to spend her Christmas with the Wyntons and found the leisurely country life delightful after the bustling round of London, for Martha managed an antique shop of the better sort and worked extremely hard. She was, however, still full of zest for work or pleasure, though sixty years old, and looked backwards and forwards to a succession of delightful days.

The other two, Mabel and Clara, led quieter but none the less agreeable lives; they had more money and fewer interests, but nevertheless enjoyed themselves very well.

“Talking of ghosts,” said Mabel, “I wonder how that old woman at ‘Hartleys’ is getting on, for ‘Hartleys,’ you know, is supposed to be haunted.”

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The Graveless Doll of Eric Mutis

The Graveless Doll of Eric Mutis is a short story by Karen Russell. It takes place in late September. You can read it online here. It begins,

The scarecrow that we found lashed to the pin oak in Friendship Park, New Jersey, was thousands of miles away from the yellow atolls of corn where you might expect to find a farmer’s doll. Scarecrow country was the actual country, everybody knew that. Scarecrows belonged to countrymen and women. They lived in hick states, the “I” states, exotic to us: Iowa, Indiana. Scarecrows made fools of the birds, and smiled with lifeless humor. Their smiles were fakes, threads. (This idea appealed to me — I was a quiet kid myself, branded “mean,” and I liked the idea of a mouth that nobody expected anything from, a mouth that was just red sewing.) Scarecrows got planted into the same soil as their crops; they worked around the clock, like charms, to keep the hungry birds at bay. That was how it worked in TV movies, at least: horror-struck, the birds turned shrieking circles around the far-below peak of the scarecrow’s hat, afraid to land. They haloed him. Underneath a hundred starving crows, the TV scarecrow seemed pretty sanguine, grinning his tickled, brainwashed grin at the camera. He was a sort of pitiable character, I thought, a jester in the corn, imitating the farmer — the real king. All day and all night, the scarecrow had to stand watch over his quilty hills of wheat and flax, of rye and barley and three other brown grains that I couldn’t remember (my brain stole this image from the seven-grain Quilty Hills Muffins bag — at school I cheated shamelessly and I guess my imagination must have been a plagiarist too, copying its homework).

This mission had nothing to do with us or with our city of Anthem, New Jersey. Anthem had no crops, no silos, no crows — it had turquoise Port-o-Pottys and neon alleys, construction pits, dogs in purses, bag ladies with powerful smells and opinions, garbage dumps haunted by the wraith white pigeons; it had our school, the facade of which was currently covered with a glorious psychedelic phallus mosaic, a series of interlocking dicks spray painted to the scale of Picasso’s Guernica by Anthem’s tenth-grade graffiti kings; it had policemen, bus drivers, crossing guards; dolls were sold in stores.

And we were city boys. We lived in projects that were farm antonyms, these truly shitbox apartments. If flowers bloomed on our sooty sills, it must have been because of some plant Stockholm syndrome, a love our sun did not deserve. Our familiarity with the figure of the scarecrow came exclusively from watered-down L. Frank Baum cartoons, and from the corny yet frightening “Autumn’s Bounty!” display in the Food Lion grocery store, where every year a scarecrow got propped a little awkwardly between a pilgrim, a cornucopia, and a scrotally wrinkled turkey. The Food Lion scarecrow looked like a broomin a Bermuda shirt, a broomwith acne, ogling the ladies’ butts as they bent to buy their diet yogurts — once I’d heard a bag boy joke that it was there to spook the divorcees. What we found in Friendship Park in no way resembled the Food Lion scarecrow. At first I was sure the thing tied to the oak was dead, or alive. Real, I mean.

“Hey, you guys,” I swallowed. “Look — ” And pointed to the pin oak, where a boy our age was belted to the trunk. Somebody in blue jeans and a T-shirt that had faded to the same earthworm color as his hair, a white boy, doubled over the rope. His hair clung tight as a cap to his scalp, as if painted on, and his face looked like a brick of sweating cheese.

Gus got to the kid first. “You retards.” His voice was high with relief. “It’s just a doll.” He punched its stomach. “It’s got straw inside it.”

“It’s a scarecrow!” shrieked Mondo.

Frankenstein; or the Modern Prometheus

Frankenstein; or the Modern Prometheus by Mary Shelley is an 1818 novel, a tale of pride and horror. If you haven't read it don't let the horror film adaptations turn you off. Read it for yourself here or here. It begins:

Letter 1

To Mrs. Saville, England.

St. Petersburgh, Dec. 11th, 17—.

You will rejoice to hear that no disaster has accompanied the commencement of an enterprise which you have regarded with such evil forebodings. I arrived here yesterday, and my first task is to assure my dear sister of my welfare and increasing confidence in the success of my undertaking.

I am already far north of London, and as I walk in the streets of Petersburgh, I feel a cold northern breeze play upon my cheeks, which braces my nerves and fills me with delight. Do you understand this feeling? This breeze, which has travelled from the regions towards which I am advancing, gives me a foretaste of those icy climes. Inspirited by this wind of promise, my daydreams become more fervent and vivid. I try in vain to be persuaded that the pole is the seat of frost and desolation; it ever presents itself to my imagination as the region of beauty and delight. There, Margaret, the sun is for ever visible, its broad disk just skirting the horizon and diffusing a perpetual splendour. There —for with your leave, my sister, I will put some trust in preceding navigators— there snow and frost are banished; and, sailing over a calm sea, we may be wafted to a land surpassing in wonders and in beauty every region hitherto discovered on the habitable globe. Its productions and features may be without example, as the phenomena of the heavenly bodies undoubtedly are in those undiscovered solitudes. What may not be expected in a country of eternal light? I may there discover the wondrous power which attracts the needle and may regulate a thousand celestial observations that require only this voyage to render their seeming eccentricities consistent for ever. I shall satiate my ardent curiosity with the sight of a part of the world never before visited, and may tread a land never before imprinted by the foot of man. These are my enticements, and they are sufficient to conquer all fear of danger or death and to induce me to commence this laborious voyage with the joy a child feels when he embarks in a little boat, with his holiday mates, on an expedition of discovery up his native river. But supposing all these conjectures to be false, you cannot contest the inestimable benefit which I shall confer on all mankind, to the last generation, by discovering a passage near the pole to those countries, to reach which at present so many months are requisite; or by ascertaining the secret of the magnet, which, if at all possible, can only be effected by an undertaking such as mine.

