Tuesday, August 11, 2009

The Gorgon

The Gorgon is a 1964 Hammer Studios film starring Peter Cushing, Christopher Lee, Michael Goodliffe and Patrick Troughton.



Moria likes it, and says it " is one of the most neglected and underrated of the classics from England’s Hammer Films." 1000 Misspent Hours calls it "An extremely bizarre offering". StompTokyo says,
there's something about the obvious culture and confident earnestness of these two actors that makes their films downright irresistible. Lines of dialogue that would be laughable in the mouths of lesser men sound natural when handled by these distinguished-looking gents. The studio, recognizing the good thing in its grasp, pumped Cushing and Lee for dozens of films, and the history of cinema is richer for it.

The Brides of Dracula

Brides of Dracula is a 1960 Hammer Studios production starring Peter Cushing, Martita Hunt, Freda Jackson, Miles Malleson, Henry Oscar and Mona Washbourne.

trailer:



The New York Times says, "here is but another repetition of the standard tale of the vampire bugaboo who likes to sink his oversized dentures into the necks of pretty girls. There is nothing new or imaginative about it." Moria says it "emerges as one of the occasions where a sequel favourably compares to its predecessor." 1000 Misspent Hours closes by saying,
I can’t fully get behind a movie called The Brides of Dracula that not only lacks Count Dracula, but that also lacks any characters who could in any honest way be described as his brides. It’s still a good movie, and it’s certainly an improvement over its dim-witted predecessor, but for some reason, the double bait-and-switch in the title really bothers me.

The Flesh and the Fiends

The Flesh and the Fiends (aka Mania) is a 1960 horror movie starring Peter Cushing, Donald Pleasence and Billie Whitelaw (voice of Aughra in The Dark Crystal). Stanley Black did the music.



AMC has an overview. Reviews are a bit hard to come by.

The Mummy (1959)


The Mummy is a 1959 Hammer Films production starring Christopher Lee and Peter Cushing. You can watch it online at this link. Here is a trailer:



1000 Misspent Hours says this film "is everything all those über-famous Universal Studios flicks from the 30’s and 40’s should have been, but mostly weren’t."

The picture at the top of the post is from Wikipedia.

The Curse of Frankenstein

The Curse of Frankenstein is a 1957 Hammer Films production starring Peter Cushing and Christopher Lee. This was the beginning of a wonderful relationship.

trailer:



The New York Times has an unenthusiastic review. 1000 Misspent Hours calls it one of the "precious few intelligent Frankenstein movies". Moria says,
This is where it all began – the grand Anglo-horror cycle that lasted throughout the 1960s and most of the 1970s and had influences that reach to the continental Gothic horror revival of the 1960s and Roger Corman’s Edgar Allan Poe films. But most of all The Curse of Frankenstein is the beginning of the legend of Hammer Films.

Alexander the Great (1956)

Alexander the Great stars Richard Burton, Fredric March, Claire Bloom, Barry Jones, Harry Andrews, Stanley Baker, Niall MacGinnis, Peter Cushing, Michael Hordern and Friedrich von Ledebur.

Fancast has it online:



The New York Times
calls it "a sweeping pageant" and "thoughtful and spectacular entertainment." Variety says it's "a spectacle of tremendous size."

The Hound of the Baskervilles (1959)

The Hound of the Baskervilles is a 1959 Hammer Films adaptation of the Sherlock Holmes story. This version stars Peter Cushing and Christopher Lee.

from GoogleVideo:


Variety praises Cushing, saying he "looks, talks and behaves in precisely the way approved by the Sherlock Holmes Society." The New York Times calls it "a garish excuse for what should he a fog-wreathed and ghost-haunted vehicle for another excursion of Sherlock Holmes." Ferdy on Films says "This is the best film of Sir Arthur Conan Doyle’s book. In fact, it’s better than the book." Classic-Horror.com calls it "charming".

