dependence on the close-up, his obsession with the totemic power of the object, his freewheeling mastery of cutting, variation of camera speed and trust in the interpretive abilities of the audience, all come to a head with La Glace à trois faces.
The film can be viewed online and downloaded from ubuweb:
There's an interesting fountain pen at about 12:50. It screws out. What kind is that... Again at 22:10.
I've also seen Epstein's 1928 Fall of the House of Usher.
Just out of curiosity, is this somehow related to the film The Mirror Has Three Faces?
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I don't know. It may be a different translation of the title of the same film.
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