These reflections have dispelled the agitation with which I began my letter, and I feel my heart glow with an enthusiasm which elevates me to heaven, for nothing contributes so much to tranquillise the mind as a steady purpose—a point on which the soul may fix its intellectual eye. This expedition has been the favourite dream of my early years. I have read with ardour the accounts of the various voyages which have been made in the prospect of arriving at the North Pacific Ocean through the seas which surround the pole. You may remember that a history of all the voyages made for purposes of discovery composed the whole of our good Uncle Thomas’ library. My education was neglected, yet I was passionately fond of reading. These volumes were my study day and night, and my familiarity with them increased that regret which I had felt, as a child, on learning that my father’s dying injunction had forbidden my uncle to allow me to embark in a seafaring life.

There's a Librivox dramatic reading here, where you can hear the entire book:

The Birth-mark

The Birth-mark (sometimes written The Birthmark) is an 1843 Nathaniel Hawthorne story about a man's obsession with what he sees as the one physical flaw in his new bride. You can read it here. You can have it read to you at the bottom of this post. It begins,

In the latter part of the last century there lived a man of science, an eminent proficient in every branch of natural philosophy, who not long before our story opens had made experience of a spiritual affinity more attractive than any chemical one. He had left his laboratory to the care of an assistant, cleared his fine countenance from the furnace smoke, washed the stain of acids from his fingers, and persuaded a beautiful woman to become his wife. In those days when the comparatively recent discovery of electricity and other kindred mysteries of Nature seemed to open paths into the region of miracle, it was not unusual for the love of science to rival the love of woman in its depth and absorbing energy. The higher intellect, the imagination, the spirit, and even the heart might all find their congenial aliment in pursuits which, as some of their ardent votaries believed, would ascend from one step of powerful intelligence to another, until the philosopher should lay his hand on the secret of creative force and perhaps make new worlds for himself. We know not whether Aylmer possessed this degree of faith in man's ultimate control over Nature. He had devoted himself, however, too unreservedly to scientific studies ever to be weaned from them by any second passion. His love for his young wife might prove the stronger of the two; but it could only be by intertwining itself with his love of science, and uniting the strength of the latter to his own.

Such a union accordingly took place, and was attended with truly remarkable consequences and a deeply impressive moral. One day, very soon after their marriage, Aylmer sat gazing at his wife with a trouble in his countenance that grew stronger until he spoke.

"Georgiana," said he, "has it never occurred to you that the mark upon your cheek might be removed?"

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Strange Event in the Life of Schalken the Painter

Strange Event in the Life of Schalken the Painter is an 1839 story by Sheridan Le Fanu. You can read it online here. It begins,

You will no doubt be surprised, my dear friend, at the subject of the following narrative. What had I to do with Schalken, or Schalken with me? He had returned to his native land, and was probably dead and buried, before I was born; I never visited Holland nor spoke with a native of that country. So much I believe you already know. I must, then, give you my authority, and state to you frankly the ground upon which rests the credibility of the strange story which I am, about to lay before you.

I was acquainted, in my early days, with a Captain Vandael, whose father had served King William in the Low Countries, and also in my own unhappy land during the Irish campaigns. I know not how it happened that I liked this man’s society, spite of his politics and religion: but so it was; and it was by means of the free intercourse to which our intimacy gave rise that I became possessed of the curious tale which you are about to hear.

I had often been struck, while visiting Vandael, by a remarkable picture, in which, though no connoisseur myself, I could not fail to discern some very strong peculiarities, particularly in the distribution of light and shade, as also a certain oddity in the design itself, which interested my curiosity. It represented the interior of what might be a chamber in some antique religious building — the foreground was occupied by a female figure, arrayed in a species of white robe, part of which is arranged so as to form a veil. The dress, however, is not strictly that of any religious order. In its hand the figure bears a lamp, by whose light alone the form and face are illuminated; the features are marked by an arch smile, such as pretty women wear when engaged in successfully practising some roguish trick; in the background, and, excepting where the dim red light of an expiring fire serves to define the form, totally in the shade, stands the figure of a man equipped in the old fashion, with doublet and so forth, in an attitude of alarm, his hand being placed upon the hilt of his sword, which he appears to be in the act of drawing.

‘There are some pictures,’ said I to my friend, ‘which impress one, I know not how, with a conviction that they represent not the mere ideal shapes and combinations which have floated through the imagination of the artist, but scenes, faces, and situations which have actually existed. When I look upon that picture, something assures me that I behold the representation of a reality.’

Vandael smiled, and, fixing his eyes upon the painting musingly, he said:

‘Your fancy has not deceived you, my good friend, for that picture is the record, and I believe a faithful one, of a remarkable and mysterious occurrence. It was painted by Schalken, and contains, in the face of the female figure, which occupies the most prominent place in the design, an accurate portrait of Rose Velderkaust, the niece of Gerard Douw, the first and, I believe, the only love of Godfrey Schalken. My father knew the painter well, and from Schalken himself he learned the story of the mysterious drama, one scene of which the picture has embodied. This painting, which is accounted a fine specimen of Schalken’s style, was bequeathed to my father by the artist’s will, and, as you have observed, is a very striking and interesting production.