Peter Cushing

Today is the anniversary of the death in 1994 of Peter Cushing. NeedCoffee.com links to "A One Way Ticket to Hollywood, a feature-length interview/retrospective". FilmReference.com says,
Peter Cushing was identifiable by his noble air and refined manner, by all appearances a gentleman. Yet he is best remembered for those moments in film where he plunges the stake, without reservation or mercy, into the waiting chest of the sleeping vampire, amid deafening screams from the dying and a pool of blood to reassure us that the deed is done. For Cushing was one of the mainstays of the British horror film, as defined by Hammer Films.

I have blog posts on the following of his films:

Hamlet (1948)
Nineteen Eighty-Four (1954)
Alexander the Great (1956)
The Curse of Frankenstein (1957)
The Horror of Dracula (1958)
The Hound of the Baskervilles (1959)
The Mummy (1959)
The Brides of Dracula (1960)
The Flesh and the Fiends (1960)
The Gorgon (1964)
Island of Terror (1966)
I, Monster (1971)
Horror Express (1973)
The Satanic Rites of Dracula (1973)
The Legend of the 7 Golden Vampires (1974)
Madhouse (1974)
At the Earth's Core (1976)
Shock Waves (1977)
Star Wars (1977)
House of Long Shadows (1983)

And here's a Hammer Frankenstein fan video featuring music by Queen:

Monday, August 10, 2009

The David Gemmell Legend Award


This is the first year for The David Gemmell Legend Award. Named in memory of fantasy author David Gemmell, who died in 2006, it is given to the best fantasy novel of the year. I don't think I've ever before become aware of an award in its inaugural year.

Winners:

2009 Blood of Elves, by Andrzej Sapkowski

Sunday, August 09, 2009

Gog

Gog is a 1954 science fiction film directed by Herbert Strock and starring Richard Egan and Herbert Marshall. Also in this film is William Schallert, who has an original series Star Trek connection as well as a DS9 appearance.

This is filled with the kind of sexism you would expect from a 1950's-era film.

Guba has this online, but I'm having trouble getting it to actually appear on the blog using their code. GoogleVideo has it:


The New York Times calls it "utter nonsense". Reviews are a bit hard to find.

4/4/2010: SFSignal has is featuring this film for its Easter Sunday Cinema today.

Saturday, August 08, 2009

Steve Cohen's Town Hall Meeting



The Daughter and I got downtown about half an hour before the event was to start to find a line already snaking around the building. We got in line behind 2 women, and 2 men came up behind us.

Our first impressions began in the line. I noticed a bright red Smart Fortwo parked next to where I was standing and told The Daughter I wanted that car. She said I'd just get crushed by the SUVs, and I said that we could just outlaw those SUVs and I could drive my Smart Car without fear. One of the women in front of us was apparently eavesdropping and took me seriously, turning and making some disparaging comment about me not liking kids or something -surely not.... I tried to "friendly" it up a bit by saying that the big van we had needed when I had 3 kids in car-seats was good at the time but that now I was ready for the cute little red car. By then, though, she had turned her back on me.

The men behind us were a friendlier pair. I did eventually say something that revealed my personal views on the health care issue, and one of the men offered us each a sign to use during the meeting. Here's a photo The Daughter took of the sign: Our experience throughout the morning was this: Our political views unknown, the liberals were friendly and sociable while the conservatives were, um, not.

As we made it up closer to the door there was a young woman handing out blank index cards on which to write one's name and question. The woman ahead of us in line who had so objected to my SUV comment said, "It's about democracy!" and slapped the card from the worker's hand -actually slapping the hand of the young woman, the card falling to the ground, leaving the worker with a stunned expression on her face. At that point I decided to make sure not to sit anywhere near that angry soul for fear her slapping habits might escalate.

We got in, filled out constituent cards and worked our way into the already crowded room. We found a couple of seats in the middle of a row at the back and settled in to wait. The people on our row seemed to share our political leanings, having some pink "Health Care Now" signs that someone had handed to interested parties in the line outside.

Someone made an announcement that there were people who had come in armed. They were legally armed, with permits, but he did ask folks carrying weapons to check in with security. This request (I would have preferred a "no guns allowed" rule) brought a loud chorus of boos and the beginning of a head-ache I still have. The Daughter and I had lost sight of the Angry Slapping Woman from the line but were hoping she didn't have a gun with her.