It was adapted for television as part of the "ghost story for Christmas" tradition for BBC in 1979 as an episode of Omnibus. I can't find it available to watch.

The Two Drovers

The Two Drovers is an 1827 short story by Sir Walter Scott. It is from the Chronicles of Canongate collection. This particular story was included in a 1927 Funk and Wagnalls 10-volume set titled The World’s One Hundred Best Short Stories in the volume labeled Ghosts. There are no ghosts here but only an old woman who predicts a violent end. You can read it online here. It begins,

It was the day after Doune Fair when my story commences. It had been a brisk market. Several dealers had attended from the northern and midland counties in England, and English money had flown so merrily about as to gladden the hearts of the Highland farmers. Many large droves were about to set off for England, under the protection of their owners, or of the topsmen whom they employed in the tedious, laborious, and responsible office of driving the cattle for many hundred miles, from the market where they had been purchased, to the fields or farmyards where they were to be fattened for the shambles.

The Highlanders in particular are masters of this difficult trade of driving, which seems to suit them as well as the trade of war. It affords exercise for all their habits of patient endurance and active exertion. They are required to know perfectly the drove- roads, which lie over the wildest tracts of the country, and to avoid as much as possible the highways, which distress the feet of the bullocks, and the turnpikes, which annoy the spirit of the drover; whereas on the broad green or grey track which leads across the pathless moor, the herd not only move at ease and
without taxation, but, if they mind their business, may pick up a mouthful of food by the way. At night the drovers usually sleep along with their cattle, let the weather be what it will; and many of these hardy men do not once rest under a roof during a journey on foot from Lochaber to Lincolnshire. They are paid very highly, for the trust reposed is of the last importance, as it depends on their prudence, vigilance, and honesty whether the cattle reach the final market in good order, and afford a profit to the grazier. But as they maintain themselves at their own
expense, they are especially economical in that particular. At the period we speak of, a Highland drover was victualled for his long and toilsome journey with a few handfulls of oatmeal and two or three onions, renewed from time to time, and a ram's horn filled with whisky, which he used regularly, but sparingly, every night and morning. His dirk, or SKENE-DHU, (that is, black- knife), so worn as to be concealed beneath the arm, or by the folds of the plaid, was his only weapon, excepting the cudgel with which he directed the movements of the cattle. A Highlander was never so happy as on these occasions. There was a variety in the whole journey, which exercised the Celt's natural curiosity and love of motion. There were the constant change of place and scene, the petty adventures incidental to the traffic, and the intercourse with the various farmers, graziers, and traders, intermingled with occasional merry-makings, not the less acceptable to Donald that they were void of expense. And there was the consciousness of superior skill; for the Highlander, a child amongst flocks, is a prince amongst herds, and his natural habits induce him to disdain the shepherd's slothful life, so that he feels himself nowhere more at home than when following a gallant drove of his country cattle in the character of their guardian.

Of the number who left Doune in the morning, and with the purpose we have described, not a GLUNAMIE of them all cocked his bonnet more briskly, or gartered his tartan hose under knee over a pair of more promising SPIOGS, (legs), than did Robin Oig M'Combich, called familiarly Robin Oig, that is young, or the Lesser, Robin. Though small of stature, as the epithet Oig implies, and not very strongly limbed, he was as light and alert as one of the deer of his mountains. He had an elasticity of step which, in the course of a long march, made many a stout fellow envy him; and the manner in which he busked his plaid and adjusted his bonnet argued a consciousness that so smart a John Highlandman as himself would not pass unnoticed among the Lowland lasses. The ruddy cheek, red lips, and white teeth set off a countenance which had gained by exposure to the weather a healthful and hardy rather than a rugged hue. If Robin Oig did not laugh, or even smile frequently -as, indeed, is not the practice among his countrymen -his bright eyes usually gleamed from under his bonnet with an expression of cheerfulness ready to be turned into mirth.

The departure of Robin Oig was an incident in the little town, in and near which he had many friends, male and female. He was a topping person in his way, transacted considerable business on his own behalf, and was entrusted by the best farmers in the Highlands, in preference to any other drover in that district. He might have increased his business to any extent had he condescended to manage it by deputy; but except a lad or two, sister's sons of his own, Robin rejected the idea of assistance, conscious, perhaps, how much his reputation depended upon his attending in person to the practical discharge of his duty in every instance. He remained, therefore, contented with the highest premium given to persons of his description, and comforted himself with the hopes that a few journeys to England might enable him to conduct business on his own account, in a manner becoming his birth. For Robin Oig's father, Lachlan M'Combich (or SON OF MY FRIEND, his actual clan surname being M'Gregor), had been so called by the celebrated Rob Roy, because of the particular friendship which had subsisted between the grandsire of Robin and that renowned cateran. Some people even said that Robin Oig derived his Christian name from one as renowned in the wilds of Loch Lomond as ever was his namesake Robin Hood in the precincts of merry Sherwood. "Of such ancestry," as James Boswell says, "who would not be proud?" Robin Oig was proud accordingly; but his frequent visits to England and to the Lowlands had given him tact enough to know that pretensions which still gave him a little right to distinction in his own lonely glen, might be both obnoxious and ridiculous if preferred elsewhere. The pride of birth, therefore, was like the miser's treasure -the secret subject of his contemplation, but never exhibited to strangers as a subject of boasting.

Many were the words of gratulation and good-luck which were bestowed on Robin Oig. The judges commended his drove, especially Robin's own property, which were the best of them. Some thrust out their snuff-mulls for the parting pinch, others tendered the DOCH-AN-DORRACH, or parting cup. All cried, "Good-luck travel out with you and come home with you. Give you luck in the Saxon market--brave notes in the LEABHAR-DHU," (black
pocket-book), "and plenty of English gold in the SPORRAN" (pouch of goat-skin).

The bonny lasses made their adieus more modestly, and more than one, it was said, would have given her best brooch to be certain that it was upon her that his eye last rested as he turned towards the road.

Robin Oig had just given the preliminary "HOO-HOO!" to urge forward the loiterers of the drove, when there was a cry behind him: -

"Stay, Robin -bide a blink. Here is Janet of Tomahourich -auld Janet, your father's sister."

"Plague on her, for an auld Highland witch and spaewife," said a farmer from the Carse of Stirling; "she'll cast some of her cantrips on the cattle."

"She canna do that," said another sapient of the same profession. "Robin Oig is no the lad to leave any of them without tying Saint Mungo's knot on their tails, and that will put to her speed the best witch that ever flew over Dimayet upon a broomstick."

It may not be indifferent to the reader to know that the Highland cattle are peculiarly liable to be TAKEN, or infected, by spells and witchcraft, which judicious people guard against by knitting knots of peculiar complexity on the tuft of hair which terminates the animal's tail.

But the old woman who was the object of the farmer's suspicion seemed only busied about the drover, without paying any attention to the drove. Robin, on the contrary, appeared rather impatient of her presence.

"What auld-world fancy," he said, "has brought you so early from the ingle-side this morning, Muhme? l am sure I bid you good-even, and had your God-speed, last night."

"And left me more siller than the useless old woman will use till you come back again, bird of my bosom," said the sibyl. "But it is little I would care for the food that nourishes me, or the fire that warms me, or for God's blessed sun itself, if aught but weel should happen to the grandson of my father. So let me walk the DEASIL round you, that you may go safe out into the far foreign land, and come safe home."

Robin Oig stopped, half embarrassed, half laughing, and signing to those around that he only complied with the old woman to soothe her humour. In the meantime, she traced around him, with wavering steps, the propitiation, which some have thought has been derived from the Druidical mythology. It consists, as is well known, in the person who makes the DEASIL walking three times round the person who is the object of the ceremony, taking care to move according to the course of the sun. At once, however, she stopped short, and exclaimed, in a voice of alarm and horror, "Grandson of my father, there is blood on your hand."

You can listen to the story here:

The Interval

photo from Antique-Gown

The Interval is a 1917 horror/ghost story by Vincent O'Sullivan.You can read it online here. You can have it read to you at the bottom of this post. It begins,

Mrs. Wilton passed through a little alley leading from one of the gates which are around Regent's Park, and came out on the wide and quiet street. She walked along slowly, peering anxiously from side to side so as not to overlook the number. She pulled her furs closer round her; after her years in India this London damp seemed very harsh. Still, it was not a fog to-day. A dense haze, gray and tinged ruddy, lay between the houses, sometimes blowing with a little wet kiss against the face. Mrs. Wilton's hair and eyelashes and her furs were powdered with tiny drops. But there was nothing in the weather to blur the sight; she could see the faces of people some distance off and read the signs on the shops.

Before the door of a dealer in antiques and second-hand furniture she paused and looked through the shabby uncleaned window at an unassorted heap of things, many of them of great value. She read the Polish name fastened on the pane in white letters.

"Yes; this is the place."

She opened the door, which met her entrance with an ill-tempered jangle. From somewhere in the black depths of the shop the dealer came forward. He had a clammy white face, with a sparse black beard, and wore a skull cap and spectacles. Mrs. Wilton spoke to him in a low voice.

A look of complicity, of cunning, perhaps of irony, passed through the dealer's cynical and sad eyes. But he bowed gravely and respectfully.

"Yes, she is here, madam. Whether she will see you or not I do not know. She is not always well; she has her moods. And then, we have to be so careful. The police—Not that they would touch a lady like you. But the poor alien has not much chance these days."

Mrs. Wilton followed him to the back of the shop, where there was a winding staircase. She knocked over a few things in her passage and stooped to pick them up, but the dealer kept muttering, "It does not matter—surely it does not matter." He lit a candle.

"You must go up these stairs. They are very dark; be careful. When you come to a door, open it and go straight in."

He stood at the foot of the stairs holding the light high above his head and she ascended.

The room was not very large, and it seemed very ordinary. There were some flimsy, uncomfortable chairs in gilt and red. Two large palms were in corners. Under a glass cover on the table was a view of Rome. The room had not a business-like look, thought Mrs. Wilton; there was no suggestion of the office or waiting-room where people came and went all day; yet you would not say that it was a private room which was lived in. There were no books or papers about; every chair was in the place it had been placed when the room was last swept; there was no fire and it was very cold.

To the right of the window was a door covered with a plush curtain. Mrs. Wilton sat down near the table and watched this door. She thought it must be through it that the soothsayer would come forth. She laid her hands listlessly one on top of the other on the table. This must be the tenth seer she had consulted since Hugh had been killed. She thought them over. No, this must be the eleventh. She had forgotten that frightening man in Paris who said he had been a priest. Yet of them all it was only he who had told her anything definite. But even he could do no more than tell the past. He told of her marriage; he even had the duration of it right—twenty-one months. He told too of their time in India—at least, he knew that her husband had been a soldier, and said he had been on service in the "colonies." On the whole, though, he had been as unsatisfactory as the others. None of them had given her the consolation she sought. She did not want to be told of the past. If Hugh was gone forever, then with him had gone all her love of living, her courage, all her better self. She wanted to be lifted out of the despair, the dazed aimless drifting from day to day, longing at night for the morning, and in the morning for the fall of night, which had been her life since his death. If somebody could assure her that it was not all over, that he was somewhere, not too far away, unchanged from what he had been here, with his crisp hair and rather slow smile and lean brown face, that he saw her sometimes, that he had not forgotten her. . . .