They asked that everyone who lives in the 9th congressional district stand, and I swear the only people who remained seated were those who didn't hear the man. This was followed by laughter from those of us who actually do live in the district.

Congressman Cohen began by introducing his staff. The introductions did go on a bit, but it was interesting to hear about the staff responsibilities -what I could hear of it, that is, over the rude grumblings and occasional shouts of some of the crowd.

When it came time to actually start, the congressman began with the pledge of allegiance to the flag. Why do they do that? I didn't see a flag anywhere, but visibility was poor. Everyone stood. I knew exactly what would happen, and sure enough the "under God" phrase was shouted loudly and angrily as if to make some kind of statement. What? That God is hard of hearing? That saying it louder will convert some poor sinner? (sigh, worsening headache) After we sat, a young woman directly behind me leaned up to The Daughter and asked if she knew the words to the pledge. My darlin' daughter smiled sweetly and said, "Yes, ma'am." These people are just plain rude. What business did that young woman have accosting The Daughter in that fashion?

Doctors got a lot of time to put forth their various opinions on this issue, time that would have been better spent letting sick people without health insurance tell their stories. To be honest, I don't care what the doctors think about this any more than I care what the insurance companies think.

Questions were submitted on cards and read by his staff, which I liked because it kept people from taking a rambling 5-minutes to work up to their 5-word question. Many questions were interrupted by yells or chants. Local issues were drowned out by folks who aren't from around here. There was impatience, for example, with the question about what will become of the Pyramid. People who live here care about these things, but the people who came from other areas just to disrupt our time with our congressman were anxious to keep the focus on their own agenda.

We were lucky in our seat-mates. The woman to my daughter's left was quiet and calm. Like us, she had trouble hearing. The older man to my right thought the same things were funny that I did and made several comments (quietly) that I agreed with.

Other rows were different. A man behind us (probably attached in some way to the rude pledge woman) yelled so much the man next to him got up and moved to another seat further down that same row. Towards the end he was yelling adamantly for open microphones, and I wondered why he was there if not to hear Cohen address constituent questions and issues. In front of us were a couple of women who repeatedly called Congressman Cohen a liar, though they didn't do it loudly. "That's just not true," they kept saying. We heard a lot of that. The Daughter said, "If they already know it all, why are they here?" A man a couple of rows ahead of us stood and yelled for Mr. Cohen to "Just Shut Up!" Again, I have to wonder why he came if not to hear Cohen speak. He could have gone lots of places where the congressman isn't speaking. There was a loud man on the other side of the room and further to the front insisting repeatedly that Cohen go on record as to whether or not he'll vote for the bill. What bill, you ask? The bill that hasn't even been written yet? Yes, well Cohen rightly refused to play in that sandbox.

I felt sorry for the poor child who was made to hold up the huge sign asking that we not kill his "gigi" -whatever a "gigi" is. The congressman assured folks that no one would be killed and explained that the purpose of that part of the proposed legislation is to make sure folks are informed of options of hospice care and other end of life support services. Another big issue was abortion. The conservative group did a lot of yelling about not wanting tax dollars used to pay for abortions. It also seemed that they would much rather "illegal aliens" be left to die painful deaths by the roadside than have one dollar spent on their care. The story of the good Samaritan comes to mind, but surely they know that story.

The Church Health Center got a lot of press, and I agree it's a good and holy endeavor, but I hate seeing it used as an answer to folks who don't have health insurance. Many don't qualify, and most cities don't have a facility like this one. The Church Health Center is not The Answer to the health care crisis.

There was some problem with the Fire Marshall complaining that aisles were being blocked, and the meeting ended early. As we were leaving there were several people saying that Cohen could do whatever he likes now that he's in office because there are no term limits and no competition, a fact that may come as a shock to former mayor Herenton, who seems to think he has a shot at this. Also as we were leaving we walked past a woman standing in the hall who told me that the sign I had in my hand was "upside down, dummy." Our level of discourse just keeps on improving... The Daughter says that woman would never win the playground fight.