"Oh, Hugh, darling!"

When she looked up again the woman was sitting there before her. Mrs. Wilton had not heard her come in. With her experience, wide enough now, of seers and fortune-tellers of all kinds, she saw at once that this woman was different from the others. She was used to the quick appraising look, the attempts, sometimes clumsy, but often cleverly disguised, to collect some fragments of information whereupon to erect a plausible vision. But this woman looked as if she took it out of herself.

Not that her appearance suggested intercourse with the spiritual world more than the others had done; it suggested that, in fact, considerably less. Some of the others were frail, yearning, evaporated creatures, and the ex-priest in Paris had something terrible and condemned in his look. He might well sup with the devil, that man, and probably did in some way or other.

But this was a little fat, weary-faced woman about fifty, who only did not look like a cook because she looked more like a sempstress. Her black dress was all covered with white threads. Mrs. Wilton looked at her with some embarrassment. It seemed more reasonable to be asking a woman like this about altering a gown than about intercourse with the dead. That seemed even absurd in such a very commonplace presence. The woman seemed timid and oppressed: she breathed heavily and kept rubbing her dingy hands, which looked moist, one over the other; she was always wetting her lips, and coughed with a little dry cough. But in her these signs of nervous exhaustion suggested overwork in a close atmosphere, bending too close over the sewing-machine. Her uninteresting hair, like a rat's pelt, was eked out with a false addition of another color. Some threads had got into her hair too.

Her harried, uneasy look caused Mrs. Wilton to ask compassionately: "Are you much worried by the police?"

"Oh, the police! Why don't they leave us alone? You never know who comes to see you. Why don't they leave me alone? I'm a good woman. I only think. What I do is no harm to any one." . . .

She continued in an uneven querulous voice, always rubbing her hands together nervously. She seemed to the visitor to be talking at random, just gabbling, like children do sometimes before they fall asleep.

"I wanted to explain——" hesitated Mrs. Wilton.

But the woman, with her head pressed close against the back of the chair, was staring beyond her at the wall. Her face had lost whatever little expression it had; it was blank and stupid. When she spoke it was very slowly and her voice was guttural.

"Can't you see him? It seems strange to me that you can't see him. He is so near you. He is passing his arm round your shoulders."

This was a frequent gesture of Hugh's. And indeed at that moment she felt that somebody was very near her, bending over her. She was enveloped in tenderness. Only a very thin veil, she felt, prevented her from seeing. But the woman saw. She was describing Hugh minutely, even the little things like the burn on his right hand.

"Is he happy? Oh, ask him does he love me?"

The result was so far beyond anything she had hoped for that she was stunned. She could only stammer the first thing that came into her head. "Does he love me?"

"He loves you. He won't answer, but he loves you. He wants me to make you see him; he is disappointed, I think, because I can't. But I can't unless you do it yourself."

After a while she said:

"I think you will see him again. You think of nothing else. He is very close to us now."

Then she collapsed, and fell into a heavy sleep and lay there motionless, hardly breathing. Mrs. Wilton put some notes on the table and stole out on tip-toe.

*******

The Damned Thing

The Damned Thing is an 1893 short story by Ambrose Bierce (pictured above), whose own end would make a good horror tale.

You can read this short story online here. You can have it read to you by David McCallum at the bottom of this post. It begins,

I

ONE DOES NOT ALWAYS EAT WHAT IS ON THE TABLE

By the light of a tallow candle which had been placed on one end of a rough table a man was reading something written in a book. It was an old account book, greatly worn; and the writing was not, apparently, very legible, for the man sometimes held the page close to the flame of the candle to get a stronger light on it. The shadow of the book would then throw into obscurity a half of the room, darkening a number of faces and figures; for besides the reader, eight other men were present. Seven of them sat against the rough log walls, silent, motionless, and the room being small, not very far from the table. By extending an arm any one of them could have touched the eighth man, who lay on the table, face upward, partly covered by a sheet, his arms at his sides. He was dead.

The man with the book was not reading aloud, and no one spoke; all seemed to be waiting for something to occur; the dead man only was without expectation. From the blank darkness outside came in, through the aperture that served for a window, all the ever unfamiliar noises of night in the wilderness—the long nameless note of a distant coyote; the stilly pulsing thrill of tireless insects in trees; strange cries of night birds, so different from those of the birds of day; the drone of great blundering beetles, and all that mysterious chorus of small sounds that seem always to have been but half heard when they have suddenly ceased, as if conscious of an indiscretion. But nothing of all this was noted in that company; its members were not overmuch addicted to idle interest in matters of no practical [Pg 161]importance; that was obvious in every line of their rugged faces—obvious even in the dim light of the single candle. They were evidently men of the vicinity—farmers and woodsmen.

The person reading was a trifle different; one would have said of him that he was of the world, worldly, albeit there was that in his attire which attested a certain fellowship with the organisms of his environment. His coat would hardly have passed muster in San Francisco; his foot-gear was not of urban origin, and the hat that lay by him on the floor (he was the only one uncovered) was such that if one had considered it as an article of mere personal adornment he would have missed its meaning. In countenance the man was rather prepossessing, with just a hint of sternness; though that he may have assumed or cultivated, as appropriate to one in authority. For he was a coroner. It was by virtue of his office that he had possession of the book in which he was reading; it had been found among the dead man's effects—in his cabin, where the inquest was now taking place.

When the coroner had finished reading he put the book into his breast pocket. At that moment the door was pushed open and a young man entered. He, clearly, was not of mountain birth and breeding: he was clad as those who dwell in cities. His clothing was dusty, however, as from travel. He had, in fact, been riding hard to attend the inquest.

The coroner nodded; no one else greeted him.

"We have waited for you," said the coroner. "It is necessary to have done with this business to-night."

The young man smiled. "I am sorry to have kept you," he said. "I went away, not to evade your summons, but to post to my newspaper an account of what I suppose I am called back to relate."

The coroner smiled.

"The account that you posted to your newspaper," he said, "differs, probably, from that which you will give here under oath."

"That," replied the other, rather hotly and with a visible flush, "is as you please. I used manifold paper and have [Pg 162]a copy of what I sent. It was not written as news, for it is incredible, but as fiction. It may go as a part of my testimony under oath."

"But you say it is incredible."

"That is nothing to you, sir, if I also swear that it is true."

The coroner was silent for a time, his eyes upon the floor. The men about the sides of the cabin talked in whispers, but seldom withdrew their gaze from the face of the corpse. Presently the coroner lifted his eyes and said: "We will resume the inquest."

The men removed their hats. The witness was sworn.

*******

The Third Bear

The Third Bear is a short story by Jeff Vandermeer. I found this shared by Vandermeer's Twitter account. He also posts delightful wildlife photos there. You can read this story online here. It begins,

It made its home in the deep forest near the village of Grommin, and all anyone ever saw of it, before the end, would be hard eyes and the dark barrel of its muzzle. The smell of piss and blood and shit and bubbles of saliva and half-eaten food. The villagers called it the Third Bear because they had killed two bears already that year. But, near the end, no one really thought of it as a bear, even though the name had stuck, changed by repetition and fear and slurring through blood-filled mouths to Theeber. Sometimes it even sounded like "seether" or "seabird."

The Third Bear came to the forest in mid-summer ...

*******

(Image at the top of the post by Free-Photos from Pixabay)

The Rival Ghosts

The Rival Ghosts is an 1896 "humorous ghost story" by Brander Matthews (pictured above). It can be read online here. You can have it read to you at the bottom of this post. It begins,

The good ship sped on her way across the calm Atlantic. It was an outward passage, according to the little charts which the company had charily distributed, but most of the passengers were homeward bound, after a summer of rest and recreation, and they were counting the days before they might hope to see Fire Island Light. On the lee side of the boat, comfortably sheltered from the wind, and just by the door of the captain's room (which was theirs during the day), sat a little group of returning Americans. The Duchess (she was down on the purser's list as Mrs. Martin, but her friends and familiars called her the Duchess of Washington Square) and Baby Van Rensselaer (she was quite old enough to vote, had her sex been entitled to that duty, but as the younger of two sisters she was still the baby of the family)—the Duchess and Baby Van Rensselaer were discussing the pleasant English voice and the not unpleasant English accent of a manly young lordling who was going to America for sport. Uncle Larry and Dear Jones were enticing each other into a bet on the ship's run of the morrow.

"I'll give you two to one she don't make 420," said Dear Jones.

"I'll take it," answered Uncle Larry. "We made 427 the fifth day last year." It was Uncle Larry's seventeenth visit to Europe, and this was therefore his thirty-fourth voyage.

"And when did you get in?" asked Baby Van Rensselaer. "I don't care a bit about the run, so long as we get in soon."

"We crossed the bar Sunday night, just seven days after we left Queenstown, and we dropped anchor off Quarantine at three o'clock on Monday morning."

"I hope we shan't do that this time. I can't seem to sleep any when the boat stops."

"I can; but I didn't," continued Uncle Larry; "because my state-room was the most for'ard in the boat, and the donkey-engine that let down the anchor was right over my head."

"So you got up and saw the sunrise over the bay," said Dear Jones, "with the electric lights of the city twinkling in the distance, and the first faint flush of the dawn in the east just over Fort Lafayette, and the rosy tinge which spread softly upward, and——"

"Did you both come back together?" asked the Duchess.

"Because he has crossed thirty-four times you must not suppose that he has a monopoly in sunrises," retorted Dear Jones. "No, this was my own sunrise; and a mighty pretty one it was, too."

"I'm not matching sunrises with you," remarked Uncle Larry, calmly; "but I'm willing to back a merry jest called forth by my sunrise against any two merry jests called forth by yours."

"I confess reluctantly that my sunrise evoked no merry jest at all." Dear Jones was an honest man, and would scorn to invent a merry jest on the spur of the moment.

"That's where my sunrise has the call," said Uncle Larry, complacently.

"What was the merry jest?" was Baby Van Rensselaer's inquiry, the natural result of a feminine curiosity thus artistically excited.

"Well, here it is. I was standing aft, near a patriotic American and a wandering Irishman, and the patriotic American rashly declared that you couldn't see a sunrise like that anywhere in Europe, and this gave the Irishman his chance, and he said, 'Sure ye don't have 'em here till we're through with 'em over there.'"

"It is true," said Dear Jones, thoughtfully, "that they do have some things over there better than we do; for instance, umbrellas."

"And gowns," added the Duchess.

"And antiquities,"—this was Uncle Larry's contribution.

"And we do have some things so much better in America!" protested Baby Van Rensselaer, as yet uncorrupted by any worship of the effete monarchies of despotic Europe. "We make lots of things a great deal nicer than you can get them in Europe—especially ice-cream."

"And pretty girls," added Dear Jones; but he did not look at her.

"And spooks," remarked Uncle Larry casually.

"Spooks?" queried the Duchess.

"Spooks. I maintain the word. Ghosts, if you like that better, or specters. We turn out the best quality of spook——"

"You forget the lovely ghost stories about the Rhine, and the Black Forest," interrupted Miss Van Rensselaer, with feminine inconsistency.

"I remember the Rhine and the Black Forest and all the other haunts of elves and fairies and hobgoblins; but for good honest spooks there is no place like home. And what differentiates our spook—Spiritus Americanus—from the ordinary ghost of literature is that it responds to the American sense of humor. Take Irving's stories for example. The Headless Horseman, that's a comic ghost story. And Rip Van Winkle—consider what humor, and what good-humor, there is in the telling of his meeting with the goblin crew of Hendrik Hudson's men! A still better example of this American way of dealing with legend and mystery is the marvelous tale of the rival ghosts."