And that's our first experience with Town Hall meetings. From the experience we had today we think conservatives are mean, violent, unfriendly, loud, rude, condescending and unwilling to listen. At the end of the event, The Daughter and I were quite relieved that none of these angry folks who had proven themselves prone to physical violence had pulled out one of their legally carried weapons and shot us dead. Honestly. I haven't always voted Democratic, but I'll never again vote on the same side as the conservatives I saw in action today. Never. Ever. I'll be more likely to check what they are against and vote for it.

Other local reports of this event:

Congressman Cohen's report
ShelbyWatchdog
Main Street Journal
a video report from someone who was there
Newscoma
Remixx World
The Tennessean
BlueCollarRepublican also calls us "dummies".
Born-Again Hippies, who writes, "If Cohen had announced free beer and Bar-B-Que, this crowd would have still booed" in reporting on a part of the meeting I neglected:
I knew we were in in for a long day when he read the headline from the morning's paper that said "U.S. Economy Shows Life," and a cascade of boos gushed forth from the hostile crowd.

FireDogLake
LeftWing Cracker, who has 14 photos here
Vibinc
Grand Divisions
Memphis Daily News
Commercial Appeal here
Jackson Sun
WREG
Queer Notes
AP
Memphis Flyer
WMCTV

The 2 photos in this post were taken by The Daughter at the event.

Friday, August 07, 2009

Paths of Glory


Paths of Glory is a 1957 Stanley Kubrick film starring Kirk Douglas. The movie is inspired by events in the military career of French general Geraud Reveilhac

Youtube has it available online in 9 segments, but embedding is disabled.

The New York Times has a review. The Guardian calls it "arguably one of his finest films". Roger Ebert says, ""Paths of Glory" was the film by which Stanley Kubrick entered the ranks of great directors, never to leave them." FilmReference.com says it "is Kubrick's best motion picture."

The photo at the top of the page is from Wikipedia.

Thursday, August 06, 2009

The Element of Crime

The Element of Crime, released in the U.S. in 1987, is directed by Lars von Trier. It takes place in a near-future dystopic Europe. The horses have a hard time of it.

trailer:



Moria gives it 2 stars and calls it "incredibly dull". The New York Times calls it "a film noir that's murky without being terribly mysterious." Images Journal describes it as "a deliberate fusion of genres, philosophies, and nationalities."

Wednesday, August 05, 2009

A Man Escaped

A Man Escaped is a 1956 Robert Bresson film based on a true story of the escape of a French Resistance fighter from a WWII prison camp. It's on the ArtsAndFaith.com list of 100 most spiritually significant films.

This seems to be out of print -at least, I can't find a DVD of it anywhere- but youtube has it up in segments. part 1:
part 2, part 3, part 4, part 5, part 6, part 7, part 8, part 9 [these videos have been deleted]

trailer:



The New York Times says this film is evidence that the director "is an extraordinary artist in his realm" who "makes his pictures with patience, simplicity and the uncompromising devotion of a saint." Senses of Cinema has a lengthy summary. Images Journal (also at Bright Lights Film Journal) says the film "is typical of Bresson's work in creating highly emotional effects by juxtaposing seemingly oppositional images and motifs." DecentFilms.com says it "offers newcomers to Bresson perhaps the most accessible point of entry into the work of this brilliant, challenging, God-haunted artist." Christianity Today says, "it can be a remarkably powerful experience the first time you view it, its suspense gradually building to excruciating intensity". Slant Magazine says,
The genius of the film is obvious from the start: The way Bresson breathlessly postures Devigny's autobiographical account as a modern spiritual fable and the intensely suffocating aesthetic that truly evokes the squashing of the human soul.

Tuesday, August 04, 2009

The Americanization of Emily

The Americanization of Emily is a 1964 film directed by Arthur Hiller and starring James Garner, Julie Andrews, Melvyn Douglas, James Coburn (a favorite of mine), Keenan Wynn, William Windom (who has an original series Star Trek connection). This comedy/drama takes place in London during WWII.

Youtube has it online in 11 pieces that should autoplay from here:

Part of the movie from the 6th section is not included.