"The rival ghosts?" queried the Duchess and Baby Van Rensselaer together. "Who were they?"

"Didn't I ever tell you about them?" answered Uncle Larry, a gleam of approaching joy flashing from his eye.

"Since he is bound to tell us sooner or later, we'd better be resigned and hear it now," said Dear Jones.

"If you are not more eager, I won't tell it at all."

"Oh, do, Uncle Larry; you know I just dote on ghost stories," pleaded Baby Van Rensselaer.

"Once upon a time," began Uncle Larry—"in fact, a very few years ago—there lived in the thriving town of New York a young American called Duncan—Eliphalet Duncan.
...

*******

The House on the Borderland

The House on the Borderland is a 1908 supernatural horror novel by William Hope Hodgson. It is a well-regarded book that according to Wikipedia signaled a radical departure from the typical Gothic fiction of the late 19th century. Hodgson created a newer more realistic/scientific cosmic horror that left a marked impression on those who would become the great writers of the weird tales of the middle of the 20th century. You can read it online here or listen to the Librivox recording here. It begins,

I

THE FINDING OF THE MANUSCRIPT

Right away in the west of Ireland lies a tiny hamlet called Kraighten. It is situated, alone, at the base of a low hill. Far around there spreads a waste of bleak and totally inhospitable country; where, here and there at great intervals, one may come upon the ruins of some long desolate cottage—unthatched and stark. The whole land is bare and unpeopled, the very earth scarcely covering the rock that lies beneath it, and with which the country abounds, in places rising out of the soil in wave-shaped ridges.

Yet, in spite of its desolation, my friend Tonnison and I had elected to spend our vacation there. He had stumbled on the place by mere chance the year previously, during the course of a long walking tour, and discovered the possibilities for the angler in a small and unnamed river that runs past the outskirts of the little village.

I have said that the river is without name; I may add that no map that I have hitherto consulted has shown either village or stream. They seem to have entirely escaped observation: indeed, they might never exist for all that the average guide tells one. Possibly this can be partly accounted for by the fact that the nearest railway station (Ardrahan) is some forty miles distant.

It was early one warm evening when my friend and I arrived in Kraighten. We had reached Ardrahan the previous night, sleeping there in rooms hired at the village post office, and leaving in good time on the following morning, clinging insecurely to one of the typical jaunting cars.

It had taken us all day to accomplish our journey over some of the roughest tracks imaginable, with the result that we were thoroughly tired and somewhat bad tempered. However, the tent had to be erected and our goods stowed away before we could think of food or rest. And so we set to work, with the aid of our driver, and soon had the tent up upon a small patch of ground just outside the little village, and quite near to the river.

Then, having stored all our belongings, we dismissed the driver, as he had to make his way back as speedily as possible, and told him to come across to us at the end of a fortnight. We had brought sufficient provisions to last us for that space of time, and water we could get from the stream. Fuel we did not need, as we had included a small oil-stove among our outfit, and the weather was fine and warm.

It was Tonnison's idea to camp out instead of getting lodgings in one of the cottages. As he put it, there was no joke in sleeping in a room with a numerous family of healthy Irish in one corner and the pigsty in the other, while overhead a ragged colony of roosting fowls distributed their blessings impartially, and the whole place so full of peat smoke that it made a fellow sneeze his head off just to put it inside the doorway.

Tonnison had got the stove lit now and was busy cutting slices of bacon into the frying pan; so I took the kettle and walked down to the river for water. On the way, I had to pass close to a little group of the village people, who eyed me curiously, but not in any unfriendly manner, though none of them ventured a word.

As I returned with my kettle filled, I went up to them and, after a friendly nod, to which they replied in like manner, I asked them casually about the fishing; but, instead of answering, they just shook their heads silently, and stared at me. I repeated the question, addressing more particularly a great, gaunt fellow at my elbow; yet again I received no answer. Then the man turned to a comrade and said something rapidly in a language that I did not understand; and, at once, the whole crowd of them fell to jabbering in what, after a few moments, I guessed to be pure Irish. At the same time they cast many glances in my direction. For a minute, perhaps, they spoke among themselves thus; then the man I had addressed faced 'round at me and said something. By the expression of his face I guessed that he, in turn, was questioning me; but now I had to shake my head, and indicate that I did not comprehend what it was they wanted to know; and so we stood looking at one another, until I heard Tonnison calling to me to hurry up with the kettle. Then, with a smile and a nod, I left them, and all in the little crowd smiled and nodded in return, though their faces still betrayed their puzzlement.

It was evident, I reflected as I went toward the tent, that the inhabitants of these few huts in the wilderness did not know a word of English; and when I told Tonnison, he remarked that he was aware of the fact, and, more, that it was not at all uncommon in that part of the country, where the people often lived and died in their isolated hamlets without ever coming in contact with the outside world.

"I wish we had got the driver to interpret for us before he left," I remarked, as we sat down to our meal. "It seems so strange for the people of this place not even to know what we've come for."

Tonnison grunted an assent, and thereafter was silent for a while.

Later, having satisfied our appetites somewhat, we began to talk, laying our plans for the morrow; then, after a smoke, we closed the flap of the tent, and prepared to turn in.

"I suppose there's no chance of those fellows outside taking anything?" I asked, as we rolled ourselves in our blankets.

Tonnison said that he did not think so, at least while we were about; and, as he went on to explain, we could lock up everything, except the tent, in the big chest that we had brought to hold our provisions. I agreed to this, and soon we were both asleep.

Next morning, early, we rose and went for a swim in the river; after which we dressed and had breakfast. Then we roused out our fishing tackle and overhauled it, by which time, our breakfasts having settled somewhat, we made all secure within the tent and strode off in the direction my friend had explored on his previous visit.

During the day we fished happily, working steadily upstream, and by evening we had one of the prettiest creels of fish that I had seen for a long while. Returning to the village, we made a good feed off our day's spoil, after which, having selected a few of the finer fish for our breakfast, we presented the remainder to the group of villagers who had assembled at a respectful distance to watch our doings. They seemed wonderfully grateful, and heaped mountains of what I presumed to be Irish blessings upon our heads.

Thus we spent several days, having splendid sport, and first-rate appetites to do justice upon our prey. We were pleased to find how friendly the villagers were inclined to be, and that there was no evidence of their having ventured to meddle with our belongings during our absences.

It was on a Tuesday that we arrived in Kraighten, and it would be on the Sunday following that we made a great discovery. Hitherto we had always gone up-stream; on that day, however, we laid aside our rods, and, taking some provisions, set off for a long ramble in the opposite direction. The day was warm, and we trudged along leisurely enough, stopping about mid-day to eat our lunch upon a great flat rock near the riverbank. Afterward we sat and smoked awhile, resuming our walk only when we were tired of inaction.

For perhaps another hour we wandered onward, chatting quietly and comfortably on this and that matter, and on several occasions stopping while my companion—who is something of an artist—made rough sketches of striking bits of the wild scenery.

And then, without any warning whatsoever, the river we had followed so confidently, came to an abrupt end—vanishing into the earth.

"Good Lord!" I said, "who ever would have thought of this?"

And I stared in amazement; then I turned to Tonnison. He was looking, with a blank expression upon his face, at the place where the river disappeared.

In a moment he spoke.

"Let us go on a bit; it may reappear again—anyhow, it is worth investigating."

I agreed, and we went forward once more, though rather aimlessly; for we were not at all certain in which direction to prosecute our search. For perhaps a mile we moved onward; then Tonnison, who had been gazing about curiously, stopped and shaded his eyes.

"See!" he said, after a moment, "isn't that mist or something, over there to the right—away in a line with that great piece of rock?" And he indicated with his hand.

I stared, and, after a minute, seemed to see something, but could not be certain, and said so.

"Anyway," my friend replied, "we'll just go across and have a glance." And he started off in the direction he had suggested, I following. Presently, we came among bushes, and, after a time, out upon the top of a high, boulder-strewn bank, from which we looked down into a wilderness of bushes and trees.

"Seems as though we had come upon an oasis in this desert of stone," muttered Tonnison, as he gazed interestedly. Then he was silent, his eyes fixed; and I looked also; for up from somewhere about the center of the wooded lowland there rose high into the quiet air a great column of hazelike spray, upon which the sun shone, causing innumerable rainbows.

"How beautiful!" I exclaimed.

"Yes," answered Tonnison, thoughtfully. "There must be a waterfall, or something, over there. Perhaps it's our river come to light again. Let's go and see."

Down the sloping bank we made our way, and entered among the trees and shrubberies. The bushes were matted, and the trees overhung us, so that the place was disagreeably gloomy; though not dark enough to hide from me the fact that many of the trees were fruit trees, and that, here and there, one could trace indistinctly, signs of a long departed cultivation. Thus it came to me that we were making our way through the riot of a great and ancient garden. I said as much to Tonnison, and he agreed that there certainly seemed reasonable grounds for my belief.

What a wild place it was, so dismal and somber! Somehow, as we went forward, a sense of the silent loneliness and desertion of the old garden grew upon me, and I felt shivery. One could imagine things lurking among the tangled bushes; while, in the very air of the place, there seemed something uncanny. I think Tonnison was conscious of this also, though he said nothing.

Suddenly, we came to a halt. Through the trees there had grown upon our ears a distant sound. Tonnison bent forward, listening. I could hear it more plainly now; it was continuous and harsh—a sort of droning roar, seeming to come from far away. I experienced a queer, indescribable, little feeling of nervousness. What sort of place was it into which we had got? I looked at my companion, to see what he thought of the matter; and noted that there was only puzzlement in his face; and then, as I watched his features, an expression of comprehension crept over them, and he nodded his head.

"That's a waterfall," he exclaimed, with conviction. "I know the sound now." And he began to push vigorously through the bushes, in the direction of the noise.

As we went forward, the sound became plainer continually, showing that we were heading straight toward it. Steadily, the roaring grew louder and nearer, until it appeared, as I remarked to Tonnison, almost to come from under our feet—and still we were surrounded by the trees and shrubs.

"Take care!" Tonnison called to me. "Look where you're going." And then, suddenly, we came out from among the trees, on to a great open space, where, not six paces in front of us, yawned the mouth of a tremendous chasm, from the depths of which the noise appeared to rise, along with the continuous, mistlike spray that we had witnessed from the top of the distant bank.

For quite a minute we stood in silence, staring in bewilderment at the sight; then my friend went forward cautiously to the edge of the abyss. I followed, and, together, we looked down through a boil of spray at a monster cataract of frothing water that burst, spouting, from the side of the chasm, nearly a hundred feet below.

"Good Lord!" said Tonnison.

I was silent, and rather awed. The sight was so unexpectedly grand and eerie; though this latter quality came more upon me later.

Presently, I looked up and across to the further side of the chasm. There, I saw something towering up among the spray: it looked like a fragment of a great ruin, and I touched Tonnison on the shoulder. He glanced 'round, with a start, and I pointed toward the thing. His gaze followed my finger, and his eyes lighted up with a sudden flash of excitement, as the object came within his field of view.

"Come along," he shouted above the uproar. "We'll have a look at it. There's something queer about this place; I feel it in my bones."