I don't trust people who make bitter reflections about war, Mrs. Barham. It's always the generals with the bloodiest records who are the first to shout what a Hell it is. And it's always the widows who lead the Memorial Day parades ... we shall never end wars, Mrs. Barham, by blaming it on ministers and generals or warmongering imperialists or all the other banal bogies. It's the rest of us who build statues to those generals and name boulevards after those ministers, the rest of us who make heroes of our dead and shrines of our battlefields. We wear our widows' weeds like nuns and perpetuate war by exalting its sacrifices.
...
It may be generals and ministers who blunder us into wars, Mrs. Barham, but the least the rest of us can do is resist honoring the institution.


The New York Times gives it high praise. Slant Magazine says it "offers a scathing critique of the military establishment, war, and its pervasive glorification." TCM has an overview, as do MSN and AMC.

Advance to the Rear

Advance to the Rear is a 1964 film directed by George Marshall and starring Glenn Ford, Stella Stevens, Melvyn Douglas, Jim Backus, Joan Blondell, Andrew Prine (who has a Star Trek connection), Alan Hale, Jr. (a favorite of ours) and Whit Bissell (who has an original series Star Trek connection). It is a Civil War-era comedy that takes place out west. I found it too boring to finish.

Googlevideo has it online:


The New York Times does not like it. MSN has an overview, as do TCM and AMCTV.

The Guilt of Janet Ames

The Guilt of Janet Ames is a 1947 film starring Rosalind Russell and Melvyn Douglas. Also in this movie are Sid Caesar, Nina Foch and Hugh Beaumont.

Youtube has it online divided into 9 sections. Part 1:

part 2, part 3, part 4, part 5, part 6, part 7, part 8, part 9

The New York Times says what it lacks "in large doses is dramatic interest, and there isn't much the principals, Rosalind Russell and Melvyn Douglas, can do about that." TCM has an overview.

Melvyn Douglas

Today is the anniversary of the death in 1981 of Melvyn Douglas. FilmReference.com begins its article by saying, "Melvyn Douglas's career may be divided into two major periods, each of which earned him a considerable reputation as a skillful performer." He has a Facebook page.

I've written blog posts on the following of his films:

Counsellor at Law (1933)
The Vampire Bat (1933)
A Woman's Face (1941)
The Guilt of Janet Ames (1947)
Mr. Blandings Builds His Dream House (1948)
Advance to the Rear (1964)
The Americanization of Emily (1964)
Being There (1979)

A Woman's Face

A Woman's Face is a 1941 George Cukor film starring Joan Crawford, Melvyn Douglas, Conrad Veidt, Reginald Owen, Albert Bassermann, Marjorie Main, Donald Meek, Connie Gilchrist, George Zucco, Robert Warwick, Gilbert Emery and Henry Daniell.

It's online in short segments at youtube, and those parts should autoplay from here: (5/8/2010: that's gone now.)

trailer:


AMCTV has an overview, as does TCM. The New York Times says,
as melodrama, sheer and simple, the story behind Anna Holm's murder trial is often superbly effective, but when it attempts to become a study of emotional anguish it merely betrays the essential hokum of which the film is constructed.

For the story basically is no more than a good old-fashioned thriller which makes use of most of the tricks of the old ten, twent' thirt'—the mad villain, the chase on sleights to save an abducted child, the letter which at the last moment whitewashes the accused.

5/8/2010: The Evening Class has an article.

9/17/2011: Great Old Movies calls it "Absorbing and first-class all the way."

Monday, August 03, 2009

Harold and Maude

Harold and Maude is a 1971 dark comedy/romance directed by Hal Ashby and starring Ruth Gordon, Bud Cort and Ellen Geer (who has a Star Trek connection). The music is by Cat Stevens. The film is on several "top" lists, including 3 from the AFI. There's a Facebook page.

It's online at Googlevideo:


The New York Times doesn't like it. Roger Ebert doesn't like it either, saying, "Harold is death, Maude life, and they manage to make the two seem so similar that life's hardly worth the extra bother." Variety makes it 3 for 3, opening with this: "Harold and Maude has all the fun and gaiety of a burning orphanage."

6/16/2010: 366 Weird Movies calls it "my all-time favorite for about as long as I can remember".